The motif of deception and misdirection reinforces the theme of Institutional Failure in Protecting the Vulnerable. The plot is propelled by a series of lies that consistently mislead adult authorities. The investigation begins on a false premise because May Finnemore lies about being home, concealing her neglect. This initial deception makes a kidnapping seem plausible and directs police attention outward, away from the family’s internal dysfunction.

The authorities are then further misdirected by the convenient appearance of escaped convict Jack Leeper, an erroneous assumption that consumes their resources. Leeper himself exploits their flawed theory, engaging in manipulative games to secure a deal. He taunts detectives, “You want something. I want something. You want the girl. I want a deal” (60). This offer, a complete fabrication, demonstrates how easily the formal system can be stalled by calculated deceit. The final layer of deception is Tom Finnemore’s lie to April that her mother approved of the trip, which prevents April from trying to make contact.

Conversely, characters also use deception as a means of doing the right thing. When Theo first speaks with the police about April, he is intentionally vague, pretending not to recall certain information in order to protect April and her home situation. Similarly, after Theo’s parents learn about it, they, too, choose not to tell the police, insisting that it is not crucial information to help find her at that time. Theo also repeatedly deceives his parents to continue his investigation, particularly when he, Chase, and Ike devise a plan to secretly travel to North Carolina to retrieve April. In this way, deception and misdirection extend beyond just the antagonists in the text; they are tools used by both sides to covertly operate to uncover the truth.