24 pages • 48-minute read
Nathaniel HawthorneA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
The “sharp” and “pitilessly cold” wind represents danger and connects to the setting of the White Mountains (299). The wind acts as a constant reminder that the characters live at the mountains’ mercy. The wind repeatedly tries to invade the space of the family’s home and disrupts their peace of mind with its wailing. The wind also serves as a means of foreshadowing in the story, warning the family members that something terrible will happen to them. The funereal sounds created by the wind foreshadow how the night will end. However, the family is accustomed to the wind and largely ignore its warnings.
The pass at the Notch, which is described as “the great artery, through which the life-blood internal commerce is continually throbbing” (299), is a symbol of life and the passing of human life. The mountains are seemingly eternal in comparison to the people who pass through them, which connects to the theme of Human Beings Versus Nature. The symbolism between the pass and human life is further solidified in the text when the narrator explains that the guest’s whole life was a “solitary path” (301), implying that roads and passes are a symbol of human life. Like the life of the guest, the path through the Notch is largely solitary.
The fire inside the cottage is a symbol of safety for the family and their guest. Throughout the short story, most of the action, dialogue, and plot occur around the fire. The fire gives the characters warmth and light, which juxtaposes the harsh coldness and darkness of their natural surroundings. Therefore, like the inn itself, the fire is a source of shelter for the family and the travelers who stop there when passing through the Notch.
Indeed, when reminded of the harshness of their surroundings by the wailing of the wind, the family turns to the fire for reassurance: They “thr[o]w pine branches on their fire, till the dry leaves crackle[] and the flame ar[i]se, discovering once again a scene of peace and humble happiness” (305). The sound, sight, and warmth of the fire fight against the gloom of the mountain. More importantly, the possessive “their” is noteworthy since it implies a sense of control; for the family, the fire belongs in the domestic sphere and acts almost like a talisman against danger in their mind. Thus, the ending is doubly ironic. While the characters lie dead, the fire “[i]s yet smouldering on the hearth” (306), unattended and independent of the family.
Monuments and graves serve as a motif for the story’s thematic meditation on Ambition Versus Fate. The guest introduces the motif when he boasts that he “cannot die” until he has fulfilled his destiny and “built [his] monument” (302). The father also invokes the motif of graves and monuments when sharing his ambitions for his life. He envisions a humble slate gravestone that will testify that he led a devout and honest life. The motif illustrates the characters’ ambitions to be remembered after they die, and the story’s protagonist believes that “it is our nature to desire a monument, be it slate, or marble, or a pillar of granite, or a glorious memory in the universal heart of man” (303). Excerpts like these underline that Hawthorne is addressing universal human desires and frailties.
In addition, the motif of graves and monuments contributes to the story’s mood, irony, and foreshadowing. The grim subject matter of the characters’ dreams fosters an eerie, ominous tone. They possess some awareness that this bodes ill for them. For example, the guest remarks, “Old and young, we dream of graves and monuments” (306). However, even though their wishes remind them that they are fated to die, the characters ironically fail to grasp that fate may prevent them from realizing their ambitions.



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