50 pages • 1-hour read
Maile MeloyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Four years after the end of World War II in 1945, the People’s Republic of China was formally established, and a year later, the Korean War began. This led to a deep suspicion that Americans of Chinese or Korean descent could be communists or communist sympathizers. Increasing Cold War tensions between the US and Soviet Russia heightened fears that communist ideas were undermining US government and society: “The intense rivalry between the two superpowers raised concerns in the United States that Communists and leftist sympathizers in America might actively work as Soviet spies and pose a threat to U.S. security” (“Red Scare.” History, 27 Feb. 2025). These fears are reflected in the novel through the Scott family’s experiences and prompt their move to escape political persecution.
The political situation compels Janie’s family to leave the country after a friend’s family fled to Mexico when the government targeted her father and US marshals followed Janie home. Her father tells her, “Something called the House Committee on Un-American Activities—has gotten so paranoid about the idea [of communism] […] that they’re going after innocent people who may hold the idea or have held it in the past” (10). The real-world counterpart, the House Un-American Activities Committee (HUAC), was formed in 1938 and gained momentum in the late 1940s during Senator Joseph McCarthy’s rise to power. Hysteria created by McCarthy’s claims about so-called card-carrying communists and comparisons of communism to an insidious and infectious disease contributed to national concerns during this era.
The Scotts’ work as writers for the entertainment industry makes them even more vulnerable to questioning: “Under pressure from the negative publicity aimed at their studios, movie executives created Hollywood blacklists that barred suspected radicals from employment” (“Red Scare”). The HUAC not only interrogated celebrities and intellectuals about their own beliefs but also asked them to testify about their friends’ beliefs and potential communist activities as well. The novel reflects this frightening reality when Janie’s father says, “We could answer for ourselves, but they would ask us to testify about our friends, and we can’t do that” (10).
After World War II, London still had many unrepaired buildings and bombed sites, and the fear of nuclear war, stemming from the Cold War between the US and Soviet Russia, was pervasive: “During the Second World War, the United Kingdom experienced more than 30,000 air raid attacks, leaving bomb sites across its towns and cities. By the 1950s, many of these bomb sites remained, as the country struggled to get back onto its feet” (Staveley-Wadham, Rose. “War Scars.” The British Newspaper Archive, 19 May 2022). This setting impacts the novel’s events and characters in significant ways. When the Scotts leave California during the second Red Scare, moving to London, Janie is incredibly disappointed in what she encounters there.
For Janie, the “bomb scarred and desolate” city simply can’t compare to her sunny home in southern California (13), and this initially contributes to her petulance and childishness. Bomb drills follow her from one country to the other because of the fears prompted by the Cold War, and unease and anxiety affect characters like Mrs. Parrish, their landlady, and Janie’s teachers. Thus, the landscape, in many ways, reflects the psychological reality of many Londoners who witnessed the Blitz and were compelled to send their children out of the city during the war for their safety. Janie thinks that “[g]oing from Los Angeles to London in 1952 [i]s like leaving a Technicolor movie and walking into a black-and-white one” (15). The war may be over, but its profound effects linger, physically and emotionally.
On the other hand, England is historically and mythologically rich, and its national lore includes Arthurian legends, fairies and folkloric creatures, and ancient sites such as Stonehenge that suggest a mysticism and world of magical possibility that the US doesn’t share. With its “history of druids, wizards and witches,” London seems like a much more apt setting for a work of magical realism and “modern magic” (“The Magic of Britain.” British Guild of Tourist Guides, 2 Dec. 2016). Many fantasy texts use England, and London specifically, as their setting for these reasons. Given London’s historical reality and the ancient city’s association with magic, it is a particularly apt setting for a novel like The Apothecary, which straddles the line between realism and fantasy.



Unlock all 50 pages of this Study Guide
Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.