The Apothecary

Maile Meloy

50 pages 1-hour read

Maile Meloy

The Apothecary

Fiction | Novel | Middle Grade | Published in 2011

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Prologue-Chapter 9Chapter Summaries & Analyses

Prologue Summary: “A Note to the Reader”

Content Warning: This section of the guide includes discussion of death.


Jane “Janie” Scott, the protagonist, writes a letter to readers from Los Angeles, California, in 2011, expressing concerns about sharing her story since her recollection of events isn’t “perfect.” She didn’t simply “forget” but “lost” her memory of events in a “more profound” manner. Despite this loss, she kept a diary of that time, and she explains that though she doesn’t remember writing in it, the script is hers. Jane promises to tell the events in order, even though they may seem fantastic, because it feels “urgent” to tell this story now.

Chapter 1 Summary: “Followed”

Janie is seven years old when Japan surrenders, ending World War II. She learns that the Allies defeated two “evil forces” and that the war is over. Her parents’ friends doubt the veracity of this claim, but Janie and her parents, Marjorie and Davis Scott, anticipate improvements to daily life. Janie has an idyllic childhood in southern California. Then, the Korean War begins, and the communist threat grows; her school shows a film giving students instructions about what to do if an atomic bomb falls on the US, and students practice getting under their desks.


When she’s 14, however, Janie begins to feel like she’s being followed. To give herself more confidence, she practices walking like Katharine Hepburn, but one day, she sees a black sedan tailing her as she walks home. Two men in dark suits are inside the car. She manages to lose them and lets herself into her home. That night, the Scotts go to dinner, and Janie’s parents tell her that they’re moving to London because they’ve become targets of the US government for being suspected communists. This horrifies Janie. Marjorie and Davis work in the entertainment industry and fear that they’ll be forced to testify about their friends’ political views. Janie blames her parents for whatever they’ve done to become targets.

Chapter 2 Summary: “The Apothecary”

Janie is upset about the move. Her parents now use fake names and have secured jobs writing for the BBC. London remains scarred by bombs, and their new landlady, Mrs. Parrish, is displeased about renting an apartment to Americans. They need pennies to put in the gas heater on the wall, so Janie and her father go to the apothecary down the street. Everything about London seems gray, especially compared to Los Angeles. The apothecary is friendly, though, and he portions out two powders for Janie to help with her homesickness.

Chapter 3 Summary: “St. Beden’s School”

Janie will attend St. Beden’s grammar school. The secretary introduces her to Sarah Pennington, a “near-perfect specimen” of a girl, who glows with “perfect health” and obvious wealth (20). Sarah escorts Janie to Mr. Danby’s Latin class, explaining that he was a pilot in the Royal Air Force. He was a prisoner of war, and he’s young and handsome. He is a passionate teacher and speaks to Janie like an adult, and she likes him. During lunch, the school has a bomb drill, and the students climb under the tables, but a boy named Benjamin Burrows refuses. He was in London during the Blitz, he says, and lunch tables would do nothing to stop bombs. Janie is scared by what he says but admires his defiant bravery.

Chapter 4 Summary: “Spies”

Janie is supposed to take the Underground to Riverton Studios to meet her parents, but when she passes the apothecary shop, she sees Benjamin inside. She enters and listens, learning that Benjamin is the apothecary’s son and that he doesn’t want to follow in his father’s professional footsteps. After Benjamin leaves to make a delivery, Janie drops her books off at her family’s apartment, but as she leaves for Riverton, she feels as though she’s being watched. She catches Benjamin following her and confronts him. He says that she interests him, and he rides the Underground with her for a few stops while chatting. Benjamin explains that he doesn’t want to be an apothecary because it’s “boring,” though the Society of Apothecaries pays his school fees. He says he wants to work for the Secret Intelligence Service, something he never told anyone before. Benjamin leaves to make deliveries for his father but tells Janie to meet him at school on Saturday afternoon and asks if she knows how to play chess.

Chapter 5 Summary: “Sherwood Forest”

As Janie enters the Sherwood Forest set at the studios, she sees her parents talking to their boss, Olivia Wolff. Janie tells them about meeting Benjamin at school on Saturday, and they tease her about having a “boyfriend.” She meets the actress who plays Maid Marian and watches as her parents and Olivia banter wittily. They treat Janie like an adult, and she isn’t homesick anymore.

Chapter 6 Summary: “His Excellency”

Janie meets Benjamin on Saturday. They go to play chess at nearby Hyde Park, and he tells her to watch the man with the wooden leg sitting on the park bench. The man, Leonid Shiskin, is the father of a fellow student, Sergei, whom Janie recalls from Latin class. Shiskin is an accountant at the Soviet embassy, and Benjamin says that he passes secret messages to people through his newspaper. They play chess, though Janie clearly doesn’t know how.


A well-dressed man joins Shiskin on the bench and takes part of Shiskin’s paper. Benjamin and Janie follow him to a nearby hotel. They’re trying to get information about him from the front desk clerk when Sarah Pennington and her mother enter the lobby. The well-dressed man passes by, and the clerk calls him “your excellency” and then tells the children to leave. Later, Janie tells her parents that she’s meeting Benjamin tomorrow for more chess (because Shiskin goes to the park on Sundays too). Janie asks her father for a chess lesson.

Chapter 7 Summary: “The Message”

When Janie and Benjamin get to the park, Shiskin is already on his bench. Janie’s chess game has improved, and Benjamin is impressed. When Janie looks back, she sees Benjamin’s father sitting beside Shiskin. They’re shocked when Mr. Burrows picks up the newspaper and walks away. They watch as he reads something and then his entire face darkens. He tears up the paper and drops it into a garbage can, and Benjamin retrieves it and pieces it together. It reads, “JIN LO HAS BEEN TAKEN. YOU’LL BE NEXT” (53).


Janie and Benjamin follow him to the apothecary shop, which is locked, but Benjamin opens the door with his key. They find his father burning papers in the back room, and Benjamin asks if he’s a Russian spy. The question horrifies Mr. Burrows, but he has no time to explain because he must hide “the book.” They hear someone rattling the front door, and Mr. Burrows gives Benjamin a large leather-bound text and forces the children into a cellar. He tells the boy to protect the book and keep it safe since it’s been in their family for 700 years.


Benjamin and Janie hear voices above and then an explosion. Men are speaking German. A man with a long scar down one cheek peers into the cellar, but the children hide in the shadows. They hear a police bell outside, and the intruders run off. When it’s silent again, Benjamin and Janie emerge. The shop is a mess, and Mr. Burrows is gone.

Chapter 8 Summary: “The Pharmacopoeia”

Benjamin and Janie take the book (the Pharmacopoeia) to her parents’ apartment. Janie tells them that Benjamin’s father had to visit a sick relative and asks if he can stay there for the night. Lying to them makes Janie sad. Benjamin reports that his mother died in the war. When Davis asks about the Pharmacopoeia, Benjamin asks if he can go read. Later, Benjamin and Janie note a symbol made of circles and triangles on the book’s cover, and Benjamin realizes that he has seen it before.

Chapter 9 Summary: “The Physic Garden”

On Monday, Benjamin gets Janie out of study hall and leads her to the Chelsea Physic Garden. It started in the 17th century as a museum and nursery for medicinal plants and seems almost “magically” green and quiet. They find the book’s symbol on the wrought iron of a locked inner gate.


An elderly man (the gardener) emerges from a small cottage and recognizes Benjamin, opening the gate for them. He asks about the Pharmacopoeia and tells them that Jin Lo is a Chinese chemist. He starts explaining the mysterious symbol, which represents water and the seven operations of alchemy, but he stops when he sees Benjamin’s face. Benjamin says that alchemists are “crackpots,” but the gardener disagrees, pointing out different recipes, like those for transformative elixirs, and highlighting the avian elixir, which changes a human into a bird. Benjamin doesn’t believe it, but the gardener tells him to “allow for the possibilities” (71). He’s shocked that Benjamin’s father hasn’t yet begun to train him, and Benjamin says that he tried.


Janie mentions Shiskin, suggesting that they use the “Smell of Truth” recipe on the Russian. To do this, they must harvest the veritas plant. The gardener points it out and tells them that they must crush the leaves and boil them in water to release the smell. When Shiskin inhales it, he’ll be forced to speak the truth.

Prologue-Chapter 9 Analysis

In her 2011 note to readers, 73-year-old Janie writes that, while her early adolescent experiences in 1952 once seemed relevant only to her, it now seems increasingly urgent to tell her story. She doesn’t elaborate on why, but it may be because by the 21st century, the possibility of something apparently magical is antithetical to discussions of scientific inquiry and discovery, though this has been the case for some time. Her sense of urgency could be due to the political unrest that began in Russia in 2011 in response to claims that the recent election was fraudulent, a claim that was—at least in part—confirmed by Russia’s Central Election Commission. Protestors targeted Vladimir Putin, the then-prime minister and former president, who announced his intention to run for a third term. Many citizens wanted the election results annulled and suspected that future election results could be tampered with. Putin’s reelection in 2012 led to increased tensions between Russia and much of the Western world. In the 21st century, the Communist Party USA has backed Democratic political candidates and considered Barack Obama’s election a victory. Thus, the threat of a political climate similar to that of the Cold War, concerns about the spread of communism in the US, and/or a general unwillingness of the scientific community, as the gardener puts it, to “allow for the possibilities” could account for the urgency that the adult Jane feels (71).


Meloy uses figurative language to characterize Janie and her parents. Janie alludes to actress Katharine Hepburn, claiming to practice walking like the unconventional and iconic woman, “striding along with [her] shoulders back” (4), wearing trousers instead of skirts, and hoping to gain the confidence that Hepburn effortlessly projects. This indirect characterization shows how much Janie admires female independence in an era when it was seen as controversial and potentially damaging; in other words, Janie’s feminist values are much more progressive than her society’s. She longs for the confidence to act as Hepburn does, though she can’t help but be impacted by the charged political climate of the early 1950s. When she sees the black sedan tailing her one day, she feels “a cold flush, as if ice water [were] pump[ing] through [her] veins” (5). This simile describes the chilling fear that Janie experiences when she realizes that someone powerful is watching her. Meloy alludes to the real House Un-American Activities Committee via Davis Scott’s reference to the House Committee on Un-American Activities, a “paranoid” group that has the power to behave unconstitutionally and treats communism “as if it’s a contagious disease” (10). This allusion recalls the Second Red Scare, an era in US politics when the US government targeted many in the entertainment industry for their political beliefs and compelled them to provide names of communists and communist sympathizers in order to be absolved themselves. Davis’s simile, comparing the political ideology to a disease, emphasizes how people thought of it as something that could be transmitted quickly and had the potential to destroy the nation just as a disease can destroy a body.


These early chapters begin to establish two of the novel’s themes, including The Coexistence of Science and Magic. The gardener at the Chelsea Physic Garden encourages Benjamin to acknowledge the possibility that plants and medicines have uses that he isn’t familiar with, and he explains Benjamin’s father’s strange apothecary book: “It’s a Pharmacopoeia, a book of medicines, or it was originally. Many of the processes in the book began as methods of healing, many generations ago” (72). The gardener’s speculation regarding the possibilities as well as the apothecary’s lifelong work and the existence of the Society for Apothecaries suggest that there is more to science than many modern scientists would allow.


Janie, who proves herself capable and discerning, is repeatedly drawn to and inspired by adults who treat her with respect rather than condescension, which introduces The Intelligence of Children as a theme. She’s encouraged by how Mr. Danby talks to her “as if [she were] a full-fledged person and not just a child” (23), and an interaction in which her parents and Olivia Wolff treat her “like one of them” rather than like a kid helps soothe her homesickness (41). The gardener likewise treats both Janie and Benjamin with respect, looking over Benjamin “appraisingly, as if gauging his ability” and suggesting that Benjamin’s father “need[s]” their help (74). In short, Benjamin and Janie have already exhibited keen intelligence and reasoning, and adults who recognize their ability empower them earn their respect in return.

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