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As Margaret is preparing to leave for the book club, Walt surprises her by arriving home early. Margaret is worried that something bad has happened, but Walt pulls her into bed, saying that he missed her.
Later, Margaret and Viv go to Bitsy’s. King leaves in a huff just as they walk in, and Bitsy tells them that she is getting a divorce. She also reveals that she isn’t pregnant, as she originally suspected; her period arrived that morning. Viv and Margaret are worried, but Bitsy proclaims that she feels free. The Bettys mix drinks and settle in to discuss Virginia Woolf’s A Room of One’s Own. Afterward, Margaret and Viv walk home together. Margaret proclaims her sadness that Charlotte couldn’t make it and that Bitsy will eventually move away; Viv encourages her to make peace with change.
Margaret returns home to a phone call from a frantic Denise. She tells Margaret about the pictures and how she has not been able to get through to Charlotte all day.
Margaret immediately rushes to Charlotte’s house. She feels a sense of dread when she finds the door unlocked, “the normally cluttered home in a state of perfect order” (280), and the phone left off the hook. To her relief, however, she finds Charlotte in the shower, safe and sound.
Margaret tells Charlotte about Denise’s worry, and Charlotte reveals that she has decided to throw Howard out; she is in the process of packing his things. She also plans to fire Dr. Barry and find a different analyst, hopefully a woman. She says she is going to live her life differently henceforth and thanks Margaret for being a good friend. Denise calls, and Margaret leaves as Charlotte reassures her daughter that all is well.
Inspired by Charlotte’s bravery, Margaret pens an article about the impact of the Betty Friedan book club and The Feminine Mystique on her life. She shows it to Walt, who thinks it is some of her best work. He confesses that he has read every column she has written and often buys multiple copies of the magazine to proudly pass around at work. Margaret is torn about whether to send the piece in and risk her job; Walt assures her he will support her either way.
Charlotte drops by Howard’s office unannounced. His receptionist Brenda, the woman from the photographs, tries to intercept her; however, Charlotte reveals that she knows about Brenda and Howard’s affair, and Brenda relents.
Charlotte discovers her father in Howard’s office and delightedly presents her demands to both of them: a substantial financial settlement, a divorce, and custody of her children. She produces the photographs of Howard and Brenda and warns her father that she will give the photographs to the press if he doesn’t acquiesce to her demands. Charlotte’s father agrees, berating Howard for his stupidity, and Charlotte leaves, telling them that she has changed the locks on their house and left Howard’s belongings at a hotel.
Despite Margaret’s efforts to tone her piece down for Mr. Clement, when she submits it, he fires her on the spot. Margaret is shocked and humiliated, and Walt is livid on her behalf. When she asserts that ultimately it is all about money, Walt has an idea and calls up the advertising department.
When Margaret breaks the news of her firing to Viv, she and the other Bettys immediately arrive at Margaret’s house with cake and alcohol. They are furious and indignant on her behalf. She reveals Walt’s plan of publishing the piece as an advertisement but tells them it is too expensive.
Charlotte abruptly brings up the book they have slated for this month—Mary McCarthy’s The Group. She opines that the women in the group, although educated and attractive, fail in life because after they graduate, they stop being the “group,” each going her own way. She says she will pay for Margaret’s ad space, and Viv and Bitsy offer their money, too. Margaret initially refuses, but Charlotte points out that this is how men operate, constantly boosting each other up. If Margaret lets them give her a boost today, she may be in a position to do the same for another woman in the future.
September of 1963 signals the end of summer for the Bettys. It is also a monumentally historical time, with events such as the Nuclear Test Ban Treaty, Reverend Dr. Martin Luther King Jr.’s speech at the Lincoln Memorial, and the death by suicide of Philip Graham, the Washington Post publisher. The latter leaves Mrs. Graham as “the twentieth century’s first female publisher of a major newspaper” (314).
Bitsy writes Mrs. Graham a condolence letter. She also enrolls at American University for their fall semester.
Margaret has her column published as an advertisement in A Woman’s Place, and she buys a copy for each of the Bettys as well as the Babcocks, who also contributed to the cause. She receives some criticism for her piece but also a great deal of fan mail, kindly forwarded to her in secret by one of the employees at the magazine.
Charlotte telephones the other Bettys with news of a surprise and another field trip.
Charlotte takes the Bettys to the building she has purchased in Alexandria, Virginia, where she intends to open her own art gallery. Fedorov will act as her adviser, and she is also hiring a housekeeper to help at her home. As Charlotte describes her plans, Dr. Barry emerges from the building, revealing that this is his office. Charlotte tells the others that this was part of her motivation for purchasing this particular building, and she has given a livid Dr. Barry 30 days to leave.
As the Bettys gather for lunch at a nearby cafe, Viv unexpectedly goes into labor early. The women rush her to the hospital, where she gives birth to a small but healthy baby girl, whom she promptly names Betty.
By October of 1963, nothing has come of Margaret’s piece, despite the barrage of fan mail she received. She is embarrassed at having wasted her friends’ efforts and resources. When she is out riding with Bitsy one day, they run into Mrs. Graham. Bitsy introduces Margaret to Mrs. Graham, who reveals that she has read Margaret’s column. She asks Margaret for her business card, and upon realizing Margaret doesn’t have one, gives her one of her own. She promises to call Margaret very soon.
Five weeks after meeting Mrs. Graham, Margaret is invited to a luncheon at her house. When Margaret arrives, she is surprised to discover she is not the only guest; women of all ages are gathered in Mrs. Graham’s library. Mrs. Graham introduces Margaret to the others as a freelance writer and tells Margaret that the other women are reporters, journalists, and political correspondents. While she cannot give a still inexperienced Margaret a job at her paper, she urges Margaret to network with the women.
As Margaret strikes up a conversation with one of the women, the final guest arrives: Jacqueline Kennedy, the First Lady. As the women lunch, Mrs. Kennedy regales them with stories, including the difficulties she faced breaking into journalism before she got married. Other women share similar stories of struggle and triumph, and Margaret is struck by the camaraderie and solidarity of the gathering. Mrs. Kennedy is called away midway through the lunch but makes plans with Mrs. Graham before she leaves.
Margaret is out grocery shopping when she first hears the news that President Kennedy has been shot. She picks up the children from school early and rushes home to watch the news with Walt. Four days later, millions around the country watch President Kennedy’s funeral procession. Tony and the older Buschetti children go to the procession, while the Babcocks, Bitsy, Charlotte, Viv, and the remaining Buschettis gather at Walt and Margaret’s.
Later that night, Walt confesses to Margaret that the suddenness of President Kennedy’s death has made him feel ashamed about how little he has accomplished. Reflecting on their younger selves and their lack of clarity of purpose, Margaret suggests they rethink how to live their lives from now on. They begin a conversation that eventually culminates in them selling their house in Concordia and moving out in June of the following year.
Over the next decades, Margaret and Walt take turns earning advanced degrees and trying out different jobs as they move around the country. Walt eventually realizes his dream when he becomes a research librarian at the Library of Congress, and Margaret goes on to have a long writing career. She even works for the Washington Post, and after Mrs. Graham dies in 2001, Margaret remembers her fondly. She also gets to meet Betty Friedan at a fundraiser in 1971, and though the author is vastly different than “the Aunt Betty of her imagination” (357), Margaret remains grateful for her writings throughout her life.
In October 2006, Margaret and Walt attend an award ceremony at the Lafayette Ballroom, where Margaret is to receive an award for an article she wrote about Betty Friedan on the occasion of her death. They are joined by Viv; Tony passed some years earlier, after the couple spent 10 years on a hospital ship after their children left home. Bitsy, who has enjoyed a long career as an equine vet, arrives with Kyle, her vintner husband, with whom she shares two daughters. Denise is the last of the party to arrive as her mother’s representative, as Charlotte passed away 10 years earlier. While she was alive, she realized her dream of running a prominent and successful gallery, now being handled by her other daughter Laura.
In her speech, Margaret dedicates her award “to the Bettys—‘Those who were, those who are, and those who will be in the years to come’” (362). After the ceremony, a young woman named Emma Quinn approaches Margaret and asks for an interview; she is an intern and is intrigued by Margaret after reading her recent piece on Betty Friedan. Margaret appreciates Emma’s enthusiasm but doesn’t have time to talk right then. She asks Emma for a business card, and when Emma confesses she doesn’t have one, she hands her one of her own. Margaret instructs Emma to call her the next day to fix up a lunch meeting, saying, “I’m sure you and I will have lots to talk about” (363).
The final set of chapters in the book herald big changes for all the Bettys. Bostwick sets their personal events against the backdrop of historical events to signal this big change: The birth of Viv’s daughter, aptly named Betty, is contextualized by the death of President Kennedy. The range between these events—from a family’s celebration of life to a nation’s bereavement and mourning—is Bostwick’s way of signifying how sweeping the changes were brought about by Friedan’s ideas in the 1960s. They changed individual lives just as much as they did politics and society. Accordingly, they will change the Betty’s lives as well as each of their arcs moves towards a satisfactory resolution.
Even with the different characters’ stories, Bostwick continues to showcase a range of possibilities for responding to The Pervasive Nature of Patriarchy. Charlotte beats the men in her life at their own game, employing blackmail and monetary leverage to regain control of her life. She finally gets her divorce and a hefty financial settlement after threatening to release the scandalous photographs of Howard and Brenna, and she also rids herself of Dr. Barry with the final revenge by buying his office building. Importantly, however, this is where Charlotte’s manipulation and exertion of power ends; once she has her life in her own hands, she goes on to use her power for good, platforming a range of stories from Margaret’s column and moving into the art world in a different way, as a gallery owner.
In the end, Walt and Margaret’s story offers a different way to respond to the patriarchy as they choose to step away from its confines altogether. As equal partners, they decide to stop living their lives in ways society says they should. This leads to the satisfying outcome of each of them discovering work they are truly passionate about while sharing their domestic burdens equally. Symbolically, Walt and Margaret arrive at the start of this conversation following President Kennedy’s death, with the end of the President’s life marking the end of Walt and Margaret’s life as they have known it so far.
Before these monumental events, however, there is Margaret’s heartbreak at having been fired from A Woman’s Place, pointing back to the theme of Community as Sanctuary for Women. When Margaret loses her avenue to pursue worthwhile work, her community rallies around her and becomes her sanctuary. The Bettys put in their own money, added to by the Babcocks, to run her column as an advertisement in the magazine. Furthermore, another community of women helps Margaret eventually find worthwhile work again: Her career as a professional writer truly begins with Mrs. Graham’s luncheon invitation, where Margaret meets other successful women who have managed to break into the world of writing and journalism. The connections formed here, along with the advice and solidarity the attendees offer, stand Margaret in good stead for the rest of her life, and she does eventually go on to work for Mrs. Graham at the Washington Post. Margaret repays this favor with her graciousness towards Emma Quinn in 2006, an example of the women’s understanding of the importance of passing their personal success along to others. Bostwick again underlines how a community of women can function as a true sanctuary, helping protect what is valuable to them: a sense of worth as derived from one’s work.
Margaret’s choice of career is also a nod toward The Empowering Nature of Storytelling. Her aspirations and dreams began with literature, both through the essay and through the book club, and it continues to be how she finds success and fulfillment. Storytelling empowered all the Bettys in different ways: For Viv and Bitsy, it gave them a community to lean on through the book club; for Charlotte, it offered a fresh perspective and the courage to break out of social norms; and for Margaret, in addition to all these benefits, it presents her with a way to keep doing worthwhile work. The book aptly begins and ends with a reference to Betty Friedan, a recurring motif in the story, particularly because of the impact that her writing had on Margaret: Friedan’s words empower Margaret to question, explore, and tell her own stories in 1963, and more than four decades later, Margaret’s words about Friedan symbolize the pinnacle of her own career as a storyteller.



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