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Quinn drives Lilith to Coulibre. A few days prior, Isobel came into Homer’s room and told Lilith she would take her to Coulibre, where no overseer can advocate for her and Isobel will turn her into a decent enslaved person.
She arrives at Coulibre and Isobel’s stepmother yells at and threatens all the enslaved people. She meets Dulcimena (Dulcey), who tells her the names of the seven enslaved people at Coulibre. They do not have a plantation, so they just work for a family. In the night the mistress tells Dulcimena to do a task and then the master Roget calls for Dulcey to come to him. When Dulcey hesitates, he whips her brutally as she begs for him to stop.
Dulcey wakes Lilith up laughing and dancing and singing, which confuses Lilith because of what happened the night before. She brings Lilith to a barn and asks her to milk the cow. Lilith doesn’t know how to do it and Dulcey just laughs at her. Eventually they both sing as Lilith milks.
At breakfast, Roget eats with one hand and touches Dulcey’s body with the other. Dulcey makes noises that please the master but looks out the window the entire time. Lilith brings up the mistress’s breakfast in bed, and she orders that Lilith take care of the baby instead of another enslaved person named Matraca.
A young enslaved person named Sacco brings flowers to the mistress’s room, and the mistress starts sneezing. She orders the other enslaved people to tie Sacco up so that Roget can whip him. After the whipping, they cover his naked body with honey and let ants bite him as he screams. Dulcey tries to warn Lilith not to look, but once Lilith sees, she douses Sacco in water and he says they’re both dead now. Sacco later disappears without a trace.
Lilith has been at Coulibre for six weeks. Two weeks ago, the mistress whipped Dulcey to death after the mistress opened the goat pen and blamed it on Dulcey because she hated that her husband smelled like her. Lilith inherits her work and starts to think about doing to white people what white people do to them. The house is quiet and sad without Dulcey’s laughter.
Trying to quiet her thoughts, one day Lilith wanders into Roget’s library and stumbles upon a copy of Joseph Andrews. She continues to teach herself to read, but one night the child Henri comes to ask for milk and the book falls on the ground. She tells him it’s a secret and if he tells his mother she will hurt him.
One day Homer comes to Coulibre and they talk about Wilson and Isobel having sex before a proposal, Homer falling in love with a man named Benjy, and her attempt to escape that left her scarred. The Maroons caught them and kept Benjy but beat and raped her as he stood by. They returned her to Montpelier and she had the worst whipping the plantation had ever seen. They branded her back and front, and then twice Wilkins sent six men to rape her so that she would have a child. Homer says she’s been affecting the mistress’s mental health through her tea for years, and Lilith says she has her ways and then pees in the pot of tea. They laugh about it, and Homer says it looks like Lilith is turning into a woman.
For the first time at Coulibre, Lilith sees a woman at night who she cannot identify, who disappears soon after. She looks at Lilith, points to the sky, taps her heart seven times, and disappears.
The next morning Isobel slaps Lilith awake, and Lilith begins to bathe Roget. He complains about the way she strokes his penis and she says under her breath that he should do it himself. He hears her and grabs her. A voice within her says to stop being uppity and stop rushing toward death, but instead she spits in his face. He struggles but he chokes on air and she shoves him under water. He comes up and she thumps him on the chest seven times to kill him. She reflects on the “true darkness and true womanness” that made that happen and realizes that that is what the mystery woman in the night wants. The mistress screams when she sees him dead, and Lilith pushes her down the stairs, killing her. She knows they will torture her if they find her, and without thinking, she sets the place on fire, including the children’s room. As she leaves the fire starts to get to her and she runs.
Coulibre burns, and all the enslaved people are either killed in the fire or lynched and stoned after the white men torture confessions out of them. Lilith is brought back to Montpelier and Quinn looks at her and talks to her like he knows something. Pallas and Homer seem to know too.
Pallas tells Lilith to bring soup up to Isobel, and Isobel accuses Lilith of killing her family. Isobel does not wish her family was still alive, but she wishes she was strong enough to wield an axe to kill every Black person. Lilith denies that she did it and then says sorry and that she wishes she could bring them back. Isobel says she wishes she was Black so she could choke Lilith and cut her tongue out. Wilson hears the sound, slaps Lilith, and kicks her out.
Wilson insists on opening the door to his room, which Isobel is staying in. Isobel is distraught that they had sex and that therefore her and her family’s honor are gone. She blames Willson and refuses any food made by Black people, and she wears a nice dress and coat in bed. A month after the fire, they have a funeral and Isobel wears the same dress.
Lilith is haunted by the people she killed in the fire no matter how much she tries to tell herself that the white ones deserved it. She works as hard as she can to forget. One night she wanders outside and sees Isobel riding through the gates on a black horse dressed like a man.
Lilith struggles with letting herself join the ranks of the night women. Homer sees the darkness in her that makes her a woman and Lilith acts on it, but then it tortures her. The two things she knows about her identity, being Black and a woman, are the two things that she feels unable to bear. When Homer comes to Coulibre, she tells Lilith, “[y]ou different […] You have more darkness ‘bout you now. You turning into woman,” and Lilith responds, “[m]e turning into something” (222). Since she was a child, Lilith has been confused about the changes others notice in her. Illustrating the theme of Darkness, Womanness, and Freedom, now Homer equates darkness with womanness, making Lilith think that to be a real woman she must be evil. After she burns Coulibre, Lilith considers that perhaps being a true woman means letting the terrible thoughts run wild. This, she reasons, is why white women behave like they do and why white men say what they do about Black women. No matter how many times Lilith reminds herself that white people deserve what they do to her, the sounds and smells of her deeds follow her. The unresolvable nature of Lilith’s actions represents the more profound unresolvable nature of an identity that—because Lilith is both white and Black—stands in tension with the strict categories of slavery and the racism that underlies it.
Lilith’s feelings transform from fear to anger. After they whip and leave Dulcey to die at Coulibre for a mistake she did not make, Lilith struggles to contain her anger. When Lilith is whipped for no reason, she gets through it by imagining torturing white people. Joseph Andrews helps distract her, but it also confuses her because “Joseph want her to look at him, to laugh like a white woman who have the right to” (225). The book makes her feel, desire, and enjoy things that white people will use as an excuse to punish her. Instead of finding comfort in the fantasy, it makes her angry because she will never enjoy these things. Joseph Andrews also confuses her view of men because Joseph does not do evil things and he even denies a woman sex. Before him, “[m]an did become a thing to Lilith, a black thing, and here come a man who didn’t even breathe to grey her up” (213). She thinks she made sense of men—they are all evil—and then a book reveals to her that that may not be the case. Homer’s love story only further confirms that men can be loving and sex can be pleasurable, further confusing Lilith’s view of the world. Like her own struggles with identity, Lilith’s inability to settle the people around her into neat categories fuels an uneasiness in her and drives her fear and anger.
The resistance of neat categories also underscores The Cycle of Violence. Homer also tells Lilith that “[w]hite man can make you feel plenty bad, but me never dream that n***** could make n***** feel worse” (220). When white men torture them, it is easy to understand because white men are monsters. When other Black men torture them, it is a cruel reminder that violence and abuse don’t respect arbitrary lines. Homer used to think that a woman must be free to be a woman and they took away that belief, taking away her “womanness.” When Lilith burns down Coulibre, she thinks that her womanness is what drives her desire to be free. Her actions at Coulibre can be explained by the fact that “[t]rue darkness and true womanness make her want to live” (229), and the only way to live is to kill the enslavers before they kill her. At this moment Lilith contributes to The Cycle of Violence into which she was born. She is driven by true darkness and true womanness, two forces that yearn for freedom and will take it at any cost, developing the theme of The Search for Autonomy Under Slavery.
After burning Coulibre, Lilith begins to feel guilt. She thinks, “[m]ayhaps true womanness mean to let the terribleness run loose and wild like river flood” (241), using a simile to compare true womanness to a river flood to emphasize her inability to control it. Lilith also “wonder again what kind of spirit give her madness, then take it away for her so that she see what madness did” (246). Lilith thinks it must have been an outside force that compelled her to do this, which is why she thinks that the woman in the night wants blood. An outside force would explain why she could both do it and then hate that she did it, taking the blame away from herself. The text therefore suggests that Lilith uses concepts like “madness” and magic to explain the contradictions of her actions: By exporting the agency of her actions to an external, mysterious force, Lilith has a means of reconciling the contradictory thoughts and feelings that plague her.



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