53 pages 1-hour read

The Collected Schizophrenias

Nonfiction | Essay Collection | Adult | Published in 2019

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“On the Ward”Chapter Summaries & Analyses

“On the Ward” Summary

Content Warning: This section contains discussions of involuntary hospitalization.


Wang was involuntarily committed in 2002 and recalls her experiences at the psychiatric hospital. She was given “Level One Status” (95) and attached to a group of other Level One patients. They were ushered to the cafeteria for meals and served a sort of sloppy breakfast that she choked down. She sat alone for her first few days. Wang remarks on the irony of the term “asylum,” which is meant to signify safety from harm but has come to denote a terrifying, disturbing place due to historical abuses and popular culture. She recounts the experience of Nellie Bly, a journalist who entered an “asylum” in 1887 by pretending to “be insane herself” (97). She described it as “a tomb of living humans” (97) and recalls being gaslit into thinking her memories were inaccurate. Wang confirms hospitalization is a sentence of being disbelieved at every turn, and the staff forms false beliefs about the patients.


Before her third hospitalization, Wang recalls being on a business trip with C. While alone in the hotel room, overwhelming terror consumed her, and she hid in the closet for several hours. On another trip soon after, a similar event occurred, and Wang reluctantly called her mother-in-law to tell her she needed help. Wang was told by a doctor during her third hospitalization that she had persecutory beliefs (which she disagrees with), and she recalls the foreboding sense of knowing that this doctor had control over her ability to leave the hospital. While there, she remained glued to her notebook. Wang recalls the importance of discharge, and how for patients who were involuntarily hospitalized, discharge was “a sacred word” (104).


Wang describes the medications that people with schizophrenia are typically administered, including first-generation drugs, which have severe neurological side effects and are generally reserved only for more severe cases. Second-generation drugs are less invasive. People admitted to a hospital are almost always given one of these medications. In modern times and Wang’s experience, admissions to psychiatric hospitals are short and designed to get patients back into the world as soon as possible. In the 1950s and 1960s, state hospitals or “asylums” were shut down in favor of this new model, and this remains a controversial decision due to the lack of planning for patients who still need help. Wang’s feelings on the matter are as follows: “Involuntary commitment may sometimes be warranted, but it has never felt useful to me” (108). Laws in each state dictate how and when involuntary commitment may occur, and in California, Section 5150 dictates that people being committed are allowed to leave a note for their friends or family. Wang notes the undertone of a kidnapping or criminal arrest in it all and maintains that being hospitalized did nothing but traumatize her.

“On the Ward” Analysis

Wang’s experiences in a psychiatric hospital after being involuntarily hospitalized are detailed in “On the Ward.” She points out several ironies that exist within the realm of psychiatric hospitals and how these hospitals have done more harm than good over the past century. Wang discusses the origins of the term “asylum,” which originally referred to a place of safety and sanctuary from danger and harm. Through its use in naming psychiatric hospitals “mental asylums,” the word “asylum” has been turned into something which signifies terror, torture, and disturbing secrets. The nefarious nature of psychiatric hospitals is a well-known popular culture trope, albeit often exaggerated and misrepresented.


Wang unwinds some misconceptions about psychiatric hospitals by providing information and facts about them, but she asserts that their bad reputations are not totally untrue; she maintains that both the trauma of being sent there involuntarily and the treatment she endured living there traumatized her. She uses metaphor to describe psychiatric hospitals as akin to prisons: “For those of us living with severe mental illness, the world is full of cages where we can be locked in” (110). This metaphor emphasizes that these facilities often dehumanize their patients, either by treating them poorly or believing them incapable of advocating for themselves. What makes these places particularly unsettling for Wang is the combination of patients experiencing debilitating conditions, all of which affect their cognitions and emotions, and the often-severe side effects from medications they are administered. Since patients with mental disorders are an extremely vulnerable group, they have very little control over what happens to them in hospitals. All of this illustrates How Institutions Fail to Treat and Prevent Mental Illness.


In “On the Ward,” Wang outlines what it is like to live in a psychiatric hospital, especially as a patient with a psychotic disorder. Because Wang is “high functioning,” she is treated somewhat differently than other patients with schizophrenia, but she observes the ways two women with the disorder are neglected and abused. A problem that patients with schizophrenia and related disorders face is the assumption that they are not coherent enough to make decisions about their own treatment; Wang believes this further isolates them, prevents them from trusting doctors, and leads to worsening symptoms.


Wang references a famous moment in history in this essay, in which journalist Nellie Bly infiltrated a “mental asylum” in 1887 and exposed the horrific abuses taking place there. In citing this historical event, Wang draws a line from the past to the present. Although “asylums” no longer exist in their original form, many of the stigmas and resulting behaviors are still prevalent, indicating how Stereotypes and Stigmatization of Mental Disorders came to exist and why they continue to exist. To add credibility to her argument, Wang remains honest and blunt: “I don’t dispute that I was insane in Reno” (100). This honesty builds ethos, and though she often lost touch with reality during that period of her life, she can look back on it with a level of clarity, free from the delusions that once held her hostage.


This essay, like many in the collection, is structured in a semi-disorganized manner, jumping from thought to thought and going backward and forward through time. This style of organization suggests that Wang is willing to illustrate the idiosyncrasies of her mind, creating intimacy with the reader by building her arguments in a way that feels real to her rather than the most logical and orderly manner.

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