61 pages ⢠2-hour read
Elle KennedyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
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Content Warning: This section of the guide includes discussion of physical abuse.
āGigiās family spends every August in Lake Tahoe, but this year theyāre only there for two weeks because Gigi is getting married at the end of the month. Seems redundant, considering she and Ryder already eloped in April. But her parentsāwell, her dad mostlyāguilted Gigi into having a proper wedding.ā
Elle Kennedy provides further closure to Gigi and Ryderās romance, explored in the first installment of the series (See: Background), through including their formal wedding as a plot point in the second installment. This technique of integrating character cameos from other books/series by the author is an increasingly popular development in recent contemporary romance.
āNo, this is why we broke up, Percy. Because weāre not compatible. Because youāre so distrustful of me when I never give you any reason not to trust me. I didnāt even look at another guy when we were together, and Iāve never cheated on anyone in my life, yet you interrogate me about every single guy I talk to, including this jerk [ā¦] I donāt even like him. So yes, clearly weāre mismatched in what we need from a relationship.ā
Percyās obsession with Diana hints that he might become violent and unpredictable when she asserts her boundaries and attempts to cut him from her life, foreshadowing the centrality of the theme Overcoming Shame After Abuse. His jealousy and insecurity add tension to the narrative and place Dianaās personal safety in danger, adding an element of suspense to the novel.
āI like having a girlfriend. I donāt care if that makes me a total sap. Deep down, Iāve always been a relationship guy. Always had this clear vision for my life, one that really solidified when I started dating Lynsey. Thereās a reason I havenāt ragged on Ryder that much about his elopement with Gigi Graham. To me, itās not an unfathomable move. I always saw myself marrying young.ā
Despite what Diana thinks of Shane, his perspective reveals that he prefers relationships. However, due to the fact that he is still not over his ex, Shane has attempted various flings in order to rebound, but to no avail.
āSheād always wanted me to be her partner. Thought it would be fun to do it as a couple. Which, frankly, always surprised me because there are far better dancers than I am, and Lynsey is incredibly ambitious. To her, winning an amateur ballroom dance competition is equivalent to securing an Olympic gold medal. I suspect she was secretly relieved whenever I would balk and say absolutely not. Now Iām wondering if my resistance is yet another reason she dumped me.ā
This passage highlights the incompatibility between Shane and Lynsey. Her competitiveness and ambition would not have allowed her to tolerate Shaneās subpar dancing and, thus, he never felt comfortable accepting her invitation to dance with her for NUABC. Furthermore, Shaneās suspicion that this is a reason they broke up, and his readiness to blame himself for their relationshipās failure, highlights that the relationship makes him doubt himself more than it empowers him. His different attitude toward dancing with Diana turns the dance competition into an important symbol of their compatibility (See: Symbols & Motifs).
āEvery word youāre saying right now is the reason we canāt be friends. Iām sorry things ended and that you didnāt want them to, but weāre not together anymore. So, please, I need you to respect that. I need you respect my boundaries and go.ā
This passage highlights Dianaās growing discomfort with Percyās pursuits and her desperation for him to leave her alone. The passage aids in heightening the tension of the story leading up to the moment Percy first physically abuses Diana.
āIt suddenly occurs to me that maybe sheās intentionally bringing a buffer along. Weāre supposedly friends now, though. Friends shouldnāt require a buffer. Which tells me sheās afraid to be alone with me. And the only reason that would scare her is becauseā¦she still has feelings for me too. Or maybe Iām reaching.ā
This passage reveals Shaneās lingering feelings for his ex, Lynsey. His overanalyzing of a simple conversation hints that he has residual feelings and would take her back if she expressed interest.
āI like to think I have discipline, but ballet required more than I was willing to give. Same for gymnastics. When I was a kid, I dreamed of going to the Olympics. Until I realized that you literally donāt get to have a life. You have to live and breathe gymnastics. To be honest, I prefer teaching to doing. Iām coaching at a youth cheer camp this summer and itās so rewarding.ā
This quote highlights Dianaās self-awareness and her ability to prioritize a balanced life over the relentless pursuit of perfection. Her decision to step away from demanding disciplines like ballet and gymnastics reflects her lack of interest in devoting her life to only one thing. Dianaās outlook embodies the theme of Embracing Life to the Fullest.
āāI could never teach. I donāt have that kind of patience, especially with children. I get annoyed when I see them doing something wrong.ā Her remark doesnāt surprise me. Iām rapidly forming an opinion about Shaneās ex, and itās not entirely positive [ā¦] āI get more satisfaction mastering my own skills.āā
This exchange highlights a key contrast between Diana and Lynsey, emphasizing their differing values and approaches to Embracing Life to the Fullest. Dianaās appreciation for teaching and fostering growth in others reflect her selflessness and nurturing nature, while Lynseyās focus on personal mastery underscores her individualistic priorities. This moment subtly critiques Lynseyās inability to find joy in shared success, further illustrating why Shaneās relationship with her lacked balance and emotional reciprocity.
āJust because I didnāt want to enter dance competitions with her doesnāt mean I wasnāt sitting in the front row at all her performances, cheering her on. But maybe I could have done more. Tried harder. Iām probably more selfish than most people, but thatās because of hockey. It makes you selfish [ā¦] Maybe I didnāt quite find that balance between hockey and girlfriends, but given the chance, I know I can navigate those two worlds better now.ā
This quote captures Shaneās introspection and growth as he reflects on the shortcomings of his past relationship with Lynsey. His acknowledgment of his potential selfishness and the imbalance between hockey and his personal life demonstrates his increasing self-awareness and desire to improve.
āI force myself to rise from the bench and leave the locker room. I canāt hide in here forever. I canāt hide in my apartment, either, which is what Iāve been doing for days, and as I head down the sidewalk away from the high school, I vow not to let what Percy did turn me into something Iām not. A coward and a shut-in. A basket case. When my phone rings in my hand, I flinch instinctively. Luckily, Percy hasnāt found a way to contact me. But it is my dad calling, which is probably even worse.ā
This quote reveals Dianaās internal battle as she struggles to reconcile her identity with the trauma caused by Percyās abuse. Her determination not to let his actions redefine her reflects her resilience and desire to reclaim her sense of self. However, her instinctive flinch at her ringing phone and dread of her fatherās call highlight the lingering effects of fear and shame, illustrating the complexity of her emotional recovery and the challenges of Overcoming Shame After Abuse.
āYouāre having anxiety attacks. No, damn it. I canāt be. I never feel anxiety. Even before a cheer competition, the nerves come in the form of giddy excitement. Fear isnāt something I feel often, and when I do, itās entirely justified. Like that time Gigi and I were walking down a dark alley in Boston and heard a car backfire. I genuinely thought it was a gunshot, and the resulting jolt of adrenaline injected into my bloodstream had been intense.ā
This passage captures Dianaās struggle to accept the emotional toll of her trauma. Her denial notes her self-perception as someone immune to fear and weakness, making the realization of her vulnerability all the more jarring.
āMy stomach drops at the mention of Percy. It seems like I only manage to keep my anxiety at bay so long as I donāt allow myself to remember Percy exists. But then I see him on the path or someone brings him up, and the panic returns. In an instant, I feel that phantom pain in my eye, that suffocating tightness in my throat, and I remember Iām not the Diana I was a month ago. Iām the Diana who lets a man hit her.ā
Dianaās anxiety is tied not only to the memory of Percyās violence but also to the internalized shame of perceiving herself as someone who āallowedā it to happen. The juxtaposition of her past confidence with her current vulnerability reflects the emotional battle she faces in reconciling her resilience with the weight of her experience.
āIām suddenly reminded of the wedding I went to with Percy last year [ā¦] He barely said a word to anyone the whole time and kept a deadly grip on my hand or a possessive arm around my shoulders whenever anyone with a penis tried to talk to me. I broke up with him not long after that. I was starting to notice that behavior happening far too often for my liking. Unlike Percy, Shane doesnāt care who I talk to or dance with.ā
This passage contrasts Percyās possessive and controlling behavior with Shaneās healthy and secure approach to Finding Empowerment in Relationships. Percyās oppressive actions, exemplified by his physical dominance and judgmental silence, serve as a stark reminder of the anxiety and loss of autonomy Diana experienced with him. In contrast, Shaneās lack of possessiveness demonstrates his trust and respect for Dianaās independence, evidencing the stark difference between toxic control and supportive partnership.
āāStop scaring him with stories about me beating people up, Dad.ā She seems embarrassed, but something else flickers through her expression too. Anxiety, maybe? āWe donāt want to give him the wrong idea. Iām actually a huge wimp.ā
Tom Senior slings his arm around his daughterās shoulders and plants a kiss on her temple. āNothing wimpy about you.ā He glances at me with a smile. āThis is the toughest girl youāll ever meet.ā Diana smiles too, but I notice it doesnāt quite reach her eyes.ā
This passage subtly reveals Dianaās internal struggle with her identity as someone perceived as strong and unbreakable, juxtaposed with her private feelings of vulnerability as she struggles with Overcoming Shame After Abuse. The smile that doesnāt reach her eyes subtly conveys the emotional burden of maintaining this facade following Percyās assault.
āThereās another beat of awkwardness. A couple months ago, I was desperate to hear her voice. Now Iām unsure of what to say to her. I canāt flirtāshe has a boyfriend. And even if I wanted to flirt, it feels disrespectful toward Diana to do that. She and I might not be together, but we still have sex almost every night.ā
This passage depicts Shaneās shifting emotional priorities as his feelings for Diana deepen. His hesitation to flirt with Lynsey reflects not only his respect for her relationship status, but also his growing attachment to Diana, even as their relationship lacks formal definition.
āHeās not your real boyfriend. Well, maybe he fucking should be, I silently snap at the voice in my head. My volatile response to Lynseyās threat gives me pause. Is that what I really want? For Shane to be my boyfriend? My mind is suddenly a jumbled mess. The only thing Iām certain about is that I cannot fucking stand Shaneās ex.ā
This quote marks a pivotal moment of self-realization for Diana, as her defensive reaction to Lynseyās taunt forces her to confront her deeper feelings for Shane. Her inner conflictāoscillating between denying and acknowledging her desire for a genuine relationshipāreveals her emotional vulnerability and growing attachment to him.
āShe throws her arms up in a victory pose, and I notice a few guys in their mid to late twenties blatantly checking her out. Yeah, my fake girlfriendās hot. If Iām being honest, thoughā¦this isnāt feeling very fake anymore. Sure, weāre friends with benefits, but those benefits are starting to extend beyond the sexual variety. Weāre constantly texting. Calling each other. Dancing together.ā
Shane realizes that his relationship with Diana has evolved far beyond their initial arrangement. His acknowledgment that their connection feels increasingly real underscores his deepening emotional investment, as he values her presence in both intimate and everyday moments. Dianaās willingness to participate in his interests, coupled with Shaneās appreciation for her efforts, also reflects the theme of Finding Empowerment in Relationships.
āIn the three months weāve been doing this, weāve never spent the night together. Itās been our way to keep it strictly friends with benefits. Or rather, friends with most benefits except for sleeping over, because that feels a little too intimate.ā
This passage illustrates the breakdown in boundaries set forth at the beginning of Diana and Shaneās casual arrangement. This moment reflects their struggle to balance the pretense of casualness with the undeniable connection forming between them, foreshadowing the eventual shift from āfriends with benefitsā to an actual relationship.
āOriginally, I agreed to partner up with Diana to make Lynsey jealous, but I canāt remember the last time I thought about my ex. Iāve been absorbed with hockey and Diana and school. These days, when Diana and I schedule a dance rehearsal, the only thing Iām thinking about is how much fun weāre going to have.ā
This passage highlights Shaneās emotional transformation as he realizes his focus has shifted entirely from thoughts of getting Lynsey back to now fostering his growing connection with Diana. While initially driven by ulterior motives, his dance partnership with Diana has led to a true relationship of genuine fun and fulfillment (See: Symbols & Motifs).
āDisbelief fills her eyes. āYou think I transferred schools because of a guy? You know me better than that, Lindy. My future is far too important for me to act on whims.ā Something about her indignant response rubs me the wrong way. Itās one word. One word is the problem. Her future. Our entire relationship was about her future, her ballet schedule, her friends. Our lives revolved around what she wanted to do and where she wanted to go. The realization smacks me in the face like a rogue hockey puck.ā
Shane receives clarity regarding the imbalance in his past relationship with Lynsey. Her pigeonholed focus on her future evidences the one-sidedness of their dynamic, where Shaneās needs and aspirations were secondary to hers. This realization marks a turning point for Shane, as he acknowledges the lack of reciprocity and emotional equity in their relationship, further highlighting why his connection with Diana feels more genuine.
āI have to say this. And you have to hear it. I know youāve had it easy so far in life. Your mom and I wanted that for you. Weāve tried to make things as easy as we could for you to be able to meet your dreams. Let you pursue hockey, make sure you donāt need to worry about rent or expenses, or struggle for anything. You still wonāt have to worry about money, but you will struggle now because Iām going to be gone, and your mom and your sister are going to need you.ā
This quote encapsulates the weight of responsibility Shaneās father places on him, introducing the transition Shane must make from a life of relative ease to one of greater accountability. His fatherās words serve as both a loving farewell and a call to maturity, challenging Shane to step into a new role as a source of strength and support for his family.
āWhen I really reflect on it, I realize that somewhere along the line, I simply gave up because of her disinterest in me. The awareness that Iāll never be smart enough for her took its toll and I stopped caring. But I should care. I donāt begrudge anyone who cuts off a family member; there are multiple reasons to do it, and I would never judge if someone said, oh, I donāt speak to my mother. I wouldnāt question it because Iād assume they had their reasons. But, in the grand scheme of things, mine isnāt so bad.ā
This passage depicts Dianaās introspection and emotional growth as she confronts her strained relationship with her mother. Her recognition that she stopped trying to connect due to her motherās lack of interest reveals the emotional toll of feeling inadequate in the eyes of a parent. However, Dianaās decision to reframe their dynamic and acknowledge that her situation isnāt irreparable signals her maturity and willingness to take responsibility for healing the relationship.
āThe longer Iām here, the more I realize how idealized my view of life has been. Iāve been injected with a dose of reality. My whole vision about being a young husband, a young dad, and believing I could still give equal focus to hockey, to intensive training and a grueling scheduleā¦Iāve never considered myself to be naive. Butā¦yeah. Itās a challenging balance Iād never be able to strike right now.ā
Shane is becoming more self-aware as he reconciles his idealistic aspirations with the practical realities of Embracing Life to the Fullest. His acknowledgment of the challenges inherent in balancing family responsibilities with a demanding hockey career demonstrates his growing emotional maturity. By recognizing the naivety of his previous beliefs, Shane takes a significant step toward aligning his ambitions with the realities of his circumstances.
āAs I relate the eveningās events, itās difficult to control the sick feeling in my stomach and the weak, fluttery sensations that keep trembling through me. The doctor gave me something for the anxiety, but I know a pill or two isnāt going to fix whatās wrong. As embarrassing as it felt to admit weakness, I remembered what my dad had told me about asking for help, and so I asked my doctor if she could arrange for a counselor to come see me [ā¦] Itās time to face them head-on, no matter how scary that might be.ā
Dianaās decision to seek counseling, despite her initial shame when she first encountered abuse, reflects her growing confidence in her inherent strength and a willingness to confront the emotional toll of her trauma. By acknowledging her anxiety and taking proactive steps to address it, Diana exemplifies the courage required to face vulnerability head-on and marks her triumph in Overcoming Shame After Abuse.
āDiana is like discovering a piece of myself that I never knew was missing. She makes me want to be the best version of myself, not because I feel like I have to impress her but because she inspires me to be better. I donāt regret my time with Lynsey. I needed it in order to grow into who I am today. But man, I see the difference now. I see the importance of picking the right woman to do life with. Preferably someone who can make you laugh your ass off.ā
This passage reflects Shaneās emotional growth as he contrasts his past relationship with Lynsey to his current connection with Diana. His realization that Diana inspires him to improve without pressure shows the transformative power of a supportive and empowering partnership. By acknowledging the lessons from his past while embracing the joy and balance Diana brings, Shane emphasizes the importance of choosing a partner who complements and uplifts, highlighting the theme of Finding Empowerment in Relationships.



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