63 pages 2-hour read

The Dream Hotel

Fiction | Novel | Adult | Published in 2025

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Part 4, Chapter 17-Part 7Chapter Summaries & Analyses

Content Warning: This section contains discussions of racism, gender discrimination, and physical and emotional abuse.

Part 4, Chapter 17 Summary

The notes of another facility meeting are reproduced. Medication shipments are delayed, but construction work on the expansion remains on time, and the CRO is displeased with the vacant shift numbers—increased because of the stomach virus—and insists the nurse refuse to treat more people so they do not take advantage of being sick. The CRO makes finding the vandal of the camera system a top priority.


Sara has a confusing dream about watching her brother play a game on his phone and then seeing Elias confessing to the kids that he misses her, followed by a stressful dream about trying to identify and caption a historical photo correctly. At morning check, Hinton reappears, looking awful. She confronts him about the notebook, and he admits to having read it. She begs for it back and he mocks her for dreaming about having sex with him. She extorts him for hiding in the refrigerator room during the fire and gains immediate leverage.


Sara finally acquires a new uniform. She tries to convince some of the other women to not work with little success; they are beaten down by the system and afraid of revolt. She tries to convince her friends at lunch that the difficulty keeping things running shows how reliant the system is on their compliant labor, with negligible effect. Victoria joins them at lunch unexpectedly and agrees to join the strike. Later, Sara publicly goes to file a grievance against Hinton in full view of him but agrees to not file it in exchange for her journal.

Part 4, Chapter 18 Summary

Another CRO announcement reveals that there are 31 norovirus cases at the facility, and they are now under a public health emergency. He orders the retainees to do their part to minimize the spread of the virus and to ensure that shift reassignments are obeyed to meet the contract requirements.


Sara trades her personal hand sanitizer bottle for a copy of The Metamorphosis. She thinks about being homesick and listens as the maintenance worker explains that it will take two weeks to replace the camera system. She spends the rest of the afternoon trying to think of ways to convince the other women to go on strike and avoiding people who are clearly contaminated with the virus. She listens in on Jackson trying to bribe Victoria to take a job again, but Victoria keeps doing card tricks and refuses, angering Jackson.


A report at the end of the chapter shows Jackson’s report on Victoria and Sara’s behavior, since Victoria taught Sara the card trick. Jackson reports it as a card scam and unruly behavior on both their parts.

Part 4, Chapter 19 Summary

Jackson sends an email to the CRO with information about the critical levels of work capacity, asking for the ability to offer employees who take less-preferred jobs incentives like extended visiting time or preferred medical service.


Sara gets sick and throws up violently. She has a disturbing dream about Hinton confronting her while she holds a can of gasoline, after which she gets arrested. She then has a dream about trying to get the kids out of a sandbox, only to realize she is wearing white like a widow, and her husband is dead from the river accident in an earlier dream. Sara recovers, picking up ambient pieces of information as she goes—35 more people get the norovirus, more wildfires are breaking out, and one of the other retainees got engaged. When she is finally well enough to stand up, she sees a teenaged boy carrying baskets at the bus stop instead of the old woman.


At breakfast, Williams and Hinton approach their table and write Victoria up for vandalism, blaming her for breaking the cameras and earning her another 180 days in retention. The women discuss how this is Williams’s revenge for Victoria’s refusal to accept his advances, but Emily reveals that Victoria did, in fact, break the cameras, and they celebrate her sacrifice that gave them a few weeks of privacy.


Sara visits Toya, who is horribly sick. Her roommate, Alice, was taken to the hospital. Sara listens as the workers discuss delays in laundry and the cameras. She realizes the CRO is in the hallway; he is an ordinary-looking man and is visibly bothered with the conditions in the facility, but then he investigates Toya’s room and says the room is big enough for a third bed. He refers to the women by number and, upon seeing Sara not working, tells Jackson to force the women to work. He orders the workers to take better care of the women’s hygiene.

Part 4, Chapter 20 Summary

Julie, as Eisley, desperately writes several emails to Sara asking for updates, even putting funds into her account. Sara’s lack of responses stresses her out, and she eventually slips and signs her name as Julie.


Sara is confused by the emails and blames them on survivors’ guilt but writes a thank-you note and reads the news. She tries to look Eisley Richardson up but only finds pictures of an adventurous girl who died 25 years prior, accompanied by Julie, her best friend. She quickly discovers the truth about Julie and realizes that Julie was a plant, and the company is trying to find a way to increase their profits. She takes the news to Toya.

Part 5, Chapter 21 Summary

When Alice returns from the hospital, Toya and Sara confront her and tell her about Julie experimenting on them in pursuit of profit. They beg Alice to join the strike, but Alice refuses, since her score is now 515. Later, as Sara is posing for Emily, she hears musical notes and follows the sound to find Marcela with her guitar. Sara realizes Safe-X will keep plying the women with benefits to keep them compliant.


Sara talks to other women who have recently gotten in trouble and manages to convince them to strike with the news about Julie and the potential to punish Safe-X. She manages to use her news to get 10 of the women to strike, enough to “attract the attention of any retainees who’ve had a complaint or a grievance about Madison. Which is all of them” (286).

Part 5, Chapter 22 Summary

Eric Hollins, the CEO of Dreamsaver, announces Dreamsocial, an app that will allow people to share their dreams with their social network and get dream analyses from their friends. Hollins claims the app will allow people to empathize with each other more.


The striking women experience punishments for refusing to work. Toya’s visit with her husband is randomly canceled; Sara’s library privileges are revoked. However, when they go to the cafeteria, they are surprised to see Hinton and Jackson handling the food preparation and serving instead of one of the retainees.

Part 5, Chapter 23 Summary

The CRO announces that new soap and linens are available, and the nurse will be holding a hygiene compliance check to ensure the case numbers continue to plateau.


New cameras are installed along with new security measures, including cutting the seating limit at tables and increasing patrols across the facility. Forty-five women are out of work, putting the deadline for Safe-X’s contract at extreme risk. The facility bans the striking women from the commissary and from bartering with each other, and the guards keep a close eye on Sara. She speaks in coded messages to keep them from learning what she means.


Hinton comes to Sara’s door while she is making her bed and offers her the notebook on the condition she goes back to work. She refuses and argues that he can’t force her to work. He tries to convince her that her records of her dreams are important, but she can’t extort him anymore because the lack of work is more concerning to the CRO now. She refuses, determined to maintain her dignity, infuriating him.


At breakfast, the striking women receive little food and struggle to figure out how to entertain themselves with all their privileges revoked. As Victoria tries to convince Emily to make a comic about her imprisonment, Hinton and Williams approach and demand that Toya and Sara follow them.


A list of Sara’s disciplinary reports is included—mostly petty writeups from Hinton—demonstrating the extent of her rule-breaking and how stringent the rules are.

Part 6, Chapter 24 Summary

To Sara’s bewilderment, she is put before two RAA agents, who explain that she has been given an expedited hearing and evaluation and does not even need her lawyer to proceed. They explain further that due to the backlog of cases, a legal services facility has been given permission to provide these services to select prisoners. They go over her case record but do not bring up all the petty grievances listed in the previous chapter and seem unusually forgiving. They confront her about the potential for violence in her dreams, but she argues that the algorithm makes a story, but the story is not necessarily true. Sara argues that the algorithm can’t take in context—her being a new parent, her husband being frustrating, and her life traumas.


The agents interrogate her and argue that she is an outlier statistically and could be a risk, but Sara eventually hits a breaking point and decides to stop taking them seriously. Just as the agents begin to discuss her behavior at the facility, the CRO enters, announcing that Sara has served her time because Hinton is overenthusiastic in giving her punishments and writeups. He tells the agents to give Sara a TS-78—inconclusive data—and release her. Sara is shocked that he is now willing to get her out to preserve his profits and curses at him, but the CRO simply pulls up a release form telling her to not discredit Safe-X or hold them liable for anything she has experienced. Sara signs the form, freeing herself. She goes to get her belongings. Hinton bids her farewell, hoping she had a pleasant stay.

Part 7, Chapter 25 Summary

Back in her apartment, Sara is overwhelmed by the abundance of her life; she cannot comprehend having as much water as she wants. She watches an animated movie with the kids while Elias frets over bringing her to a doctor, which makes her anxious. He brings her food while Sara plots how to extract herself from the web of surveillance and technology she exists in.


Sara struggles to recover from the trauma of the facility. She has joyful sex with Elias all the same, although she has a nightmare afterwards about her freedom being a dream and Hinton writing her up for needing a psych exam. She struggles to relax but bonds with her father, comforted by his relief in her safety. She tells Elias and her father that she wants to call Toya, which they struggle to understand. She knows they are worried that associating with Toya will put her score at risk again. Her father gives her his phone so she can do it with minimal risk, and she connects with Toya after deciding she wants to live her life on her own terms.

Part 4, Chapter 17-Part 7 Analysis

Sara’s choice to extort Hinton in this section seems to contradict the themes of Human Relationships as Resistance to Authoritarianism but develops it in a more complex way. Prior to this section, Sara viewed Hinton as an oppressor; she did not understand who he was and felt unconsciously drawn to him because of his symbolic of power and control. By this final section, however, Sara has seen Hinton’s weakness and learned how to exploit it—not because she sees him as non-human, but because she recognizes that he is deeply human, and therefore just as subject to power as she and the other women are. Hinton is humanized through his panic during the fire and his illness after, yet the tone surrounding him is unsympathetic. Even when he tries to get Sara to pity him, the tone is still sinister, reminding the reader that he is an abuser operating within systemic power. Extorting Hinton is a sign of Sara’s growing understanding of the system she operates in and symbolizes her growing power and capacity to resist. Sara can use her recognition of people’s needs and humanity for good and for “evil,” but in either case, she is using it to benefit the needs of the oppressed retainees.


Much of Madison and Safe-X/Dreamsaver in general is built on dissonance, highlighted in the scene with the CRO touring the facility. He is heavily critical of the conditions and the hygiene in the facility, yet he wants to shove more women into each room despite the clear negative effect that will have on all possible conditions within Madison. This emphasizes the dissonance that profit enables people to experience; the CRO genuinely seems to believe that he can crowd more women in, and that his staff can alleviate the unpleasant aspects of having more women in the area, even though these two facts contradict. While the CRO is arguably one of the primary antagonists, this scene highlights that he is also the face of the thematic antagonist: greed. The CRO is unnamed because he represents what greed and desire for profit at the cost of human rights turns a person into. His failure to see the contradiction of his own orders mirrors the system’s broader delusion: that dehumanization can be scaled indefinitely without collapse.


Similarly, the reveal that Dreamsaver is creating an app called Dreamsocial emphasizes another aspect to greed at the cost of human rights—Dreamsaver, afraid of backlash from people demanding privacy, will do whatever it takes to lull their users into compliance. Dreamsocial presents itself as a revolutionary form of human connection, but the narrative makes it clear that it is a deliberate ploy to make Dreamsaver users more comfortable with technology stripping away privacy from even their most inner thoughts. Dreams are deliberately poorly comprehensible throughout the novel because they are representations of the complexity of people, yet Dreamsocial aims to expose that to the public without reservation, putting people’s own ability to comprehend themselves at risk. Moreover, the assumption that everyone can easily understand each other through a social media app makes people believe that humans can, and should, be dissected into quick summaries of their identities. This contradicts Sara’s slow realization that people are endlessly complicated yet still deserve understanding and connection with others. In this way, Dreamsocial functions as a final perversion of intimacy: offering connection while ensuring exposure, inviting empathy while erasing nuance.


At the same time, Sara’s changing relationships with others—namely Elias and Toya—show that not everyone can maintain intimacy, no matter how hard they try. Elias is portrayed throughout the narrative as a good man but a poor husband, yet Sara views him as her husband before anything else, making the natural conclusion to his presence in the story the slow erasure of who he is in her mind. By the end of the story, he becomes simply “her husband,” a thematic and archetypal role that leaves no space for who she knows him to be. Instead, Sara misses Toya as a companion; Sara names her and yearns for her because they have shared experiences. This further complicates the discussion of human understanding, because Sara, traumatized and suddenly aware of her own place in the world, can no longer properly process how to relate to someone who knows nothing about her existence and feelings. Sara seeks out Toya because Toya knows who she is in survival mode when the world seems against her. Whether Sara can achieve this with Elias again is never clarified or explored. The novel leaves open the possibility that deep connection, once forged under pressure, may be more real than the familiar roles and routines waiting at home.


As Sara’s leadership at Madison reaches its apex in the final chapters, the narrative shifts into a blur—a stylistic choice that mirrors how quickly rebellion is extinguished under authoritarian control. The women begin to organize in earnest, and Sara emerges not just as a tactical leader. Before any true momentum can build, she is abruptly removed. There is no spectacle or explanation, just disappearance, which underscores the cold efficiency with which the system neutralizes threats. It is this absence of drama that lends itself to realism, suggesting how many uprisings in history may have ended before they even began. Still, the strike is not without legacy. Victoria, who never succumbed to Jackson’s advances and never needed convincing to join the resistance, emerges as a quiet foil to Sara. Victoria’s strength is neither flashy nor deferential; she acts on instinct and principle. Her presence suggests that the movement may outlive its founder—that when one voice is silenced, another will rise. Victoria is repeatedly described as younger than the other women. This detail suggests that, generationally, bravery and rebellion are more deep-seated as each generation remembers less of the past. 


Ultimately, The Dream Hotel closes with quiet devastation. Sara is technically free, but the world that imprisoned her still exists, and her surveillance score still shadows her choices. She begins to reflect on how deeply surveillance has altered her perception of the world—so much so that she no longer knows how to exist within it. Sara starts imagining how to live off the grid, unable to envision rejoining a society built on data extraction and invasive monitoring. Every technological interaction now feels like a risk, a tether, a reminder of the vulnerability she’s endured. Her freedom is haunted by the knowledge of how easily it can be revoked. Yet this final section insists that freedom is not about compliance or forgiveness—it is the act of choosing one’s own connections, memories, and meaning. By calling Toya with her father’s phone, Sara affirms that her survival was emotional. The most significant act in the novel is choosing to be fully human in a system that insists that one is not. In the end, the novel reveals that AI is not the true antagonist—it is merely a tool that people program and wield to enforce old systems of power with new efficiency. While the algorithm may lack nuance, it is human design and desire that strip away context, compassion, and justice, exposing how surveillance capitalism only sharpens the cruelty already embedded in society.

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