59 pages 1-hour read

The History of Sound: Stories

Fiction | Short Story Collection | Adult | Published in 2024

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Story 8Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of mental illness.

Story 8 Summary: “Radiolab: ‘Singularities’”

On an episode of the podcast Radiolab, hosts Jad and Robert interview “writer Anna Mott” about the great auk, a species of flightless bird (188). Anna explains that she was living in Halifax with her family when she encountered a photo of Will Hunt with an auk in Mule Harbor, Newfoundland in 1991. The picture shocked her because great auks had been extinct since 1844.


Evolutionary biology professor Bob Bonter joins the conversation. He examines the photo, confirming the pictured bird is a great auk and continuing on to explain why they went extinct. They were hunted for years and used for food and fuel as they were easy to catch because they showed no fear of humans.


Bob and Anna continue discussing the great auk and Will Hunt’s photo. It appeared in National Geographic in the early 1990s, setting off a global search for more great auks. Scientists speculated that there could be a hidden nest where the great auks had been able to continue procreating and surviving. However, no one found any trace of them.


When Anna encountered the great auk photo, she traveled to Newfoundland for answers. She was feeling trapped and depressed at home and the possibility of a new story excited her. In Mule Harbor, she met Natalie Fahey at Fahey’s Market. Natalie explained that Will Hunt died not long ago, and the only other person who would know about the auk photo was Fen Mack, the man who printed the photo in the paper, much to Will’s chagrin. 


Natalie didn’t want to talk anymore about it, but she softened when Anna told her story. Natalie immediately understood why the auk had impacted Anna so greatly as the bird had given many people hope before. She then showed Anna a photo of Will’s wife Nora on a boat pointing at the auk. Anna was moved by how happy she looked in the photo, and she was even more intrigued when she noticed an auk egg in the photo, too. For months after, she searched for the auks but found nothing.


Anna tells Jad and Robert that she never found evidence of any living auks, but the auk photo changed her life. She never left Mule Harbor. It’s where she met her husband and settled down. She’s happier than she’s ever been, and it’s all because of the auk.

Story 8 Analysis

In “Radiolab: ‘Singularities,’” Anna Mott’s search for the extinct great auk leads her on a journey toward hope and healing. Her immediate attachment to the idea of the great auk offers her a sense of possibility that she hasn’t felt in some time. Discovering the 1991 National Geographic photo of Will Hunt in turn catalyzes her trip to Mule Harbor, Newfoundland, and ultimately reminds her of The Universality of Love, Loss, and Longing. In her podcast conversation with Jad and Robert, Anna asserts that she didn’t initially understand why she was so moved by the great auk image when she originally encountered it. In retrospect, however, Anna identifies her conversation with Natalie and the life she subsequently established in Mule Harbor as explanations for the auk’s role in her story. Despite the seeming irrelevance of the great auk to Anna, the mysterious bird and its history teach Anna about pursuing happiness, letting go, and finding love. Life is full of surprises, the story implies, and if the individual opens herself to them she might learn from them.


Shattuck uses a fugitive form to inspire the short story’s narrative arc. He borrows the Radiolab podcast structure to lend Anna’s otherwise atypical story a neat structure and progression. In the context of the podcast episode, Anna is compelled to orally articulate the events of her life in a neat and concise manner. She first lays out the mystery at hand, then describes the steps she took to solve this mystery, and finally reflects on how the mystery influenced her as a person. This structure isn’t an authorial gimmick but a means of enacting Anna’s experience and the themes of her narrative: Just as the podcast grants a wide audience the opportunity to relate to Anna, Anna’s experience searching for the auk connects her with a lineage of people similarly affected by the bird. As Natalie says when she hears Anna’s story: “The bird gave [her] something” and “[l]ifted [her] up” the way it has many others before her (198). The bird is therefore symbolic of history and mystery, possibility and hope all at once. To Anna and the many others impacted by the great auk, encountering the bird feels like encountering the impossible—a once-dead creature resurrected in the past and offering hope. This phenomenon suggests that the individual can be awakened to life’s beauty via her encounters with seeming instances of magic. While love, loss, and longing are fixtures of the human experience, so too are beauty, wonder, and discovery.

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