84 pages 2-hour read

The Illustrated Man

Fiction | Short Story Collection | Adult | Published in 1951

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Story 5

Story 5 Summary: “The Man”

Captain Hart and his lieutenant, Martin, have landed their rocket ship outside an alien town, but the locals have not come out to visit them. A cynical man, Hart is tired and angry. He flicks his cigarette into a meadow; Martin stamps it out. Hart can’t understand how their efforts in getting here could go unnoticed and wonders: “Why do we do it, Martin? This space travel, I mean. Always on the go. Always searching. Our insides always tight, never any rest” (61). Martin suggests that perhaps they are looking for peace. Hart agrees, and both decide they might be seeking for something good beyond their “evil planet” (63). Hart sends Martin to the town to investigate.


Martin returns in a daze. The villagers, he says, are disinterested in their rocket because the day before, an unnamed man had arrived. The townspeople had been waiting for this man for a long time. Hart immediately suspects rival rocket captains Ashley or Burton, but Martin insists it was neither; this is a man known by different names on every planet, a man who “healed the sick and comforted the poor” and “fought hypocrisy and dirty politics” (66).


In town, Hart blusters through a conversation with the mayor, which is translated by electronic equipment. He does not believe this mysterious visitor healed the mayor’s son and others, since the mayor can offer him no tangible proof. Martin defends the townspeople’s experiences as genuine and pushes back against Hart’s condescending attitude and “scientific method” (70). Hart is convinced this was all a capitalistic ploy by Burton: “You should know Earthmen by now,” he insists. “They’ll do anything—blaspheme, lie, cheat, steal, kill, to get their ends” (70).


Back at the ship, Martin sulks. If Burton was behind all this, he wants to kill him. Two rockets land—Ashley’s and Burton’s—and an injured man from Burton’s ship claims both men were killed in a cosmic storm. Hart realizes his mistake and the truth of the man’s identity. After hearing hours of firsthand accounts from the villagers, he threatens and shoots the mayor, trying to get information on the man’s whereabouts. The mayor pities him as he rushes away to his rocket, determined to track the man down; Hart “will never find him that way” (75). Martin decides to stay on the planet. In their last conversation, he asks Hart what he wants from the man. Hart says he wants a little peace and quiet. Martin asks if Hart has ever simply tried, but Hart does not understand.


At the edge of the meadow, Martin meet the mayor, who takes Martin to meet the man, who was in the city all along.

Story 5 Analysis

“The Man” centers on the nature of faith and the pursuit of redemption. Hart and Martin are dirty men, by Hart’s own account, who have left their world to relentlessly explore and mine the cosmos. What they are really seeking, though, is peace and redemption—a peace that can only be achieved, Bradbury suggests, through faith. Here, faith is embodied in the concept of the man, a euphemism for the messiah. The messiah is a figure often associated with Judeo-Christian religion but broadened by Bradbury to be a kind of universal phenomenon understood by all cultures.


Bradbury teases out the contrast between the faithful and Hart by contrasting the locals’ peaceful natural world with Hart’s prioritization on technology and extortion of resources. Hart, like Burton and Ashley, is an oil and mineral contractor, both invasive and environmentally harmful practices. His propensity for meaningless violence on the natural world is immediately apparent at the very start of the story, through his willingness to burn down a meadow just to get the townspeople’s attention. The mayor later meets Martin on the edge this same meadow—a location traditionally associated with Paradise—to take him to the man.


Similarly, Hart uses an incredible translation machine to communicate with the townspeople but, ironically, is unable or unwilling to understand what he is told: that all the townspeople have been witnesses to something incredible. Hart is another word for a deer, and Hart himself is harried, unwilling to pause or breathe for fear that he might be outdone. His breathless exhaustion is, for Bradbury, emblematic of the effect of the capitalistic rat race, which also plagues Bodoni in “The Rocket.” Tragically, Hart does not understand that he is rushing and rushing for peace when all he has to do is pause and take it.

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