The King of Mulberry Street

Donna Jo Napoli

51 pages 1-hour read

Donna Jo Napoli

The King of Mulberry Street

Fiction | Novel | Middle Grade | Published in 2005

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Chapters 20-22Chapter Summaries & Analyses

Chapter 20 Summary: “Pietro”

Content Warning: This section of the guide includes a discussion of child abuse, child death, and religious discrimination.


One lunch, Tin Pan Alley is seized by his padrone. The next day, the boys learn that their friend was beaten and ordered to earn double what he used to. Tin Pan Alley laughs because he has a lot more than that saved. However, when he winces later, Dom demands that he pull up his shirt, and the boys are horrified at the extent of his wounds. 


That night, Dom convinces Gaetano that they must help their friend escape, so they go to St. Patrick’s Cathedral to talk with a priest. To the boys’ dismay, the priest refuses to assist because if he helps one boy, he must help hundreds of others, adding that it is all in God’s plan. Disgusted, Gaetano asks for spare clothes and a sheet to clothe a corpse, and then he vows never to go back to that church.


Dom and Gaetano urge Tin Pan Alley to dress differently, escape his padrone, and live with them. He can pay the padrone for his passage to America and be free. The boy is reluctant until Gaetano shows him the sheet that will cover him in the cart. Tin Pan Alley understands and climbs in, and they retreat to Grandinetti’s where they introduce the boy, whose real name is Pietro. He stays at the shop for the rest of the day while Dom and Gaetano sell sandwiches. That night, they bring Pietro to Signora Esposito’s, who accepts the boy without question. 


The following day, with Pietro safely hiding at the apartment, the boy’s padrone shows up while Dom and Gaetano sell sandwiches, and he watches them all day. On subsequent days, though, the padrone is nowhere to be seen. One night, Dom gives each of his friends a new pair of shoes.


Signora Esposito suggests Pietro dress like a girl, so he can leave the apartment. He agrees and walks to Grandinetti’s. Once there, he changes and helps in the store, happier than ever. A few months later, a new boy appears at Pietro’s old corner, playing the triangle, so they think the padrone has given up. 


When Dom discovers how much a ticket on a ship costs, they realize that Pietro has paid far more than his passage. Pietro insults himself for getting stuck with the padrone for so long and being afraid to leave. When Pietro says he needs to think, the boys split up. Dom wanders to the ships, realizing that he has enough money to buy documents and a ticket home, but he just stares at the water.

Chapter 21 Summary: “Crosby Street”

Unsettled about not wanting to return to Napoli, Dom walks home. When Pietro does not return by midnight, Dom and Gaetano search for him until dawn. As the day progresses, the boys sell sandwiches, and Dom worries that Pietro went to help the other boys enslaved by the padrone. Dom approaches the new boy playing the triangle, but instead of answering Dom’s questions, the boy just plays his instrument louder. When Dom suggests going to Crosby Street to find Pietro, Gaetano punches his friend, screaming through tears that if Dom goes there, he will wind up dead. After that, they barely speak.


Later, Dom slips away to Crosby Street and eventually finds the right building. However, Pietro’s padrone arrives and locks him inside an apartment. There, a boy lies on the floor tied to an iron ring on the wall. Dom demands to know where Pietro is and insists that the boys already repaid their debts. 


After Dom calls him a criminal, the padrone lunges in a rage and grabs Dom. He whips the boy and ties him with a rope to an iron ring. When the padrone leaves, Dom convinces the boy to untie him, and then Dom uses a knife to cut the rope, so the boy will not get in trouble later. Dom sees blood on the knife, and he finds one of Pietro’s shoes. The other boy admits that the padrone beat Pietro to death. 


Distraught and unable to convince the boy to leave, Dom finds Pietro’s other shoe and stumbles downstairs in pain from the injuries the padrone inflicted upon him. As he falls outside, he hears voices calling his name and shoes approaching. Dom blacks out before he can tell them to get Pietro’s shoes.

Chapter 22 Summary: “Eldridge Street”

Dom feels responsible for Pietro’s death because it was his idea for the boy to escape; despite this, no one reproaches Dom. In fact, Grandinetti reports the padrone to the police and helps Gaetano run the sandwich business while Dom’s wounds heal. Everyone, including Signora Esposito, is upset about Pietro’s death. Lying in the apartment with ice on his back, Dom regrets that he cannot write Pietro’s aunt because he does not know the boy’s last name or her address.


Once Dom can dress without pain, he visits the Polish butcher, Witold, and learns that Gaetano has continued to buy meat from him. Dom asks if he can attend synagogue with the butcher, and the man invites Dom to dinner with his family that evening. Despite feeling like he does not belong, Dom is embraced by Witold’s family. His wife gives him a sweater, and Witold places a yarmulke on Dom’s head. At the synagogue, although Dom does not understand much of the service, he cries, begging for forgiveness. 


Over time, Dom heals physically and even though he feels out of place at the Eastern European synagogue, he acknowledges that what matters is that he feels Jewish inside. When he explains this to Witold, the man says “Shalom,” which means peace (234). Dom finally understands that he has been conflicted for a long time and that he will not return to Napoli. Furthermore, he admits that his mother did put him on the ship alone. He belongs here, in New York with his friends who have become like family.


The business grows, and they hire other boys to help. When they become frustrated because some of the boys steal from them, Grandinetti pushes Gaetano and Dom to give them more responsibility. They decide to ask two other boys to become partners as they get another cart and sell more sandwiches. 


As Christmas approaches, Dom thinks of his upcoming 10th birthday and is reminded of Napoli when he sees vendors selling nativity scenes on Mulberry Street. Many things remind him of his family, especially his mother. On Christmas Eve, Dom buys a new pair of shoes for himself because the old ones are too small. Thinking of how much those original shoes helped him and vowing to fight against padrones in honor of Pietro, he sees people inside a building learning English. He hands his old shoes to a boy outside and promises to get an education. Feeling content, Dom arrives home to Signora Esposito making his favorite dish for his birthday. She smiles and hums as he kisses her cheek.

Chapters 20-22 Analysis

The crisis Dom faces when Pietro goes missing speaks to the theme of Survival and Resilience in an Unfamiliar Place. His habit of taking calculated risks to do what is right, something he has demonstrated before, comes to an apex when Dom tries to find Pietro. Soon Dom is trapped inside the apartment with another boy. Concocting a plan to get himself free, he cautiously decides to make it look like he cut his rope with a knife, so the other boy will not suffer consequences later. His quick thinking is not only necessary for his survival, but the other boy’s as well. As Dom drags himself outside onto the street, he thinks, “Survive” because that is “Mama’s first rule” (229). His daring, along with love for Pietro, thus inspires him to risk everything to save his friend, while his resilience kicks in when he remembers his mother’s admonition to simply survive.


As Dom learns more about others and himself, he also reflects on The Impact of Immigration on Identity. When Grandinetti introduces himself to Tin Pan Alley, the boys learn that their friend’s real name is Pietro. Dom thinks, “The question took me by surprise. Tin Pan Alley had become his real name to me, just as Dom had become my real name in a way” (210). Names are often labels for identity, and starting over in a new place requires Dom to take a different name for himself. The realization that his name and Pietro’s nickname have become “real” emphasizes how life in America has changed Dom’s sense of identity, with his comfort with his new name reflecting his growing comfort with living in America. 


After Pietro’s death, Dom realizes that labels do not matter. He thinks, “Beniamino—Dom—it didn’t matter what I was called” (233). He will always be who he is, no matter the label. This reflection continues when he realizes how uncomfortable he is in the Eastern European synagogue, yet he understands that “it wasn’t a synagogue that made a Jew anyway. It wasn’t a yarmulke or a mezuzah. [He] was Jewish inside” (233). Despite the pressures of society to conform and change his identity, which Dom allows outwardly in name and appearance, he remains true to himself. He then acknowledges that “the only way to survive” is “to be loyal to everything that matter[s]” to him (234). His adaptability while maintaining his core values and beliefs demonstrates not only Dom’s devotion to his identity, but also his growth as a character.


Dom matures through self-reflection, but also via the support of others, invoking Community Rooted in Shared Hardship. When the boys want to help Pietro escape his padrone, they offer to share what they have to make his life better. Additionally, when they return to the apartment with Pietro, Signora Esposito “took him in without a question, but her eyes were knowing” (210). Signora Esposito’s acceptance of Pietro demonstrates her compassion, and her knowing eyes suggest that she understands what he has endured. She, too, was once in dire straits, for “everyone has a past that’s bad” (210). Although she does not pry into his misfortune, she knows it is there and is willing to help. 


Later, when Dom realizes that he hardly thinks of Italy anymore, he acknowledges that, “maybe it wasn’t just because I was busy. Maybe it was also because I liked our business. I loved it. And I loved Gaetano and Pietro and Grandinetti and even Signora Esposito” (217). Dom’s love for the people in his life indicates that he has forged a network of support and community in New York. Everyone within that network has experienced hardship, and despite their struggles, they band together. In doing so, they create a tight-knit community that enables each of them to feel truly at home.

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