53 pages 1-hour read

The King of Torts

Fiction | Novel | Adult | Published in 2003

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Background

Authorial Context: John Grisham and the Critique of the Law

John Grisham is widely credited with popularizing the modern legal thriller, a genre that blends suspense with an insider’s view of the United States legal system. In his most popular novels, Grisham established a formula: An ambitious young lawyer confronts a powerful, corrupt entity, navigating a world of conspiracy and moral compromise. The Firm (1991) follows a stellar young lawyer who is lured into a lucrative job at a law office that he discovers is a front for a powerful Chicago crime family. The Rainmaker (1995) follows a fresh lawyer’s attempt to seek justice from a predatory insurance firm on behalf of his working-class clients. Grisham’s stories indict the limitations of the US legal system, revealing the different ways that organizational entities exploit it for profit, often to the disadvantage of the public.


The King of Torts (2003) employs these conventions to critique the ethics of high-stakes mass-tort litigation. The novel’s depiction of a pharmaceutical company secretly testing a dangerous drug mirrors the atmosphere of corporate malfeasance prevalent in the early 2000s, exemplified by the Enron scandal, where massive accounting fraud led to complex, far-reaching litigation. The protagonist, Clay Carter, begins as a disillusioned public defender who is drawn into a secret settlement by Max Pace, a mysterious operative hired by corporations “to put out fires” (69). Like in The Firm, the plot device of the lucrative but morally compromised deal drives a thematic conflict between individual morality and corporate power. Clay is initially repulsed when he sees the mass-tort lawyers’ indulgent lifestyles, but he is eventually drawn into the pursuit of material wealth to compensate for his diminishing professional integrity.


By framing Clay’s story as a thriller, Grisham transforms the intricacies of civil law into a fast-paced narrative of temptation and consequence, making the abstract debate over legal ethics accessible to a broad audience and questioning whether the legal system itself has become just another high-stakes game.

Sociohistorical Context: Mass Torts and the Tort Reform Debate

Grisham’s novel centers around torts—a legal term for a wrongful act that causes harm to someone else, resulting in a civil lawsuit for the recovery of damages. Torts are distinct from breaches of contract (where someone deliberately violates a mutual agreement) and crimes (where someone commits an act punishable by the state, regardless of its impact on others). Tort plaintiffs (those claiming harm) can be individuals, as in the 1928 case Palsgraf v. Long Island Railroad Company, where the plaintiff was injured because of the defendant’s failure to foresee safety risks on their property, or they can be groups or classes of people, such as in the 2004 case Vietnam Association for Victims of Agent Orange v. Dow Chemical Company, where Vietnamese plaintiffs sought restitution from the US manufacturers of herbicides weaponized during the Vietnam War. In such cases, numerous individuals consolidate their claims against a single entity.


The King of Torts is set against the backdrop of the contentious debate over tort reform in the US during the late 1990s and early 2000s. High-profile cases involving products like asbestos, tobacco, and pharmaceuticals led to multi-billion-dollar settlements and created a new class of ultra-wealthy trial lawyers. In response, business advocacy groups like the US Chamber of Commerce launched campaigns for “tort reform,” arguing that excessive lawsuits and “jackpot justice” were disrupting US businesses. The novel’s fictional Dyloft case directly parallels the real-world litigation over the diet drug combination Fen-Phen, which was pulled from the market in 1997 after being linked to heart valve damage, resulting in a multi-billion-dollar class-action settlement. Grisham channels the public perception of these lawyers through the “Circle of Barristers,” a group of litigators who boast about their private jets. One lawyer underscores the competitive nature of their work, telling Clay, “We’re sharks, okay, nothing but vultures. The race is on for the courthouse” (170). Clay’s transformation into the “King of Torts” illustrates the immense wealth generated by this legal specialty, forcing readers to consider the ethics of a system where “justice” and profit are deeply intertwined.


While The King of Torts dramatizes a widespread view of mass-tort litigation as a form of legal profiteering, many legal commentators note that mass torts can be the only effective means of holding corporations to account for large-scale harms. Mass-tort litigation has led to billions of dollars in settlements from DuPont, 3M, and other producers of PFAS (per- and polyfluoroalkyl substances) that enter groundwater and food supply chains, causing diffuse and lasting harm. To name a recent, high-profile example, 3M reached a settlement in 2024 in which the corporation agreed to pay up to $10.3 billion to clean up public water systems contaminated by PFAS (“3M Settlement With Public Water Suppliers to Address PFAS in Drinking Water Receives Final Court Approval.” 3M, 1 Apr. 2024).

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