The Knight and the Moth

Rachel Gillig

62 pages 2-hour read

Rachel Gillig

The Knight and the Moth

Fiction | Novel | Adult | Published in 2025

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Part 4Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence, death, physical abuse, emotional abuse, and sexual content.

Part 4: “The Fervent Peaks”

Part 4, Chapter 15 Summary: “Mountain Sprites”

During the journey from the Seacht to the Fervent Peaks to confront the Ardent Oarsman, Six and the gargoyle ride in a cart. Six asks Maude about her past. Maude is 41 years old and became a knight in a family of legendary sprite hunters; she didn’t know what a righteous kill was until King Benedict the First told her the truth about the Omens, and she slayed the Faithful Forester. She was loyal to Benedict, who told her to deny him so that she wouldn’t also be condemned and could continue hunting the Omens; she threw the first stone at Benedict. After his death, her family took Benji in. King Benedict the First also brought Rory to Petula Hall when he was 11, and Maude made Rory her squire. 


Six falls asleep in the cart and is woken when a mountain sprite attacks the retinue. She and the gargoyle are thrown from the cart in the chaos, and Benji becomes trapped under stone. He cannot free himself, but even as the sprite charges them, Six refuses to abandon him. She uses her hammer and chisel to free Benji, and then the gargoyle flies them out of harm’s way at the last second. The knights kill the sprite, and Six feels saddened by its death. 


Rory checks on Six and Benji, worried about them. The mold of Six’s body survived the attack, and Maude promises to get Six’s armor finished before they arrive at Maud’s home in the Chiming Wood. Six cannot pay for it, but Maude refuses to charge her, demonstrating kindness, which is rare in Six’s life.

Part 4, Chapter 16 Summary: “What Is Harrowing Is Hallowed”

The retinue reaches the village in the Fervent Peaks. Unlike in the Seacht, the roads here are made of dirt, and the fishermen’s houses are wooden. The only adornments in the village are oars carved into the doors of the houses. 


The group reaches a large basin of water with a waterfall, but it’s not the pool from Six’s dreams. Five figures from the Peaks’ noble families appear to begin the ceremony for Benji, one of whom is Hamelin’s mother. They chastise the king for arriving late and for receiving ill portents at Aisling. Six is the only Diviner seen lately in the Peaks, which worries her further.


The group approaches the basin of water for the ritual. Benji strips naked and enters the freezing water, wrapping himself in fishing nets to prostrate himself. When he’s in the water, Rory grabs his flagon of water from Aisling’s spring and tells Six that it’s time to set a trap for the Oarsman. While they sit hidden and wait, Rory thanks Six for saving Benji and tells her that she’s a better knight than most. 


As Rory turns more flirtatious and sensual, Six panics and asks if he’s married, as she recalls Four’s dalliance with a married knight. He says that he’s single. He asks her if she’s ever fancied someone, and she admits to dalliances, but she’s never climaxed with another person. Rory fantasizes about what it would be like, but before the conversation can escalate, sprites appear near the flagon. They watch as the Ardent Oarsman approaches.

Part 4, Chapter 17 Summary: “The Ardent Oarsman”

The Ardent Oarsman takes the flagon and leaves, with Six and Rory in pursuit. The Oarsman lifts his oar and disappears into the waterfall. Rory and Six cannot get up the cliff to follow, so Six calls the gargoyle to fly them upward. The gargoyle gets them past the lip of the waterfall, and Six recognizes the basin from her dreams, the basin that feeds the waterfall. Six sees a castle nearby, and she and Rory sneak past rock sprites to approach the castle door. Rory knocks, and the Oarsman answers the door. Rory tells him that they seek to take up the mantle, and the Oarsman invites them inside.


The castle is cold and dark, with only a stone throne and piles of gold. The Oarsman asks Rory and Six if they left the Aisling water for him, and Six asks him where he got his gold. The Oarsman confesses that the Aisling gargoyles bring it to him. 


Rory reiterates that the king seeks to take up the mantle, and before Six realizes what’s happening, the Oarsman uses his oar to appear in front of her, grab her, and transport them both to his throne. The Oarsman can smell the spring water in Six’s blood, and he menacingly licks her neck. Six stabs him in the thigh with her chisel and runs back to Rory. 


The Oarsman laps up his own blood and promises to tell Six what happened to the other Diviners if she stays with him. Six stands up to him, saying that he’s not a god and that, without the Diviners, he would be nothing. Rory challenges the Oarsman to his craft of vigor to take his oar and find answers about the Diviners. The Oarsman accepts but tells him that the fight will be a fight to the death. Rory agrees and asks for three days to prepare. The Oarsman also agrees but insists that he will fight Six since she’s the one who wants information.

Part 4, Chapter 18 Summary: “Hit Me as Hard as You Can, Encore”

Six struggles to put on shoes for the first time in order to train for the fight. Her training session with Rory becomes emotionally charged, as her feelings about the missing Diviners become overwhelming; her need to best the Oarsman is personal. Rory tells her that it’s personal for him, too, because she’s important to him. They almost kiss before being interrupted by Maude and Benji, who advise that Six train with the coin as her weapon. The night before the battle, Six can’t sleep and goes looking for Rory.

Part 4, Chapter 19 Summary: “I Can’t Swim”

Rory takes Six to a hot spring to relax. He disrobes as Six turns away and then turns around as Six also disrobes and enters the water. He massages her wrist, which is sore from flicking the coin during training. She asks him if he’s in pain, and he confesses that he always is around her. Six thinks of their similarities, as they both grew up under the cruelties of the Omens. 


Rory tries to grab Six’s foot to massage it, but she slips in the water, going under. He quickly pulls her up and apologizes for reminding her of drowning. He tries to leave, but Six doesn’t want to end on a sour note, so she asks him to massage her shoulder. Rory fantasizes about biting her skin, and Six admits that she’s thought about it. Six gives him her thumb, and he bites her gently. Six makes him promise to find a home for the gargoyle and to search for the Diviners if she dies. He does and then leaves her alone in the spring.


The next day, Maude makes the gargoyle Six’s squire and lends Six her armor. The group goes to the Oarsman’s lair and finds the Oarsman standing on a wooden platform in the middle of the water basin. Six must fight him without falling into the water since she cannot swim.

Part 4, Chapter 20 Summary: “With Hammer, With Chisel”

Six cannot use the coin as a weapon, as throwing it would risk losing it in the water—she must use her hammer and chisel. She asks Rory for a story, and he tells her about a knight who met a woman who gave him faith that the world could be better. He tells her that the story ends when all the Omens are dead and when Six kisses Rory.


Six takes a boat to the platform. The Oarsman beats Six viciously with his oar before pinning her down and biting her neck, drinking her blood. The Oarsman says that he receives a Diviner “utterly still” every 10 years and that the only spring water he’s given is their blood. 


The Oarsman knocks Six’s helmet and her shroud off, and the sight of her eyes is enough to distract him. Six launches at him, placing the chisel over his heart before hammering it in. As the Oarsman dies, he tells Six that the other Diviners are dead. Then, he uses his oar to destroy the platform, sending Six into the water.

Part 4 Analysis

Part 4 of The Knight and the Moth increases the narrative tension in the novel, as Six must personally face off with an Omen in order to discover what happened to her fellow Diviners. Six’s encounter with the Ardent Oarsman in the Fervent Peaks adds further complexity to the theme of The Influence of Faith. The Oarsman, like the Harried Scribe, believes himself to be a god. However, instead of acquiescing to his godhood like she would’ve done in the past, Six stands up to the Oarsman, telling him, “You say the river cares not for the rain, but it is the rain that feeds the river. In time, it can even wear away stone. […] I am not afraid of you. Because without me, you would be nothing” (218). Six tells the Oarsman that he only lives as a god because of the Diviners and their work; without the Diviners, no one would worship the Omens. These chapters show how Six is beginning to find confidence in herself and her place in the world. Though she does not yet feel certain about where she belongs or who she is, she understands that the Omens no longer have power over her, further developing the theme of The Powers of Fate and Free Will.


However, despite her newfound power, Six cannot save her fellow Diviners. The Oarsman tells Six, “What will you do? Crack my skull? Do you imagine the truth of your lost Diviners will fall like blood from my brow? They are to the wind, consumed by this starving world” (250). The Diviners are dead, and Six couldn’t save them. For all their faith and for all their fealty, the Diviners’ final reward is a cruel death, after a decade of promises of freedom. Her discovery of the Diviners’ deaths puts an end to Six’s loyalty to the abbess—any vestiges of faith that Six may have clung to die with the other Diviners.


Gillig further examines power through Benji’s and Six’s ongoing character arcs. When Six challenges Benji about the ethics of killing the sprites, she quotes his own grandfather back to him, saying, “[S]omeone rather wise once said, ‘Traum’s histories are forged by those who benefit from them, and seldom those who live them’” (198). The history of the kingdom is written by the most powerful person in the kingdom: the abbess. She corruptly decides what the narrative of the Omens is and what story to peddle to the masses to obtain the most money and influence possible. Six reminds Benji, as he obtains more power by expanding his kingship, that he is capable of becoming corrupt and treating others badly, losing his humanity to his increased power. The sprites only attack because they’re starving, as the people of the various hamlets monopolize the resources that the sprites need to survive. Gillig critiques the subjective nature of history with Six’s points that history favors the humans because they are the ones with more power and that the narrative is biased against the sprites. Benji is biased against sprites because even he believes the stories peddled by his forefathers.


Six advocates for the sprites because she understands how it feels to be powerless. Rory, too, understands this powerlessness, as he explains to Six, “No sprite ever took advantage of me when I was a foundling boy. No sprite ever beat me. Used me. […] No sprite told me I was special, then hurt me” (206). Rory was treated poorly by the Artful Brigand, used as a tool and then cast aside. Six relates to Rory’s experience, as she notes, “We’d both been foundling children, both taken under the wings of Omens—the abbess, and the Artful Brigand. But where the abbess had put me in gossamer and made me exceptional, Rory had endured the opposite” (236-37). Six understands perfectly how Rory feels about the Omens because she endured the same abuse. Six is still working to understand how her past impacts her, however, as she utilizes the term “exceptional” to describe how the abbess turned her into a Diviner. She knows that what the abbess did to her and all her fellow Diviners was wrong, yet she struggles to fully understand the negative impact that the abbess has had on her, which remains important to her character development. Six doesn’t yet understand the extent to which the abbess has stolen her identity and her humanity, as she still doesn’t understand The High Cost of Power.

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