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One of the army captains’ wives hosts a dance for the soldiers and local girls. Lois and other young girls of the area arrange to stay in Clonmore for the night so they can attend. In the bustle of guests arriving, Mr. Daventry, one of the soldiers, copes with a headache and difficult emotions after a long night and morning searching houses for weapons. He is troubled by searching the homes and beds of sick women and women not yet healed from childbirth. He suffers from shellshock, and in reaction, he hates Ireland.
Lois and Livvy join several other girls in having dinner at the captain’s hut before the dance, and Lois wonders at Gerald not having gone to see her at the Fogarty’s home, where she is staying. She has not heard from him since their kiss at Danielstown, and it is making her nervous. She thinks that if she does not see him at the dance, she may die, because she wrote to Viola that morning that she intends to marry Gerald. There is a strong, cold wind that night, and the captain warns each of the girls not to wander too far from their hut during the dance.
Mr. Daventry pulls Lois into three dances in his attempt to drown out the morning’s activities. Gerald watches sulkily from the wall until he can jump in. He asks Lois if he did anything wrong, and she admits she thought he was upset about something. They go outside to talk, and each admits to having wanted the other to write or visit to make things less awkward. They kiss, and Gerald brings up marriage but does not formally propose.
Later that evening, Mr. Daventry kisses an unwilling local girl until her hints about whisky on his breath drive him away. He finds Lois and eyes her up and down, making her uncomfortable. He manages to get her alone while they eat sandwiches, and he starts to say something about Gerald before he is cut off by the gramophone dying and the party guests filing into the room where they are speaking. Gerald finds her again; when someone asks if Lois is tired, she replies that she is not.
Lois arrives home to find her aunt, uncle, and the Montmorencys sitting outside waiting for her. She tells them about the night, omitting her conversation with Gerald. Lois tells Laurence she wants to start something finally and asks him for book recommendations. He recommends studying German. Once in her room, she reads the letter Gerald had left for her at the Fogarty’s home before she left. He expresses his love once more and shares how he wishes to care for her.
Lady Naylor comes up to talk to Lois, hedging around the topic of Gerald. She shares that the dance may have been the last Lois has, based on how the war is going. She admits that a man from Kerry showed up at the neighbor’s home during their visit, and he made them all uncomfortable. She tells Lois she should study Italian instead of German, which is still out of fashion since World War I. She asks if Lois would like to attend art school, and Lois says yes.
Lois walks outside with Hugo. When they part ways in the garden, she thinks of Gerald. She thinks it is inevitable that she will marry him. When she meets Hugo again while going inside, he notes how it must seem like nothing has changed at the house while she was away, despite her feeling like ages have passed. She can’t explain to him the kind of magnetism that static quality of the house has for her.
Lois tells Lady Naylor about Gerald, but Lady Naylor insists Lois knows nothing about love. She tells Lois she should go to art school and not think about men at her age. Gerald arrives for tea, and Lois walks with him outside. He kisses her roughly, and she shares that she might go to art school. He worries over when they can see each other, with the war going on.
They join the family inside, and her aunt and uncle treat Gerald nicely, acting as if he is their source of inside information about the army. When conversation lulls, the Trents, neighbors of the Naylors, arrive for tea with a friend in tow. This friend is another person “to whom still more had happened” than the Trents’ last friend (254). He tells the Naylors about “assault and cattle-driving” (254). Mrs. Trent, Lois, and Lady Naylor stand apart from the rest, and Lady Naylor shares that Lois is going to art school. Mrs. Trent believes girls in Ireland don’t have many marriageable options, and so a soldier can be an acceptable option for Lois. Lady Naylor insists that they are not, and she insists that girls have options nowadays besides marriage, like having careers.
Marda writes to Lois and shares that her hand has healed and that no one suspects there is more to the injury. Hugo feels the insult of Marda informing him of this through Lois. He walks through the grounds of Danielstown and imagines scenes where Marda returns his feelings.
Lady Naylor takes Francie to Clonmore, specifically leaving Lois behind, and while Francie stops at the rectory, Lady Naylor meets Gerald to address his relationship with Lois. She starts by using the example of Livvy and Mr. Armstrong, telling Gerald how the marriage can never happen, and he finally understands her meaning. She claims Lois does not love him in the way Lady Naylor understands love, and she insists Lois is keen on art school. Finally, she broaches the topic of money, although her upbringing makes that feel crass. She points out that Gerald does not earn enough to support Lois. She claims she will not keep them apart, but she asks Gerald to have an honest conversation with Lois about all this. Francie interrupts them and Lady Naylor leaves with her.
Francie tells her husband that evening that she worries Lady Naylor has been interfering between Gerald and Lois, and she admits she doesn’t know if she can trust Lady Naylor. Lady Naylor claims to Lois, that Gerald told her he thinks the marriage between Mr. Armstrong and Livvy isn’t a good idea. That night, Francie slips into Lois’s room to tell her how unhappy Gerald had seemed after his talk with Lady Naylor.
The next day, Gerald comes to Danielstown to talk to Lois, as Lady Naylor had asked. He tells her he and Lady Naylor agree he is not good enough for Lois, and that they can’t get married. Lois tries to convince him they should still marry, but in the course of the conversation, they realize they love one another differently. Lois still wishes to marry Gerald, telling him she felt safe with him. He maintains his distance and leaves her as darkness sets in.
Mrs. Vermont and her other English friends pay a surprise visit to Danielstown, where Lois puts on an act of hospitality but tries to keep them from staying for luncheon or tea. The women gossip as they leave, thinking Gerald is well rid of Lois’s family.
The next day, terrible news runs through Clonmore. Women weep, and it is clear someone has been shot and killed. The local women wonder over and over why they have to stay in Ireland.
Mr. Daventry goes to Danielstown and breaks the news to Lois: Gerald, while on patrol, was shot by the enemy and died instantly. Lois does not know what to say and walks away, leaving Mr. Daventry to tell her family. Lady Naylor talks as if they knew Gerald quite well, saying she must write to his mother. Laurence happens on Lois outside and offers lame words of comfort before walking on. Lois remembers how Gerald loved her and how he loved the British empire.
Two weeks later, Mrs. Trent visits Lady Naylor, who informs her that the Montmorencys have gone and that Lois and Laurence have both left, as well. Lois has gone on tour to work on her French, with plans to stay with another family. Lady Naylor shares how sad things have been since Gerald’s death. She says that Gerald’s mother replied to her letter by saying that her first consolation is that Gerald died for a noble cause. Lady Naylor thinks the comment not tactful but excuses it by saying the woman was distressed. The women admire the house in autumn, and the narrator then explains that it was the last autumn for the house. In February, the IRA burns Danielstown, Castle Trent, and Mount Isabel, three great houses in the area, and Sir Richard and Lady Naylor look on as their home burns.
Part 3 contains rising action in the form of Gerald’s and Lois’s fledgling engagement, which is followed by more active conflict than the novel has previously contained. The final climax occurs behind the scenes: Gerald’s death. Nonetheless, much of Part 3 maintains the slow pacing and cerebral nature of many modernist novels.
Part 3 also finally reflects some of the more dire realities of war, not only through Gerald’s death but also through the brief perspectives of Mr. Daventry, a fellow soldier. During the dance, Mr. Daventry recalls the special orders he had received “to ransack the beds [in Catholic homes, to search for weapons], and to search with particular strictness the houses where men were absent and women wept loudest and prayed” (212). This experience deeply affects Mr. Daventry, who develops shellshock in the course of his duties in Ireland and who “was now beginning to hate Ireland” (212). Until Bowen provides the reader with Mr. Daventry’s perspective, the characters of The Last September continue their habit of making only veiled comments about the dangers of the war. Given the glimpse Mr. Daventry gives the reader of the realities of war, it is fitting that he takes the harsh news of Gerald’s death to Danielstown.
Part 3 further reveals The Decline of an Empire. The novel continues to demonstrate the divides between each of the primary groups: English, Anglo Irish, and Irish. Where Gerald represents England in the earlier parts of the novel, Mr. Daventry represents England in Part 3; his representation, however, is darker than Gerald’s. He is more aggressive and less respectful than Gerald, and the novel seems to hint that his aggressive qualities are related to his nature as an Englishman as well as his residence in Ireland as part of an occupying force. When he tries to force his attentions on the D.A.’s daughter, she says to him, “‘Englishmen never could keep their mouths to themselves’” (228). He shows a typical English imperial snobbishness and arrogance when he replies, “‘You won’t know yourself when we’re gone,’” and she offers a warning in turn: “‘You should get back home while you can, the lot of you’” (228). Their interaction symbolizes the dynamic between the English empire and the Irish people they oppress. The novel also continues to represent the Anglo Irish tensions increasing infringement on The Protections of Power and Privilege enjoyed by the Anglo Irish. These upper-class families continue to cling to their power and influence, which the English army is there to protect, but they also continue to bemoan the inconveniences of having the army in Ireland. As Lady Naylor complains, “’if [the soldiers] danced more and interfered less, I daresay there would be less trouble in the country’” (240).
Lois’s struggle with defining her Personal Identity During Political Upheaval continues in Part 3. Her acceptance of Gerald’s proposal sparks something in her, driving her to ask Laurence for reading or study recommendations because “’I want to begin on something’” (236). She is grateful for how “definite” the engagement feels, having struggled to feel as if any part of her life is clearly defined. That definite quality, and her character growth, is curtailed by Lady Naylor’s interference. Gerald calling off the engagement triggers a major moment of epiphany and heightened emotion in Lois. She tells him:
I thought you were a rock: I was safe with you. Gerald, really, this is all like a net; little twists of conversation knotted together. One can’t move, one doesn’t know where one is. I really can’t live at all if it has all got to be arranged. […] Even Marda – nothing we said to each other mattered, it hasn’t stayed, she goes off to get married in a mechanical sort of way. […] I didn’t ask you to understand me: I was so happy. I was so safe (281).
After Gerald calls off the engagement, and especially after she learns of his death, Lois withdraws into herself, but her struggle for self-definition is eventually resolved in the background, when Lady Naylor reveals that Lois has chosen to travel to France and remove herself from the insular confines of Danielstown and the Anglo Irish conflict.
The Decline of an Empire takes center stage in Part 3 as the Anglo Irish and English are forced to face the conflict head-on. Gerald has represented English imperial sensibilities throughout the novel, and his death portends the fall of English power in southern Ireland. The burning of Danielstown drives this home.



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