58 pages 1-hour read

The Leaving

Fiction | Novel | YA | Published in 2016

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Parts 8-12Chapter Summaries & Analyses

Part 8: “Day Seven” - Part 12: “Day Fifteen”

Part 8, Chapter 61 Summary: “Scarlett”

Content Warning: This section of the guide includes discussion of kidnapping, trauma, death, and child death.


Scarlett visits Adam. She tells him that Kristen recalled under hypnosis that Scarlett and Adam kissed. Adam is blasé about this news; he feels he is better off moving on and thinks it is best not to remember anything. When Scarlett tries to convince him that their memories might explain the 11 lost years and help Lucas, Adam plays a song on the guitar and sings along. Scarlett feels she knows the music, which reminds her of running and struggling “for their lives” and then “snapping back” (350). Adam says he will not play the song for anyone else.

Part 8, Chapter 62 Summary: “Lucas”

Lucas is in the local precinct’s jail but expects to be transferred the next day to a larger facility if Ryan cannot collect $100,000 in bail. Chambers takes him to meet with Doctor Sashor. Sashor asks about Scarlett; Lucas indicates they are not together and says he is somewhat relieved.


Sashor explains that he found a sample group of teens who were four years old when they attended the open house at the school along with the abducted children; they all witnessed the shooting and remembered it. Sashor finds it very telling that none of the five returned abductees recall the shooting, though the other witnesses indicate the five saw and experienced “awful stuff.” Lucas realizes that the motive for the abduction may have been to make the six of them forget the shooting.

Part 8, Chapter 63 Summary: “Avery”

Avery’s father shuts down the staffed tip line because they found the Everglades house and John Norton’s body. He says the same person keeps calling in with bizarre clues, but it is time they accept that Max will not be found. After her father leaves, Avery bags up everything in the “shrine” of Max’s little boy's bedroom and hides it in the garage.

Part 8, Chapter 64 Summary: “Scarlett”

Scarlett visits Orlean again, but nothing has surfaced in the man’s memory. She discusses the painting Christina’s World with Goldie, whom the staff is now calling by her real name, Margaret. Scarlett thinks about how a painting with her in it would be an empty, framed print. She goes to Anchor Beach and sees the initials stabbed out on the pier and wonders if she did the stabbing or Adam; she decides she is fine without romance for now. Sarah finally texts her sketched images of the house and girl. Scarlett does not recall the house but recognizes that the girl is a young version of Miranda, Ryan’s girlfriend.

Part 8, Chapter 65 Summary: “Lucas”

Ryan gathers enough bail money from their father’s assets. Lucas insists they will not need lawyer money because they still can figure out who the guilty party is. He shares the theory that Sashor discussed; Miranda says that is “crazy,” but Lucas points out that scientists have had some luck erasing a person’s traumatic memories. When Ryan suggests hypnosis, Lucas says it only helped Kristen recall a wooden owl. He does not want to try it. Ryan gets irritated, and Lucas gets out of the car to walk home. He cannot rest until he knows who did it.

Part 8, Chapter 66 Summary: “Avery”

Avery listens to all the tip line recordings on her father’s computer. She can tell that the same person made many of the calls. He claims the Everglades house was not the right place, that “they will pin it” on him if he talks (368), and that the abduction was supposed to take only hours, not years. The voice also states, “They buried him in my backyard” (368). Avery plans to return to the RV.

Part 8, Chapter 67 Summary: “Scarlett”

Scarlett texts the sketch of Miranda to Lucas, but he does not answer. She drives from Anchor Beach to Ryan and Lucas’s house. Lucas is not there, but she tells Ryan about the sketch. They discover that Miranda has moved out and theorize that Miranda targeted Ryan for a fake relationship so that she could watch Lucas after he returned. Lucas left his phone in the car with Ryan and Miranda when he got out, so Scarlett believes Miranda saw her text and knows that they suspect her.

Part 8, Chapter 68 Summary: “Lucas”

Lucas is at the RV when Avery arrives. He convinces her that he can be trusted and that he did not murder anyone. They watch old news footage and go through his father’s notes. Eventually, they arrive at the clip from the night of the abduction, when Avery, holding Woof-Woof, speaks to the cameras. Lucas tells her they can skip it, but Avery insists. She recognizes a man’s voice in the clip who, when asked for the school’s official statement, says they have high hopes the children will be “returned safely.” It is the school principal and the same voice that she heard on the tipline.

Part 8, Chapter 69 Summary: “Avery”

Avery explains the tipline voice to Lucas. They leave the RV to call Chambers, but Chambers arrives, having already been called by Ryan. Scarlett and Ryan explain Miranda’s role to Chambers; Avery is incensed that Ryan did not see through Miranda’s façade months ago. She reveals that the tipline voice is the school principal, and Chambers drives her home for the tipline recordings.

Part 8, Chapter 70 Summary: “Scarlett”

Scarlett studies the photos Chambers left at her house earlier. She asks Tamara why she never mentioned that Scarlett saw the shooting. Tamara tells her she hardly recalls it herself but then explains that she (Tamara) had blood on her, which scared Scarlett. Chambers also left the jacket Scarlett sewed in captivity; she discovers strange stitches in the lining in the shape of rectangles, then realizes they are a map with smokestacks and a pier. There is also a large X marking the location of the house.

Part 9, Chapter 71 Summary: “Lucas”

Police find the house near Anchor Beach based on Scarlett’s coat map. Lucas and the others gather there. Memories return; Lucas knows the back stairs have a groaning last step to skip; he recalls running down the yard; each one knows which upstairs bedroom was theirs.


Chambers believes the principal is the tipline caller and that he interviewed kindergarten students to identify the best subjects for forgetting the shooting. He shows the group an outbuilding was a lab, but both the house and lab are wiped clean of evidence. Chambers says the group that held them had continually erased their memories and was likely experimenting for military purposes and PTSD treatment. The principal, via the tipline, also alluded to an asthma attack; Chambers theorizes that an asthma attack may have killed Max and been the reason the experiment lasted years instead of hours.


Kristen finds a journal she kept under the floorboards with the image of an owl in the grain. The journal suggests repeated erasures of memory and an escape attempt. Chambers theorizes they were caught and then let go months later when their captors could better control the outcome.

Part 9, Chapter 72 Summary: “Avery”

Avery goes to auditions for the school musical but decides against trying out. Her father calls her home; Chambers is there to tell them that the remains they discovered at the principal’s former home appear to be Max’s. Her mother cries, insisting that she will never get over the tragedy; Avery feels grief but also relief that it is finally over. Lucas acknowledges that Avery was the one who solved the mystery and found Max.

Part 10, Chapter 73 Summary: “Scarlett”

Kristen helps Scarlett remove the “little girl” things from her bedroom. Miranda is still missing, but the charges against Lucas have been dropped. Kristen asks rhetorically why she didn’t keep better information in the journal. She says she recalls being in love with Scarlett and angry and hurt that Scarlett liked Lucas and Adam. She has no bad feelings toward Scarlett now.

Part 10, Chapter 74 Summary: “Lucas”

Lucas attends the school’s memorial for the shooting abductees with Ryan. He wonders whether erasing traumatic memories is a bad thing. As he watches the speakers, Miranda calls him to say they will never find her father, the man responsible. She tells Lucas the experiment had become “messy” when Max died, but her father realized he had the “opportunity to raise [them]…completely without trauma” through memory drugs (403). Miranda says Lucas was always the “fighter” who found ways to start remembering the truth. Lucas claims he will find Miranda and her father, but she says she won’t remember him.


Back in the RV, Lucas studies the photos of their recalled images. He sees a man’s face in the mirror of the carousel he rode, takes a photo of it, and zooms in.

Part 11, Chapter 75 Summary: “Avery”

Avery places Woof-Woof on top of the casket at Max’s funeral. Lucas comforts her. Chambers is working to identify their captor based on the image Lucas found. Avery takes Lucas on a pirate boat ride as a better way to memorialize her little brother. Lucas kisses her on the boat.

Part 11, Chapter 76 Summary: “Scarlett”

Chambers calls Scarlett after the funeral. They found the principal; he told the police that he chose the six of them because he had been close to them during the shooting and saw their fear. The principal chose them as test subjects for David Kunkel (an alias), then wanted to read The Leaving because it supposedly inspired Kunkel. The book was on his desk when he interviewed Scarlett, who must have seen the jacket copy and mentioned going “[t]o the leaving” to her mother as a result (412). Back home, Scarlett sees a dolphin in the gulf as she sits companionably with her mother.

Part 11, Chapter 77 Summary: “Lucas”

Lucas meets Ryan for fish sandwiches on Ryan’s break. Chambers discovered that their captor’s real name was Louis Immerso, a man who claimed in science journals years before that he had successfully erased memories of abuse from his daughter Lola’s (Miranda’s) mind. Chambers intends to try to find a connection between Orlean and Immerso. Lucas and Ryan plan to move the memorial stone into place at Opus 6 and place their father’s ashes there.

Part 12, Chapter 78 Summary: “Avery”

Avery’s mother enters a grief management program. Lucas invites Avery to Opus 6 for the scattering of his father’s ashes, and the other abductees attend as well. Lucas gives Avery a photo of Max, Avery, and himself, a copy of the one that she burned. She is happy to be included if still on the fringe of this group. She wants to try to remember the moment and focuses on different visual images around her, knowing that the experience will likely fade.

Parts 8-12 Analysis

The late rising action marks a shift in the work’s blended genre characteristics. While earlier parts of the book focus on romance, Lucas and Scarlett both decide early in Part 8 that their relationship should not continue. Likewise, suspense abates once Scarlett discovers her coat’s map. With romantic and thriller elements resolved, the final parts of the novel focus on resolving the mystery of who took the children, where, and why. The answers bring a taste of science fiction and dystopian genres with the revelation that the children were taken to erase their memories of trauma with unidentified memory drugs, perhaps for eventual military use in PTSD treatment. These ideas help the novel to conclude as a blended genre work even though the thriller and romance elements subsided before the conclusion.


As each answer in the mystery comes to light, the characters resolve internal and external conflicts, in turn demonstrating each one’s traits indirectly and completing each character arc. Scarlett, for example, reaches her low point in the narrative when she meets “Goldie” at the nursing home and worries that her own loss of memories makes her less than complete, developing the theme of The Fragility and Reliability of Memory. Scarlett’s inherent strength, however, is evident when she fights the assumption that John Norton and the Everglades house are logical answers, repeatedly asking how Anchor Beach fits that theory, and ultimately proving its falseness with the climactic discovery of her coat map. Finding the real location lightens Scarlett’s spirit—she then feels more at ease with her mother and her own identity—while the confirmation of her instincts leads to increased confidence, completing her character arc.


Scarlett’s coming-of-age and arc resolution are illustrated by her decision to redecorate her bedroom, which is still decorated for a “little girl,” symbolizing her past. Ridding the space of little-girl toys and burning the cardboard Glinda shows that she is ready to move past the forgotten memories and concentrate on new ones. Her desire to add a poster of Christina’s World, a painting by 20th-century American artist Andrew Wyeth, is equally symbolic. The work shows a young woman crawling toward a house, unable to walk due to polio. Wyeth is quoted as saying about this work: “The challenge to me was to do justice to her extraordinary conquest of a life which most people would consider hopeless” (“Gallery label.” Museum of Modern Art, 2007) Scarlett feels an affinity for the young woman’s goals, having grown from a place of hopelessness (when she thought of herself as devoid of memories) to a changed outlook and mindset of gratitude and positivity.


Similarly, Lucas is a changed man by the end of the novel. Throughout the story, Lucas finds the mystery of their nameless captor especially burdensome. Once he finds the image of the face (ironically, in a photograph of the carousel, the one memory with which he returned), this burden lifts. Lucas is then able to refocus his attention and show care and concern for others and the future: he sympathizes with his brother regarding Miranda’s deception, anticipates the future in discussing senior year, and respects his father by scattering his ashes at Opus 6. Lucas’s inner strength grows from a new understanding of Trust and Betrayal in Relationships, as he learns from trustworthy Dr. Sashor and witnesses Miranda’s betrayal, ultimately resulting in his more positive outlook.


Avery experiences the most complex character arc and internal conflict resolution. As she fights to locate Max, Avery also battles her own lasting trauma, her complicated relationship with her mother, her desire to run away, and her struggle with feeling left out. She also begins to empathize with Lucas’s internal conflicts as one of the abductees. Learning this empathy helps Avery to come of age emotionally and psychologically; though she tenaciously fights to find Max for her own good and the peace of her family, The Search for Truth in a Web of Lies teaches Avery much-needed lessons about trusting others and facing one’s fears. For example, Avery saw the video of herself holding Woof-Woof the night of The Leaving only once before finally facing it with Lucas; this video and its footage of the principal turns out to be the linchpin to Max’s discovery. Her spirit starts to heal with memorials to Max such as gifting him Woof-Woof and the pirate boat ride, and her internal conflicts ease as she accepts that time and memories are gifts to be appreciated.

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