The Mad Wife

Meagan Church

50 pages 1-hour read

Meagan Church

The Mad Wife

Fiction | Novel | Adult | Published in 2025

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Part 1, Chapters 15-23Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of child death, death by suicide, mental illness, physical abuse, emotional abuse, and gender discrimination.

Part 1: “The Window”

Part 1, Chapter 15 Summary

The next day, after Lulu cooks Henry’s breakfast, he schedules a house call with Dr. Collins for her. She has been feeling strange since Esther was born.


When Dr. Collins comes, Lulu is not sure whether she should mention her headaches, nausea, and smelling colors. She lies when he asks how much sleep she’s getting. The doctor tells her that this time isn’t the same as when she had Wesley. Lulu assumes that she is flawed in some way—that other people experience happiness she simply doesn’t. Then, she remembers that her mother knew the truth: “Happiness was a fool’s errand” (156). The doctor tells her that she’s physically fine but has what he calls “hysteria” and “housewife syndrome” (157). He confirms that it’s common for women in her situation to feel as she does and gives her a prescription for a tranquilizer called Miltown, which he refers to as “emotional aspirin.” Soon, he assures her, she’ll feel better, and Henry will be happy again. After he leaves, Lulu realizes that she forgot to tell him about her rash.

Part 1, Chapter 16 Summary

Within a few days, Lulu feels calmer, but not like the advertisements claim. She still feels wobbly and on display, as though she’s “suspended in one of [her] own gelatin salads” (159).


It’s Bitsy’s turn to host the card game. Lulu notices the Good Housekeeping cleaning schedule taped to the Betsers’ fridge. Hatti reveals to the others that Lulu passed out a few nights ago, but Lulu assures them that she’s fine. She says that the doctor diagnosed her with “housewife syndrome,” and Nora guesses that he put her on Miltown. Nora wonders if she should get some too. Lulu says that all Nora has to do is tell her doctor she isn’t happy. Nora suggests that no one is happy day in and day out: She loves her kids, but that doesn’t make life easy. She says that, a couple years ago, she read about a woman who got a lobotomy to cure her malaise. At this, Bitsy grows uncomfortable, smoothing her perfectly curled bangs over her forehead.


While waiting to use the guest bathroom, Lulu looks at Betser family pictures in the hallway. She sees an old picture of Bitsy’s sister, Ellen, but notices that there are no pictures of Katherine. She hears Bitsy describing her missing gray cat to Nora. Lulu goes to use the primary bathroom and is pleased to see that the bedroom isn’t immaculately clean like the rest of the house. In the bathroom, she finds Bitsy’s Miltown. Lulu then sneaks into the den, finds a newspaper article about the “despondent wife” in Knollwood, and realizes that Bitsy must have known her.


Just then, Katherine walks in. Lulu claims that she got lost while looking for the bathroom. Lulu invites Katherine over to play with Wesley again, but Katherine says she’s not allowed: Bitsy claims that Wesley gets Katherine into trouble. This makes Lulu angry and dizzy. She storms into the kitchen to find the women eating her gelatin salad. Just as she’s about to erupt, Bitsy pulls a short gray hair from her mouth. Nora laughs it off, but Lulu sees recognition on Bitsy’s face. Lulu knows that the hair is feline, and she believes Bitsy knows it too.

Part 1, Chapter 17 Summary

Lulu is in the bath when Henry comes in to use the toilet. He tells her not to wait up for him—he has to finish some work before bed. She realizes that he doesn’t really see her anymore; she is nude, but he doesn’t respond to her body. He asks if she’s been taking her pills every day, and she says yes. They make her feel numb, but she’d rather feel discontented and experience moments of joy. On the pills, she’s just watching her life happen.


A few hours later, Lulu awakens and goes to let Luna in, but she hears Henry and Gary in the den. Gary explains how much Bitsy’s cat means to her, and he asks if Lulu might have seen it. Bitsy had some trouble a while back: She stopped cleaning, served TV dinners, and always seemed unhappy. Henry asks if the cat helped. Gary says that it did a bit, but they tried “pills and such” too (178). He starts to offer another suggestion, but Henry interrupts and says that they have a doctor. When Gary leaves, Lulu is reminded of the sly fox her father had to deal with after it got inside the henhouse.

Part 1, Chapter 18 Summary

Months pass. Lulu stops taking Miltown. Because all the wives are on the same Good Housekeeping schedule, Lulu knows when everyone else will be at the store. She decides to sneak into the Betsers’ home and see what else Bitsy is hiding. In the den, she again finds the article reporting on the woman’s suicide in Knollwood. Her name was Ellen Craske; Katherine is listed as her surviving daughter, and Bitsy is her sister. Lulu keeps snooping and finds a hospital discharge paper with Bitsy’s diagnosis of treatment-resistant depression and the procedure performed: a lobotomy that Gary signed off on.


Lulu hears a car door. Katherine and Bitsy enter through the garage. Lulu runs to the front door and tries to shut it quietly behind her when the knob slips from her hand. Bitsy is there, and she asks if Lulu came to get her dish back. Lulu lies and says that she did but then noticed that the door wasn’t latched properly. Lulu suggests that maybe this is how Bitsy’s cat escaped. While walking away, she wonders who Bitsy was and who Lulu will be if Henry takes Gary’s advice.

Part 1, Chapter 19 Summary

That night, Lulu begins tasting sounds. She wonders if Henry would ever do to her what Gary did to Bitsy. She gets up and cleans the entire house, telling herself that she’ll get back on schedule next week. Lulu wonders if Ellen left a note or if she simply laid her head in the oven and went to sleep.

Part 1, Chapter 20 Summary

The next day, Lulu keeps thinking about Ellen. She tries to lie down during naptime, but then Henry’s secretary calls to let her know that Jack is coming to dinner. Lulu decides to prepare three TV dinners and plate them so that they look homemade. When Henry arrives home with Jack, Lulu welcomes them and then goes to the kitchen to get the food. Henry follows her to add that Gary needs a plate too; he stopped by to give Henry something, and Jack invited him to stay. Lulu quickly replates everything to look like four full servings. When Gary jokes about Bitsy’s cooking, Lulu snaps at him, shocking Henry and amusing Jack.


When Lulu plates dessert, she realizes that something went wrong: It looks disgusting. Afterward, as she washes dishes at the sink, Gary enters menacingly. When Lulu tries to get past him to say goodbye to Jack, Gary blocks her path, asking if there’s something she wants to tell him. He cryptically adds something about stray cats not lasting long. Lulu responds that she hopes Bitsy finds the cat soon. Gary doesn’t appreciate “hysterics” and will do anything necessary to keep his own life calm. The hair stands up on Lulu’s arms until Gary leaves. Later, she wonders if Gary did what he did to Bitsy because she was “hysterical.”

Part 1, Chapter 21 Summary

Henry announces that he’s going to bed. Annoyed that he didn’t thank her, Lulu follows him and tells him he’s “welcome” anyway. She wants to tell him that she hates their house, that her skin feels too tight, and that she imagines the woman who died by suicide but says nothing. He tells her not to be dramatic and walks away. When Henry’s asleep, Lulu thinks about their past. They haven’t had sex since before Esther’s birth. In Henry’s suit jacket, she finds a folded-up paper with the name and phone number for a Dr. Ruthledge. Thinking about Gary as the fox in the henhouse, she concludes that Henry thinks Lulu is like Bitsy and that Gary wants to show him how to turn her into the “happy housewife [she] should’ve been” (208).

Part 1, Chapter 22 Summary

Lulu decides to be the housewife Henry wants. She takes the pills so that no one will do to her what Gary did to Bitsy. She falls asleep on the couch with the cat in her lap, and Henry wakes her. When he raises his voice, she tells him not to wake Esther. His voice changes, and he cries, taking the pink bundle from Lulu’s arms—the first time she’s seen him hold the baby. Henry unrolls the bundle, and the blanket is empty. Lulu can’t understand where the baby is. Henry holds her, asking if she remembers that Esther is gone.

Part 1, Chapter 23 Summary

Lulu stares at the blanket while Henry makes a call. She feels utterly alone. Wesley comes in, asking if she’s taking photos again, and she realizes that proof of Esther will be on the film. At her direction, Wesley runs to get her camera, but he opens the back, exposing the film to the light and ruining it. She yells at him to stop, and he drops the camera, breaking it. When Lulu tells him that the photos were of Esther, Wesley says that he misses her too.


Lulu fears that Henry is calling Dr. Ruthledge, so she goes outside barefoot in her nightgown, carrying the pink blanket. She runs, realizing that she should have taken the car. Henry finds her at her favorite tree. She makes him be quiet so that she can listen to the birds. When he holds her tightly, Lulu accuses him of having an affair with his secretary, but he reassures her that he only loves her. He asks her to be quiet, as people are watching.


Gary comes out and asks if Henry needs help. Lulu’s shouts scare Luna, who scratches Bitsy. Nora arrives, putting her arm around Bitsy, and Lulu tells them all that Gary made Bitsy get a lobotomy. Gary laughs, calls Lulu “crazy,” and suggests that no one will ever believe her. He tells everyone that she stole Bitsy’s cat, broke into their home, and tried to take Katherine. Lulu retorts that Katherine is actually Bitsy’s niece. Bitsy stiffens when Gary touches her but counters that Katherine is her daughter. When the wind lifts Bitsy’s hair, Lulu sees no lobotomy scar. She allows Henry to carry her to the car, and they drive away.

Part 1, Chapters 15-23 Analysis

As the reader understands just how ill Lulu is, the novel is ambiguous about how to apportion the blame for the culture of euphemism and silence that has followed Esther’s death. Lulu’s own mental-health crisis and her status as an unreliable narrator are partly responsible. Esther’s death has seemingly triggered psychosis, but all Lulu can do is describe “all the strange ways [she] ha[s] been feeling since Esther was born” (150): She has been experiencing olfactory, visual, and gustatory hallucinations that feel like reality. However, the obfuscation practiced by everyone around Lulu is also shocking in retrospect. None of Lulu’s friends offer their condolences for the Mayfields’ loss, there is no funeral to mark Esther’s passing, and speaking of the death is seemingly taboo. Only oblique references to Lulu’s possible state of mind surface: For instance, Dr. Collins acknowledges that “this [time] isn’t like [after] Wesley” but goes no further (154). When Henry plucks the empty pink blanket from Lulu’s arms and reminds her that Esther died is the first time anyone in Lulu’s orbit addresses what happened directly.


This desire to simply erase the source of negative emotions without acknowledgement matches Lulu’s experience of medical intervention. Lulu sleeps less and less, she doesn’t eat routinely, and her behavior is increasingly erratic. However, her postpartum symptoms are dismissed by friends like Nora, who euphemizes what Lulu feels as “baby blues,” and by Dr. Collins, who performs no physical exam (and thus misses her rash) but instead simply refers to Lulu’s condition as “housewife syndrome”—a gendered term that minimizes her status as a patient and highlights The Dangers of Medical Misogyny. Henry, Gary, and Dr. Collins all want to solve the issue with a pill to tranquilize Lulu into performing her domestic functions, with the threat of lobotomy hanging over her if she doesn’t fall in line.


Underscoring Patriarchy’s Infantilization of Women, the novel’s husbands do not have faith in their wives’ capabilities, treating them like lesser humans. Henry micromanages Lulu’s progress getting ready for the New Year’s party: “Henry still worried I was running behind schedule. […] I had managed to get all the food prepared, carpets vacuumed, and the bar ready to go. Did he not trust that I could also get myself ready in time?” (21). Moreover, Henry speaks to her as he would a child; when he barges in while she’s taking a bath, he doesn’t respond to her nudity with sexual desire but instead chastises her about her pills. Gary is even more demeaning to Bitsy. Lulu can read between the lines of Gary’s implication that women and children are similarly inferior: “‘You know kids.’ Gary rolled his eyes, his gaze pinned to Henry as if replacing the word kids with women” (112). Gary steers Bitsy “by the elbow, [leading] her across the street” in just the same way Bitsy handles Katherine when Katherine has been disobedient (112). Even the minor character Jack brushes off his wife’s mental health as an annoying inconvenience: At dinner, he explains her absence by saying, “‘She’s off getting her nerves in order.’ Then he turned to Henry and elbowed him. ‘You know how women can be’” (194). These husbands treat their wives condescendingly, showing how spousal infantilization contributes to their unhappiness.

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