49 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of graphic violence, emotional abuse, physical abuse, and death.
Marcus prepares for his meeting with the press. He’s overwhelmed by all the reporters’ questions about the Stevens case, but he informs them that he can’t speak about the Kelly Summers case because it’s an active investigation again. Back in his office, he meets with his partner and girlfriend Deputy Pam Olson. She informs him that she just got a call about a missing person named Stacy Howard. The last person Stacy allegedly saw was Bob Miller.
Bob gets called into the sheriff’s office. He assumes they want to see them because of the Summers case—he was interviewed years before because he knew Kelly—but Marcus and Pam question him about Stacy instead. They inform him that she’s gone missing and show him a picture of her. Bob realizes Stacy is the woman he had a one-night stand with. He hadn’t remembered her because he’d been drunk. He admits that he slept with her but insists he hasn’t had contact with her in weeks. He doesn’t know why Stacy would’ve told her roommate that she was meeting up with him again this week. The police let Bob go but forbid him to leave town. Bob realizes he’s a suspect in Stacy’s disappearance.
Sarah is watching Summer’s swim meet when Bob shows up. He accuses her of kidnapping Stacy and framing him in her disappearance. Sarah insists she doesn’t know what he’s talking about. A furious Bob grabs Sarah’s arm, and she tells him to stop making a scene.
Marcus and Pam go out for drinks and discuss their cases. Marcus is thankful for Pam because she’s good at talking him through things. They discuss Bob’s interview and speculate about his involvement with Stacy and Kelly. Marcus informs Pam that Bob would have had a motive to kill Kelly, who was charged with Bob’s brother Greg’s murder but then released.
Pam asks more questions about the Summers case because she wasn’t on the force at the time. Recounting the investigation, Marcus realizes “how sloppy [his] police work was” (87). Stevens was on the case and didn’t even corroborate Sarah’s alibi for the night of the murder. Pam thinks Sarah could be involved. Marcus isn’t sure but swears that they’ll solve the case together.
The unknown girl wakes up in the basement again. Her captor gives her food and water, but she still can’t see who they are or where she is.
Bob is on the Morgan Foundation board and before a meeting, he stews over his situation with Sarah. He still can’t make sense of what happened to Stacy, but he doesn’t trust Sarah. During the meeting, Anne gives updates on Alejandro’s case. Bob gets distracted when he receives texts from Brad about Stacy’s case. Brad discovered that she has a police record and “was charged with extortion for blackmailing” a congressperson she was sleeping with (95). He also discovered that Stacy had previously been on the foundation’s payroll. Reeling, Bob can’t focus for the rest of the meeting.
After the board meeting, Sarah and Anne go out for coffee to discuss it. Anne remarks on Bob’s strange behavior, which Sarah attributes to the divorce. Then Bob texts her, accusing her once more of disappearing Stacy. He threatens to hurt her if she doesn’t stop. Sarah doesn’t want to worry but knows Bob could hurt her.
Marcus and Pam call Anne into the sheriff’s office. The interview leads them no further on the Summers case because Anne can’t remember her former testimony. Afterward, they get a call that an officer has found Stacy’s car.
At the scene, Marcus and his team find blood on the steering wheel, Stacy’s dead phone, and Bob’s business card. Marcus wants to bring Bob in, but he knows the card doesn’t prove anything new.
While making Summer breakfast, Sarah worries about her daughter’s safety. After breakfast, Summer goes to pack for her day with Bob. Meanwhile, Alejandro arrives to fix Sarah’s porch—one of the odd jobs she gave him. They end up chatting about his time in prison. Sarah relates to his experience more than he knows; she has also done bad things.
On his way to Sarah’s house, Bob stews over what he learned about Stacy. He’s convinced that Sarah hired Stacy as a server at the recent foundation gala in an attempt to make him cheat.
At the house, he confronts Sarah, accusing her of forcing him into a sexual encounter with Stacy so that she had an excuse to divorce him. When Sarah denies it, Bob gets angry and starts yelling. He doesn’t stop until Summer comes downstairs.
The police officer from the hospital calls Marcus to say that Stevens is dead. He was recovering after his attempted death by suicide, but the officer just discovered his murdered body in his hospital bed.
Marcus races to the scene and examines Stevens’s body. His murderer slit his throat with what appears to be a scalpel. He and his team speculate that the perpetrator was skilled and had a personal vendetta against Stevens. However, Marcus can’t be sure who was behind his death because so many people hated Stevens.
Sarah returns home after a grocery run. Alejandro is still working outside, but the kitchen rug in the living room is flipped up. The bathroom is unused, too, so she assumes Alejandro came inside looking for something. She shows no sign of suspicion when she invites Alejandro in. He tells her that he’s sorry he heard Bob speaking so violently to her. They get into a conversation about relationships; Sarah compares marriage to prison.
Later, Summer returns home with Bob. Sarah notices a bruise on her chin and Summer reveals that she fell while Bob was out—he had left her home alone for several hours. Furious, Sarah confronts Bob, insisting that he’s not going to get custody if he can’t take care of Summer. After Bob leaves, Eleanor, her first husband Adam’s mother, appears at Sarah’s door.
Marcus and Pam study their open files: Stevens’s murder, Kelly’s murder, and Stacy’s disappearance. Because so many people associated with these cases are dead, they aren’t sure where to start with their investigations. They guess that Stacy might have been extorting Bob and wonder if Sarah was involved in Stacy’s disappearance. Finally, they decide to surveil Bob and question Sarah.
The more mysteries that accrue in Sarah, Bob, and Marcus’s world, the more the narrative stakes intensify. At the novel’s start, the main characters are primarily focused on Sarah and Bob’s divorce and Ryan Steven’s alleged involvement in the Summers case. In Chapters 13 through 25, however, the author introduces a series of plot twists that augment the narrative tension and complicate the characters’ perceptions of reality. In particular, Stacy Howard goes missing, and Ryan Stevens is murdered. These surprising plot points obscure the truth behind the central mystery of who really killed Kelly and why. As a result, the characters are less able to trust each other and pursue answers in a neat and linear manner.
Stacy Howard’s disappearance furthers the novel’s exploration of Trust and Betrayal in Intimate Relationships. As soon as Bob discovers that the woman he had a one-night stand with has gone missing, he becomes convinced that Sarah was involved. Bob has been married to Sarah for roughly a decade yet still feels incapable of predicting her behaviors. Furthermore, their complicated and criminal history as a couple convinces him that Sarah would hurt him if she thought he betrayed her. His internal monologue during his police interrogation captures how a lack of trust in his relationship upsets his psyche:
I need to put an end to this. They’re connecting dots that shouldn’t be connected. I’ve given them enough of my time, probably too much of it, because if Sarah is behind this, then I may not have much of it left. She might just be trying to scare me so I’ll stop fighting the divorce, or she might have a much more sinister plan in place. I never know with her (79).
Bob’s frantic and questioning tone in this passage captures his anxious state of mind. He and Sarah promised to bury the truth behind Kelly Summers’s murder years before, but Bob still feels burdened by this history. As a result, Bob begins to lose his self-control. In the subsequent chapters, he accuses Sarah of kidnapping Stacy, grabs her arm in public and makes a scene, and he accuses her of forcing him to cheat while yelling at her in front of Alejandro and Summer. These behaviors depict Bob becoming more emotionally unstable as a result of his fear and suspicion. Without trust, the narrative suggests, intimate relationships cannot survive. This is true of Bob and Sarah’s marriage; they can’t remain together or overcome their criminal past because they both live in constant fear that the other will turn on them. These narrative dynamics also satisfy a classic trope of the psychological thriller genre: the covered-up crime. In thrillers and suspense novels, this trope is often used to intensify the narrative conflict; in The Perfect Divorce, the trope captures how fraught aspects of the individual’s past (especially if they are criminal) will eventually undo the person.
Stacy’s disappearance and Stevens’s murder also complicate Marcus’s attempts to overcome his past mistakes on the force, highlighting the theme of The Impact of the Past on the Present. When Marcus was involved with the Summers investigation, he had no choice but to follow Stevens’s orders. (In the previous novel, Stevens steered the case away from Sarah because he wanted to cover his own involvement with Kelly; his dishonesty led Marcus to perform messy police work, which led to a wrongful conviction and execution.) Now that Stacy’s and Stevens’s cases are bleeding into and informing the Summers case, Marcus is determined to correct his oversights in the past. He wants to find the truth, both to prove that he’s a good cop and a decent person and to atone for his mistakes. Not unlike Sarah, he wants to be free of his past; however, in contrast, Marcus is more interested in uncovering the truth to transcend his past versus burying his past to hide from it. His chapters of this section complicate the novel’s explorations of the impact of the past on the present and provide perspective on Sarah’s distorted perception of reality.



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