The Perfect Divorce

Jeneva Rose

49 pages 1-hour read

Jeneva Rose

The Perfect Divorce

Fiction | Novel | Adult | Published in 2025

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Character Analysis

Sarah Morgan

Content Warning: This section of the guide includes discussion of sexual content, graphic violence, emotional abuse, and physical abuse.


Sarah Morgan is the main character of the novel. She is also one of the novel’s first-person narrators; the chapters titled with her name are written from her perspective. In the narrative present, Sarah is living a nominally happy life with Bob Miller and their daughter Summer until she discovers from her former boss Kent that Bob is cheating on her. Sarah wastes no time in filing for divorce, convinced that Bob is just like her ex-husband Adam; worse, Bob fulfills her expectations that he cannot be trusted, like all men.


Sarah’s readiness to turn on Bob and cut him out of her life captures her frustration with men. She has suffered a wealth of pain, violence, abuse, and trauma in her past. In the narrative present, she refuses to allow others to misuse her. She stands up for herself by fighting back. At the same time, Sarah is a woman of dichotomies. She presents a composed, contented, loving, and philanthropic persona to the world. She wants others to believe that she is grieving Adam and was betrayed by Bob, and she is determined to keep her true self hidden from the world.


Sarah’s contradictions are a result of her fraught past. In the present, Sarah often tells herself that she is a changed person. Her first-person narration reveals her attempts to convince herself that she is no longer the person she was when she was with Adam in particular. However, Sarah’s actions throughout the novel prove otherwise. Sarah performs many of the same violent acts and psychological manipulations that she did in The Perfect Marriage. She concocts elaborate schemes to bring Bob down—destroying his reputation and framing him for multiple crimes.


Meanwhile, she keeps up her image at the Morgan Foundation and in the news. She knows that no one wants to believe she’s guilty (of hurting Adam, Bob, Stacy Howard, Ryan Stevens, or Carissa Brooks) and therefore willingly speaks to reporters to confirm their biases about her. The more attentive she is to her image, the better able she is to implicate Bob in the crimes she committed.


Sarah is a complex character who veers toward the intelligent psychopath trope commonly found in psychological thrillers and suspense novels. She is sharp and focused and has a background as a lawyer; she is intimate with the legal and justice systems and knows how to use them to her advantage. She also knows that if she plays the part of the woman that others expect, she can win their trust and avoid culpability. This is why she often plays the roles of the grieving widow, the shocked wife, the betrayed spouse, the loving mother, and/or the self-sacrificial philanthropist. These are traits that the public expects from her as a woman; if she adopts this role she can cover up her other crimes and divert the media’s and the police’s attention away from her and onto her next victim (in this case, Bob). Sarah therefore is a static character; she does not change because she has no real interest in change. She holds that becoming a mother to Summer has transformed small parts of her psyche, but overwhelmingly, Sarah thinks and behaves in the same ways that she did in the series’s preceding novel, The Perfect Marriage.

Bob Miller

Bob Miller is another of the novel’s primary characters and first-person narrators. The chapters written from his first-person point of view are titled with his first name and depict episodes from his storyline, offering insight into his psyche.


Bob is an insecure, fearful character who will do anything to protect himself and acts as a foil to Sarah’s character. He is an arguably weaker character than her because, unlike Sarah, he doesn’t like to admit his contradictions or his more morally dubious tendencies. At times, he notices parallels between them, specifically when he’s referencing his and Sarah’s involvement in Kelly Summers’s death; he knows they both wanted revenge and that their shared participation in the murder brought them together. However, in the narrative present, Bob perpetually casts Sarah as the more devious and untrustworthy individual. He tries to convince everyone in his and Sarah’s lives that Sarah is more nefarious than they believe. While Sarah is indeed capable of criminal acts, Bob’s actions and behaviors often align with hers.


Bob’s determination to destroy Sarah throughout the novel underscores his unreliability and his cowardice. He never attempts to make amends for his past actions or appeal to Sarah’s softer side; he remains convinced that the sum of her character is her past actions. In failing to live with any integrity, Bob brings about his own demise. He falls into Sarah’s trap and becomes increasingly distraught over the course of the novel. The more convinced he is that Sarah is trying to hurt him, the more outrageous his actions become. Like Sarah, Bob is a static character who never fundamentally changes from who he was at the beginning of the novel; he dies essentially the same man he has been throughout.

Alejandro Perez

Alejandro Perez is a secondary character. He first surfaces on the page when Bob selects him as the Morgan Foundation’s next “reformer,” or a formerly incarcerated person working with the foundation to re-enter society sustainably. When Sarah first meets Alejandro, she acts differently around him than she does the other foundation clients. She insists on filing his intake paperwork and forming a personal connection with him. She appeals to his more emotional side and commiserates with his frustrations with the justice system. She then goes so far as to hire Alejandro to complete odd jobs around her house.


For the first half of the novel, Sarah’s behaviors toward Alejandro suggest that Sarah and Alejandro have a connection; Sarah often acknowledges overlaps between their experiences and histories. Alejandro’s character also seems sensitive to Sarah in ways that others of the characters aren’t. He makes an effort to spend time with her and comforts her when Bob is mistreating her.


In a plot twist later in the novel, the narrative reveals that Alejandro has been working for Bob, who brought him to the foundation and tasked him with getting close to Sarah and then killing her.


However, in another twist, when Alejandro holds a gun to Sarah’s side after they have sex for the first time, Sarah privately reveals that she never trusted Alejandro or believed that he was who he said he was. Alejandro confirms her suspicions and explains who he is and how he knows Bob: He messed up Kelly Summers’s murder years prior and accidentally killed her husband, Bob’s brother Greg, instead. In the end, Alejandro teams up with Sarah to trick and destroy Bob, becoming another pawn in her game. His character also creates narrative tension and unexpected links between the characters in both the past and the present.

Kelly Summers

Kelly Summers is a minor character. Because she died years before the narrative present, she never appears in scene in The Perfect Divorce. However, her case is reopened at the start of the novel, making her character a key player in Sarah and Bob’s storylines. Kelly Summers was married to Bob’s brother Greg years before; Bob hated Kelly and hired Alejandro to kill her. Alejandro messed up the murder and mistakenly killed Greg. Convinced that Kelly killed Greg, Bob worked with Sarah to murder Kelly. Sarah was also eager to see Kelly dead because she was sleeping with Sarah’s then-husband Adam Morgan. Bob wanted to hire someone to kill Kelly, but Sarah insisted on doing the job herself, and then she and Bob framed Adam for the murder.


In the narrative present, new evidence surfaces implicating former police sheriff Ryan Stevens in the case. Sarah and Bob are terrified that they’ll be discovered; Stevens was also sleeping with Kelly and helped them pin her murder on Adam to protect himself. Kelly is the center of all the novel’s primary mysteries. The majority of the characters are connected because of Kelly. Her character is a device used to create tension and conflict and complicate the characters’ relationships with each other.

Stacy Howard

Stacy Howard is another of the novel’s minor characters, who first appears in scene soon after Stacy’s roommate reports her missing. They soon learn that Bob is allegedly the last person Stacy saw before she disappeared. When they call Bob in for questioning, he is shocked to discover that the missing woman is the same person he had a one-night stand with weeks prior. He was drunk and didn’t remember Stacy. He then cut her out of his life when Stacy tried to extort him, demanding that he pay her a large sum of money lest she tell his wife about their sexual encounter.


Like Alejandro and Kelly, Stacy is not a three-dimensional character, but her clichéd qualities make her an ideal narrative device. As a character, she also lacks dimension and dynamism because she is just a pawn in the primary characters’ worlds. Bob doesn’t really know anything about Stacy and slept with her just to escape his marriage. Sarah has no interest in who Stacy is but knows that she can use her to hurt Bob. In particular, Sarah kidnaps Stacy in order to frame Bob. She locks her in the basement of her remote lake house, drugs her, and manipulates her into believing that Bob abducted her and Carissa Brooks and is planning to kill her. In turn, Stacy murders Bob when she breaks free, effectively fulfilling Sarah’s master plan.

Carissa Brooks

Carissa Brooks is another minor character and pawn in Sarah’s game. Carissa is Bob’s hairdresser, but she is also a former Morgan Foundation client. When Carissa’s abusive ex-boyfriend George gets out of prison, she is terrified that he’ll come after her and asks for Sarah’s help. Sarah helps her to fake her own murder and then flee the town under a new identity. However, Sarah doesn’t stop after Carissa is free; she uses Carissa’s staged death and disappearance as a way to destroy Bob. She makes it look like Bob hurt Carissa so the police will believe that he’s the true criminal behind all of the recent murders and mysteries. Carissa is another static character used to create tension and conflict.

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