49 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of graphic violence, death, substance use, addiction, self-harm, and physical abuse.
Twelve years before the narrative present, Adam Morgan gives an interview on Channel 5 News regarding his conviction in the Kelly Summers case. The interviewer begins by laying out Adam’s story. Eight years ago, he was arrested for murdering his pregnant lover Kelly Summers. Although Kelly’s body was found in Adam’s bed, Adam swears he didn’t kill her. However, the Prince William County Sheriff’s Office doubts that Adam would have slept through the night without noticing someone force an entrance open and stab Kelly to death. Adam contends that he and Kelly were drugged. He also insists that cheating on his wife Sarah Morgan (who’s a lawyer and defended him in his trial) isn’t the same as murder. He suggests that Kelly’s husband Scott Summers or Kelly’s former brother-in-law Bob Miller could be behind the murder.
In the narrative present, Sarah is married to Bob and living with him and their daughter Summer in Manassas, Virginia. Sarah recently discovered that Bob was cheating on her, and she filed for divorce. She, Bob, and their respective lawyers Jess and Brad meet to discuss the terms of the divorce. Bob wants to reconcile, but Sarah insists the marriage is over. She can’t trust Bob, just like she couldn’t trust Adam. The discussion turns to custody of Summer. Sarah suggests that she could take away Bob’s custody if he doesn’t cooperate.
After the meeting, Sarah reflects on her relationship with Bob in comparison to her relationship with her late husband Adam, who received the death penalty and recently died. She knows she’s changed since her relationship with Adam and had thought Bob could, too.
An unnamed woman wakes up in a dark basement with a shackle on her ankle. She calls out for help, but no one answers. Then someone throws her water and food. She lies down and drifts off to sleep.
Sarah reports to work at the Morgan Foundation. After Adam’s case, she left Williamson & Morgan (the law firm where she used to work with Bob), moved to Old Town Manassas, and started the foundation; it helps formerly incarcerated people reenter society. At the office, she meets their newest reformer, or formerly incarcerated client, Alejandro Perez. She tells her assistant Anne that she’ll handle his intake. Sarah gives him his paperwork, money, and an apartment key, and she explains that he’ll have to find a job within six months. A call from the sheriff’s office about a client interrupts their conversation.
The Prince William County Sheriff, Marcus Hudson, arrests Ryan Stevens, the former sheriff, for a hit-and-run accident. Since he lost his job, Stevens has become more reliant on alcohol. The night before, he was drinking while intoxicated and hit and killed a woman. Marcus puts him into a cell. Sarah arrives to speak with Stevens, whom she’ll be representing.
Bob meets with Brad about getting custody of Summer. Brad suggests they build a case against Sarah, asking if she’s “ever been violent with Summer” (26). Bob suddenly remembers an incident from several years ago. He and Sarah were both vying for partner at the law firm, and Bob gave Sarah photos of Adam with his lover. Sarah accused Bob of using the photos to upset her so that she’d mess up at work and he’d get the partnership. She also guessed that Bob showed her the photos because he wanted revenge on Adam’s lover, Kelly, too. (Kelly was married to Bob’s brother, and Bob still believes Kelly killed him.)
Bob tells Brad that Sarah hasn’t been violent with Summer, but he knows what she’s capable of. Brad promises to fight for him as best he can.
Sarah talks to Stevens about his case. They have known each other for some time since he was the sheriff during Adam’s arrest and trial. She now knows that Stevens needs representation because of his past. She fears that the state will cast him as a violent person with alcohol use disorder, and more information will come out against him. She’ll do her best but informs Stevens his chances of walking free are slim.
Bob returns home with a bouquet of roses for Sarah. He wants to make amends, but the house doesn’t feel welcoming to him. However, he and Sarah decided not to tell Summer about the divorce yet, so he has to act normal. While Sarah makes dinner, she and Bob get into an argument about his affair. He swears that he doesn’t remember the girl he slept with and that she meant nothing to him. Frustrated, Sarah slashes Bob’s hand with a knife. Summer appears in the kitchen. She notices Bob’s cut and offers to get him a Band-Aid.
Sarah angrily finishes cooking dinner while Bob is with Sarah. She can’t stop thinking about Stevens. When Bob returns, the television turns to news of Stevens’s arrest. Forensics ran his DNA and discovered him in the system in association with the Kelly Summers case. The report details Adam’s case and recent death by lethal injection. Stunned that the police have tied Stevens to Kelly, Sarah can barely talk.
Marcus yells at his team for leaking information about Stevens’s case to the media. One officer reminds Marcus that they didn’t get the forensics report until the story broke; someone at the lab must have leaked Stevens’s association with Kelly.
Overwhelmed, Marcus digs through the old Summers case file. He realizes he can’t talk to the press before he talks to Stevens.
Bob meets with Brad and informs him that he’s worried about the divorce in light of Stevens’s arrest. He then informs Brad that Adam’s lover Kelly was his late brother’s first wife and murderer. Brad is upset by this revelation and frustrated that Bob isn’t being more direct about what he wants in the divorce. Bob tries to explain that Sarah can be dangerous, and he’ll need ammunition against her.
Marcus goes to Stevens’s cell to “confront him about Kelly” (53). He’s convinced he’ll know if Stevens killed her if he asks. However, when he arrives, he finds Stevens unattended with a belt around his neck. He races inside and removes the belt, saving Stevens.
Hordes of reporters are outside the foundation when Sarah arrives for work. She pushes through the crowd, trying to summon a different version of herself. She answers a few of the reporters’ questions, telling them that she’s devastated about Stevens’s connection to Kelly’s murder. Then the reporters ask how she’s processing Adam’s mother Eleanor Rumple’s plans to file a wrongful death suit on Adam’s behalf. Sarah hates Eleanor but hides her frustration.
Alejandro appears and escorts her inside. He admits he can’t find a job, and Sarah offers to give him some odd jobs at her house.
Afterward, Sarah and her assistant Anne discuss the news about Stevens. Sarah is careful to hide her true feelings about reopening the Summers case—which she asked for to keep up the appearance that she loved Adam and believed he was innocent. A call from Marcus about Stevens interrupts her. She sends her regrets about his attempted death by suicide but informs Marcus that he’s not her client now that he’s been connected to Kelly’s murder.
The opening chapters of The Perfect Divorce pick up 12 years after the prequel, The Perfect Marriage, ended, inviting the reader back into the high-stakes world of Sarah Morgan. In the Prologue, the author uses a Channel 5 News transcript to background Sarah’s story, particularly as it pertains to her late husband, Adam Morgan, and the Kelly Summers murder case. This section suggests that although over a decade has passed since Adam’s conviction and trial, Sarah is not free from Adam: He resurfaces in Sarah’s life in the form of Ryan Stevens’s arrest and connection with the case.
These early narrative plot points both tie the prequel to this sequel and capture The Impact of the Past on the Present. Sarah has convinced herself that she is free from the violent events of her past; At the end of Chapter 1, she privately asserts, “I’m not the same woman I was when I was with Adam,” and “[B]ecoming a mother changed me” (11). Sarah wants to believe this about herself because she wants to prove that her past isn’t controlling who she is in the present. She is now married to Bob, living a family life with him and their daughter Summer, and running the Morgan Foundation. These aspects of her life in the present appear untinged by the past. However, the events surrounding Ryan Stevens have an emotional impact on Sarah that proves otherwise. As soon as she hears that Stevens was arrested, she races to the police station to defend him; as soon as she hears about his connection with the Summers case on television, she drops him as a client. These behaviors show that Sarah is trying to hide from her past—she knows that she cannot fully escape the crimes she has committed and is willing to take risks to try to eradicate her present life from reminders of her past.
The entanglement of Sarah’s past and present lives also functions as a literary device used to create narrative tension, as well as contributing to the theme of The Tension Between Private Identity and Public Image. When Sarah discovers that the police have connected Stevens to Kelly Summers’s murder, she tries to manipulate the story that the media tells about her. She doesn’t want the public to see her as anyone but the woman she’s presented herself to be: the grieving wife who desperately tried to defend her husband and save him from the death penalty. The scene where she confronts the press outside of the Morgan Foundation conveys Sarah’s internal unrest and foreshadows how reopening the Summers case will spur her toward increasingly extreme behaviors. During this scene, Sarah actively “conjure[s] thoughts that [she] know[s] will bring [her] to tears” and pretends that her “emotions are raw and out of [her] control” (59). She is assuming a role and playing a part in this moment. As The Perfect Marriage revealed, Sarah is an untrustworthy character with often nefarious intentions. She is capable of harming others and will always protect herself first. She knows who she really is, but this true identity does not align with the image she presents to the world.
Sarah and Bob’s relationship also creates new levels of interpersonal and narrative conflict and introduces the theme of Trust and Betrayal in Intimate Relationships. Bob is one of the only characters who knows about the disparity between Sarah’s real identity and her public persona. He is aware of her role in the Kelly Summers murder and knows that she cannot be trusted. However, because everyone else in Bob and Sarah’s sphere believes that Sarah is a decent person, Bob struggles to earn others’ trust and convey his side of the story. In Chapter 5, for example, he struggles to reveal the truth about Sarah to Brad because he cannot trust Sarah and fears inciting her rage:
I let out a heavy sigh, trying to exhale the guilt and fear that have consumed me ever since I was served with divorce papers. Honestly, I thought Sarah would serve a bullet right through my forehead if she ever found out—so I was shocked that her response to my infidelity wasn’t lethal. And that’s what I’m holding on to. […] If she didn’t love me, she would have killed me (29).
Bob feels tied to Sarah because of their decision to kill Kelly, but at the same time, he knows Sarah can be unpredictable. Meanwhile, Sarah trusts Bob as little as he trusts her. She tells those around her that Bob broke her trust by cheating on her. Privately, she tells herself that she and Bob’s divorce was inevitable “because men are like lawyers. They can’t be trusted” (7). Both Sarah and Bob are waiting for the other to betray them. Their inability to trust one another draws them apart and makes their relationship unsustainable. Sarah and Bob’s fraught history also foreshadows how they’ll use each other to get what they want as the Stevens and Summers cases unfold.



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