49 pages • 1-hour read
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Hundreds of miles southwest of the Alaskan coast lie the islands of Japan. Two years before the novel’s events, a tsunami hit Japan, causing carnage and chaos. By the time Chris and Frank are stranded in the wild, the shore is littered with debris from the incident, and more washes up after every storm. Chris is moved by a young girl’s purse that Frank brings to the cabin. To Chris, the purse symbolizes a life that was lost. Chris imagines the girl whose life the tsunami suddenly and tragically took. He buries the purse, but it represents the girl, and Chris feels compelled to put her to rest. Throughout the novel, Chris finds other items belonging to Japanese children, all of which he buries with reverence and pain. All these items symbolize lives lost to tragedy. For Chris, whose father died (apparently in a car accident) and whose uncle died a year later in a sailing accident, tragic loss is no stranger. He understands how difficult it is to lay a person to rest after a sudden and horrible loss. He didn’t get to see his father’s coffin lowered into the ground and lacked closure as a result. He didn’t get to bury his uncle, who was lost to the sea. Instead, he buries the items that symbolize the people. Burying each item is, for Chris, a proxy for burying the dead. Through these symbolic burials, Chris learns to cope with loss and confront death.
In the cabin, the boys find a book entitled Kaetil the Raven Hunter, which charts the life of a human boy raised by ravens. The story is cheesy, with ridiculous descriptions of violence and a ludicrous plot. It’s exactly what the boys need to escape their reality and get lost in story, and they love it. As a motif, the book helps explain the idea of living with uncertainty. It tells of how the raven helps the boy become a fierce warrior to seek revenge for his parents’ murder. In parallel, the raven Thursday aids Chris in becoming a survivalist. In the book, ravens have medicinal abilities, while in the forest Thursday uses herbs to heal Frank’s wounds. Finally, in the book the raven leads a pack of wolves to battle, while in the forest Thursday leads wolves to defend Chris against a grizzly bear attack. These parallels create uncertainty about whether Thursday has these abilities because cabin guy read the book aloud, whether Thursday is merely a raven and Chris is an unreliable narrator who conflates memories from the book with real events, or whether Thursday really has these near-magical abilities, as all ravens might. Whatever the case, the lack of clarity creates uncertainty.
It is fitting, then, that Frank rips out the last page of the book before they read it. He doesn’t want to know how the story ends, because this way, he claims, is more real. Real life, Frank suggests, is rife with uncertainty and unanswered questions. For example, the boys will never know whether their father died by suicide or the car crash was really just an accident. Not knowing and living with the uncertainty becomes central to the boys’ shared coping methodology in dealing with their father’s death. They find peace in not knowing, just as they do in not knowing how Kaetil’s story ends and in accepting Thursday’s abilities without knowing their origin.
By Western convention, the raven is closely associated with death. Early in the novel, Frank claims that ravens and death go together and that Thursday is death coming for him when he’s sick. The raven is symbolic of the boys’ fear of death. While Chris accepts death as a part of life, Frank remains fearful and resistant, attempting to keep death as far from himself as possible.
Chris holds proxy funerals for the young children who died in the tsunami and in this way saturates his time in the wild with confronting death. When Chris watches the salmon struggling to get to the spawning area, he sees their deaths in the context of their lives and grows comfortable with the idea that their deaths have meaning only in the larger context of the species. Chris confronts his fears and faces death, befriending it and making it a part of his life.
In the novel’s climax, Thursday the raven swoops down, not to take Chris to the skeleton tree but to drive the bear away. Death hasn’t come for Chris, and he lays his deepest fears to rest by once again confronting death and climbing the skeleton tree to lay Thursday to rest. Although Thursday is a complex character who plays multiple roles in the story, the raven’s role as a symbol of death and dying is the most vital for Chris, who spends every night in fear of the dead only to eventually confront this fear of death and find rescue and relief.



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