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Content Warning: This section of the guide includes discussion of racism, emotional abuse, and death.
The Teller of Small Fortunes reimagines home as a state of belonging defined by meaningful human connections rather than physical structures or locations. Tao’s evolution from solitary traveler to a member of a chosen family demonstrates how a sense of home can emerge through relationships that offer trust, acceptance, and loyalty.
Tao’s status as an immigrant in Eshtera establishes her profound loneliness early on. Though she has lived in Eshtera since childhood, her Shinn features and her magical abilities set her apart everywhere she travels. Further, she even experiences rejection within her own family as her stepfather pressures her to assimilate in Eshtera and her mother fails to defend her from the Guild of Mages. To protect herself against further rejection, Tao builds emotional barriers and adopts a solitary existence, traveling with only her mule Laohu. Her defensiveness manifests in her first encounter with Mash and Silt, when she immediately tells them: “I’ve nothing of value. I’m just a traveling fortune teller, I’ve no trade goods in the wagon” (27). Her immediate suspicion of their intentions stems directly from her childhood wounds and her cultural displacement.
As circumstances force Tao to journey with Mash, Silt, and later Kina, she gradually lowers her defenses. Each companion contributes unique elements to their group: Mash provides protection and loyalty, Silt offers humor and adaptability, while Kina brings warmth and nurturing. Their shared journey transforms from a physical expedition into an emotional pilgrimage toward mutual acceptance.
A crucial turning point occurs when Tao shares her most painful memory with her new friends—the story of her father’s death and her mother’s subsequent blame. This vulnerable revelation marks significant progress in her willingness to trust. After exposing her deepest shame, “Tao let the grief flow, undammed, as fresh a pain as if she were seven again” (115). Her friends react with compassion rather than the rejection she feared, and their acceptance begins to heal Tao’s emotional wounds and gives her a sense of belonging.
The strength of their bonds becomes evident when Tao surrenders herself to the Guild to help find Mash’s daughter. Despite the danger, her companions refuse to abandon her, risking imprisonment to rescue her from the Guildtower. Silt’s simple statement after their reunion captures this sentiment: “Yes, Tao. We are your friends. We came to get you” (275). Their actions drive home the idea that Tao has found a home among them.
By the novel’s conclusion, Tao reconciles with her mother, who once seemed lost to her. The letter she sends Tao contains the validation Tao has yearned for: “Tao, my daughter: I love you” (314). This reconciliation complements rather than replaces Tao’s connection to her friends, whom she sees as her found family. It also expands Tao’s sense of loyalty and belonging in Eshtera, where she once felt like an outsider. The novel ends with Tao and her group of friends choosing to continue traveling together, affirming that home exists in relationships rather than physical spaces.
The tension between knowledge, responsibility, and fate permeates The Teller of Small Fortunes through Tao’s fortune-telling abilities. The novel questions whether foreknowledge empowers individuals to shape their futures or merely burdens them with inevitable outcomes they cannot alter.
Tao restricts herself to reading “small fortunes” rather than exercising her greater vision that reveals significant life events. This self-imposed limitation originates from childhood trauma: At seven, she foresaw her father’s death but couldn’t prevent it, even though she warned her parents about her vision. Tao wonders “if [she] hadn’t seen what [she]’d seen, if [she] hadn’t told him[…]—might he have lived?” (113). Her mother, too, is haunted by the same idea, and Tao becomes traumatized by this uncertainty, wondering whether seeing the future inadvertently creates it. This is why she refuses to use her greater vision—she wants to avoid causing further harm.
The question of predetermined fate versus personal agency recurs throughout the narrative. Tao explains that small fortunes can be changed through preventative action. For instance, she says that “[i]f she tell[s] a man he might break a finger at the anvil, he could take greater care and maybe avoid it” (111). However, she believes greater visions reveal immutable destinies that “can’t be altered. All they can do is make you feel powerless to know what will come” (111). This distinction suggests a hierarchy where minor events remain subject to human will while significant outcomes follow fixed paths, regardless of intervention.
This philosophical debate intensifies during the travelers’ encounter with the nihilistic troll, who argues that “All Paths Are Predetermined, And Choice Does Not Exist” (126). This confrontation forces Tao to reconsider whether her abilities represent a curse or a gift, and if meaning can exist in a potentially predetermined world. Kina’s response to the troll offers a potential resolution to this tension; she says: “We can be nothing, and choose to be miserable about it […]—or we can be nothing, but choose to be happy, and let that be purpose enough” (128). Kina argues that while outcomes might be fixed, people’s responses to fate remains within their control. This philosophy helps Tao reconcile with her abilities.
When Tao finally employs her greater vision to assist Eshtera, she embraces both the responsibility and burden of foreknowledge. High Mage Melea provides a practical perspective on Tao’s power, saying, “If we know war will come, we can prepare” (259). This pragmatic approach suggests that even if outcomes remain unalterable, foreknowledge enables better preparation.
The fortune Tao sees about Mash finding his daughter offers the most hopeful perspective on fate. Though the vision shows only that Mash will find Leah, not when or how, it gives him the motivation to persevere. Their eventual reunion shows that though the outcome is foretold, the journey nevertheless requires human action and persistence.
By the conclusion, Tao develops a nuanced understanding of her abilities. Rather than viewing her power as either burden or gift, she recognizes it as a complex responsibility that, used judiciously, can provide hope and preparation. She also comes to believe that while certain significant outcomes might be predetermined, the paths taken toward them and choices made along the way remain meaningful and within human control.
Cultural displacement, xenophobia, and pressures to assimilate form the backdrop against which Tao forges her authentic identity in The Teller of Small Fortunes. As a Shinn woman in Eshtera, she navigates both external discrimination and internal conflict about belonging.
Tao regularly faces prejudice because of her Shinn features. She encounters reactions ranging from suspicious glances to outright hostility, exemplified by the innkeeper in Culic who spouts xenophobic rhetoric. He claims that the people of Shinara are “cheats [who] live in caves […] [and] don’t wash themselves” (69). Such encounters force Tao to justify her presence in Eshtera despite having lived there since childhood. Her nomadic lifestyle stems directly from her recognition that whenever she stays too long in one place, people’s initial curiosity about her fortune-telling inevitably transforms into suspicion about her foreign identity.
Beyond external prejudice, Tao struggles with her cultural identity. She left Shinara at eight and lost connection to her homeland, including fluency in the Shinn language. When she encounters an elderly Shinn shopkeeper in Craghorn, she feels ashamed at her inability to communicate in their native tongue. The shopkeeper tells her, “I am sad that you have lost so much” (153), and this crystallizes her sense of existing between worlds, belonging fully to neither Shinara nor Eshtera.
Tao feels constant pressure to conform to Eshteran standards, and this is exemplified through her memories of her stepfather, Lord Desmond. He attempted to reshape her into a proper Eshteran noblewoman by criticizing her harshly and reminding her of her otherness. Despite her efforts to assimilate, Tao recognizes their futility, acknowledging, “Even if I spoke Eshteran, and wore their lace petticoats, and danced their silly dances—I was not Eshteran” (172).
The jade hairpin—the ji—symbolizes Tao’s connection to her Shinn heritage. When she asks about having a ji ceremony for her fifteenth birthday, her mother coldly responds, “We are Eshterans now. We do not wear ji” (157). Nevertheless, Tao carries the ji her mother eventually gives her, wearing it as both connection to her past and quiet resistance against complete assimilation.
Throughout her journey, Tao gradually reclaims her identity by embracing aspects of her Shinn heritage while acknowledging her ties to Eshtera. Playing the Shinn flute reconnects her with cultural roots, while using her greater vision to help Eshtera indicates acceptance of her role within her adopted homeland. She eventually asserts, “I am Hua Tao, of Shinara and Eshtera both” (270), recognizing that her identity encompasses both cultures and that she is shaped by inheritance as well as self-definition.



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