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Kristin HannahA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Food symbolizes love and solace. The connection between comfort and food is established early. After Angie’s divorce is finalized, her mother and sisters arrive with nourishment, and Mira explains, “You know food eases every trouble” (15). The emphasis on “know” suggests this is a common mantra in the DeSaria house. Angie’s reaction vindicates Mira’s words: “Angie found herself smiling. How many times in her life had she come home from school, devastated by some social slight, only to hear Mama say, Eat something. You’ll feel better” (15). Angie’s memory highlights the link between food and love; it is how the DeSarias handle their problems and sorrows, and that thought alone brings a smile to her face.
By extension, Maria DeSaria’s kitchen offers the same solace as food itself. Angie notes that “no matter how old she got or what direction her life took, this would always be home. In Mama’s kitchen, you were safe and warm and well loved” (7). Comfort and love thus permeate not only the consumption of food, but the social preparation of it as well. Lauren feels this every time she visits on a holiday and is swept into the chaos of the kitchen; in fact, this is often where she feels most at home, underscoring that food is love in the DeSaria family.
A motif of weather supports the themes of Embracing Grief to Heal and The Transformative Power of Love, with different kinds of weather suggesting different emotional states. Rain, for instance, symbolizes characters’ internal and external struggles, signaling anxiety, fear, and frustration or foreshadowing something ominous. After David asks about homecoming, Lauren realizes she has no money to buy a dress, and the weather echoes her mood: “It was raining hard. No longer a silvery mist, this was an onslaught that turned the world cold and gray. Raindrops hit the pavement in such rapid succession it looked as if the streets were boiling” (77). This “onslaught” represents the deluge of problems Lauren faces: Not only is rent overdue, but she lacks a job, needs a warmer jacket, and has no money for a dress. The weather coincides with Lauren’s compounding circumstances, underscored by the fact that she has no protection from the rain. Similarly, on Thanksgiving, “wind scrape[s] along the ground, swirling up blackened leaves and shaking the bare trees. It [isn’t] raining yet, but it soon [will] be. A storm [is] coming” (168). This description of a late autumn day also represents Lauren’s fear and apprehension about what will happen once everyone learns about her pregnancy. Just like an inevitable autumn storm, conflict will arise because of the baby.
When the precipitation turns to snow, the tone shifts. On Christmas Eve, for instance, Angie and Lauren return home amid falling snow: “They drove home slowly. The flakes were huge and airy. They fell lazily to earth” (246). Although things have been difficult for both Angie and Lauren, this symbolizes a turning point for them. Because they have each other, the downpour of their lives seems manageable, and thus it snows, creating what seems like a magical world. This is also right before Conlan arrives at the cottage. Although he is angry with Angie about Lauren living there, his desire to meet the girl suggests that he is willing to take a chance on things, another indication, like the snow, that things may get better.
Finally, sunshine represents respite from hardship and hints at optimism for the future. When spring arrives, “the sun finally dare[s] to peek through the gray layer of clouds, the landscape change[s] […] Lauren bloom[s] as well” (275). The blooming of skies and flowers coincides with Lauren’s pregnancy, but the description refers not only to her physical changes but also to the growing strength and resolve that even she is not yet aware of as she finds joy and belonging with Angie and Conlan. The sun shines for Angie as well. Even when challenges arise, beautiful weather reflects her optimism amid trials: “For the first time in anyone’s memory, it didn’t rain on Easter Sunday. Instead, the sun rose high in a clear blue sky” (296). Just like it has been a long time since it has not rained on Easter, it has been a long time since Angie was strong enough to handle adversity. Now, the weather mirrors Angie’s newfound fortitude: Although there is uncertainty and difficulty on the horizon for Angie, the sunny sky foreshadows her ability to survive no matter what happens with the baby.
The architecture in West End symbolizes the pretense of happiness and perfection, evident in both the Victorian buildings in the town’s center and in the Haynes’ Georgian home. One night on her way home, Lauren observes the buildings and notes that “the veneer [goes] only so deep, and like all towns, West End [has] its forgotten places, its corners that remain[] unseen by the visitors and unvisited by the locals” (29). The word “veneer” suggests that the beautiful exterior of the buildings conceals the town’s suffering in the wake of the collapsed timber and fishing industries. Indeed, just past this tourist area, the landscape morphs into the poverty and destitution of Lauren’s neighborhood, which no one bothers to acknowledge.
This false front is particularly evident in David’s house: “The majestic Georgian home looked like a Hallmark Christmas card. The perfect holiday house with lights everywhere, fake candles in the windows, and evergreen boughs draped over the front door” (186). The Haynes’ home seems flawless; the comparison to a Hallmark Christmas card suggests that all is as it should be. However, despite this picture-perfect appearance, the family has its problems: David longs for his father to be more present in his life, and Lauren’s pregnancy creates a crisis in the family. Furthermore, although Lauren describes the house as beautiful, she also notes that it is empty and quiet compared with the DeSarias’ home. The noise of the latter corresponds to love and joy, so when Lauren notes that the Haynes’ house is quiet and empty, she suggests that it is devoid of these things. Ultimately, the beautiful architecture in West End symbolizes a superficial magnificence.



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