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Agustina Bazterrica is an Argentinian writer known for exploring dark, speculative topics in her novels and short stories. Born in Buenos Aires in 1974, Bazterrica is part of the “nueva narrativa argentina,” a new wave of Argentinian literature produced by writers who grew up during and after Argentina’s violent military dictatorship in the 1970s and 1980s. Contemporary Argentinian writers of this generation, like Samanta Schweblin and Mariana Enríquez, use elements of horror to critique contemporary social issues like poverty, classism, gender-based violence, and the climate crisis.
Bazterrica’s second novel, Cadáver exquisito, was published in English under the title Tender is the Flesh in 2017. The novel, which explores a dystopian world where cannibalism has been legalized after a mysterious illness made animal flesh inedible, won several prizes and was translated into many languages, establishing Bazterrica as one of Argentina’s most widely read and celebrated contemporary writers. Her collection of short stories, Nineteen Claws and a Black Bird, was published in English in 2023, followed by The Unworthy in 2025. Like Tender is the Flesh, The Unworthy explores a dystopian reality and shows humanity at its cruelest and most violent. Although the novels differ stylistically—with the cold, detached writing of Tender is the Flesh contrasting sharply with the more lyrical, poetic style of The Unworthy—the novels have many thematic similarities. Both examine how beliefs are constructed and explore the power of language in building and maintaining certain realities. These works consider how easily violence and dehumanization can be normalized.
The Unworthy joins a growing cohort of novels that critique misogyny, gender inequality, and patriarchal power dynamics by exploring dystopian realities in which women are oppressed, marginalized, and silenced. Classic feminist speculative dystopias like Margaret Atwood’s The Handmaid’s Tale, first published in 1985, experienced a second surge in popularity, and newer texts, like Sophie Mackintosh’s 2018 novel The Water Cure, have been lauded by readers and critics alike. These dystopian settings explore the dangers of patriarchal societies and the loss of women’s rights and autonomy. Like The Unworthy, many of these texts also critique the role of religion in oppressing women, examining how misogyny, theocracy, and authoritarianism combine to objectify and marginalize women.
The proliferation of these dystopian texts and their popularity with readers comes amid increased anxiety regarding gender equality and women’s rights. Globally, conservative politicians advocate for traditional family values that urge women to stay home with their children, and women continue to be paid less than men. Events like the overturning of Roe v. Wade in the United States in 2022 constitute a significant threat to women’s bodily autonomy. Femicide rates remain high, especially in Latin American countries like Argentina, where Bazterrica writes from, and perpetrators of sexual assault and violence continue to hold positions of power in society. Texts like The Unworthy and The Handmaid’s Tale explore the consequences of these trends progressing to their extremes.



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