47 pages 1-hour read

This Is a Love Story

Fiction | Novel | Adult | Published in 2025

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Chapters 23-37Chapter Summaries & Analyses

Chapter 23 Summary: “Jane”

Content Warning: This section of the guide includes discussion of death, illness, mental illness, and pregnancy loss.


A third-person narrator tells Jane’s story as the narrative shifts into the past.


The night before Max’s birth, Jane studies the city beyond the window, unable to find her usual artistic inspiration. She’s felt bleary since the start of her pregnancy. She thinks about her mother’s death and everything she wishes she could ask her mother now. She also remembers losing her first pregnancy and her surprise when she got pregnant again. She’s been careful throughout these past months, quitting her smoking and jogging habits. Still, she feels restless, sick, and unsure of who Max is.


Abe is asleep in the bed behind her, but Jane feels alone. She’s felt alone for months and wonders if this is how it will now feel being a mother: “always and never alone” (173). Uneasy, she takes a walk in Central Park and goes into labor. Somehow, Abe knows where to find her and brings her to the hospital. After Max’s birth, Jane doesn’t want to hold him right away. She continues to feel distant from him throughout the following days and weeks.

Chapter 24 Summary

Jane leaves the house for the first time in months to pick up some groceries. She feels disoriented. She doesn’t buy what she needs and drops the groceries several times. Back at home, Max is sleeping, so Jane rests, too. Abe wakes her later from a dream where she is a bird.


Jane continues to feel distant from Max. One day, the neighbor stops over to see if everything is okay because Max hasn’t stopped crying. Meanwhile, Bubbe continues coming over. Jane sometimes tries to dress like Bubbe and use her scents, but still, she can’t comfort Max.


She lies in bed, remembering how trapped her mother was in her marriage. If her mother hadn’t gotten sick, maybe she and Jane would’ve been able to leave. Jane also remembers the day her mother encouraged her to start drawing, suggesting that she “[d]raw love” (187). Her mother died not long after, and Jane wasn’t herself afterward. She wishes that her mother were here now.

Chapter 25 Summary

As Max grows up, Jane spends more time with him. Sometimes, they draw together, but Jane often worries that she’s going to hurt him and doesn’t trust herself alone with him. Meanwhile, Abe’s writing career takes off. One night, they leave Max alone at home while they go out for drinks to celebrate his most recent success. Jane hopes that he is okay but knows that she’d be worse off if they didn’t leave the house.

Chapter 26 Summary

Fourteen months after Max’s birth, Jane returns to her studio for the first time. Bubbe comes over several days in a row to give Jane personal time. She sits in the studio, unable to work. Finally, one day, she starts drawing some birds outside the windows. Eventually, she starts making drawings about motherhood. She hopes that things will be different now.

Chapter 27 Summary

When Max is five, Jane starts to have fainting episodes. She hasn’t been eating well and has also been bleeding for months. Her career is doing better again, so she doesn’t go to the doctor as Abe suggests. She and Abe have been distant anyway. A few months later, she finally visits the doctor and learns that she has cervical cancer.


Unsure of what to do afterward, she visits the Museum of Natural History. A young woman follows her around the museum until Jane greets her, and the woman flees. On the way home, Jane remembers that Abe wanted to have dinner together so that they could talk. At dinner, she interrupts the conversation to ask if they can walk instead.


At Central Park, Jane considers telling Abe about her diagnosis, wondering if he already knows. Instead, he tells her about his relationship with Alice. She’s stunned and furious. That night, after Abe is asleep, she finds Alice’s manuscript in Abe’s office. She makes a cut on the page of the story that references her photo and writes two lines at the end.

Chapter 28 Summary: “Central Park”

The third-person narrator describes more scenes from Central Park. Despite how healing the park can be for some people, it can’t cure all woes.

Chapter 29 Summary: “Abe”

The narrative shifts back to Abe’s perspective in the present. He and Jane continue remembering their lives. They remember when Abe told Jane about Alice. Jane didn’t tell him about her diagnosis then because she was upset with him. Later, she finally realized that it was time. They hoped that she’d be okay, but she had to start treatment.


Abe tells her how he remembers this period, reminding her that Bubbe and Max supported her throughout. Jane shares her perspective, too. She admits that she worried that she caused Abe’s affair because she had depression. Abe assures her that neither of them was to blame.

Chapter 30 Summary

Abe tells Jane that he ended his relationship with Alice before it really began. She is understanding, and they continue to share memories from the start of Jane’s sickness. She and Abe became closer again during that era. They began making plans to move to Orient after spending a weekend there with Jane’s best friend, Bea. Not long after, Abe’s father died. Max grew up, and Bea moved away.


Days pass, and Abe and Jane drift in and out of sleep and remembrance. Sometimes, Abe isn’t sure if they’ve really stopped talking or if he’s just stopped typing. Sometimes, he continues remembering aloud after Jane is asleep.

Chapter 31 Summary

Abe and Jane continue remembering the next day. They discuss Alice, Max, and their artistic careers. As Jane’s cancer advanced, she began to regret things that she hadn’t accomplished even as she continued making and showing her work. Jane shares memories of her mother as she drifts into sleep. Abe begs her not to leave him.

Chapter 32 Summary

The couple remembers Max leaving home for college and watching him grow up and start working in the art world. Jane admits that she never felt like she was allowed to be proud of him because she wasn’t the mother she wanted to be. They share their last memories of Bubbe and the art that Jane made about mothers. They continue talking until Jane falls asleep.

Chapter 33 Summary

Abe and Jane remember their favorite things about the city and their favorite things about Orient when they first moved. They also remember the two times that Jane went into remission, only for the cancer to come back. Max grew distant, but they never blamed him.


When Jane gets tired, Abe makes her food. He watches her closely as she eats and falls asleep.

Chapter 34 Summary

As the couple keeps remembering, Jane grows weaker. Abe takes over so that she doesn’t have to talk.

Chapter 35 Summary

Abe lists everything that Jane doesn’t remember, including the moment she breathes her last breath. He realizes that their remembering has helped her stay alive. He doesn’t want to stop now but knows it’s an ending.

Chapter 36 Summary: “Central Park”

The narrative shifts into the third-person perspective. After Jane dies, Abe goes to Central Park and eats an ice cream cone. He gives half of it to a dog named Jane.

Chapter 37 Summary: “Jane”

The narrative shifts into the past. Jane goes to Central Park after she’s diagnosed with cervical cancer. She thinks about her mother as she walks. She watches a mother and her child, longing for that closeness. She thinks about motherhood and art and realizes that she may have spent too much time working instead of with her family. She races home to see them. Love, she now understands, is most important.

Chapters 23-37 Analysis

These chapters shift their focus from Alice’s and Max’s stories back to Jane’s story, a formal movement that furthers the novel’s theme of The Role of Art in Shaping Identity. Unlike the preceding sections from other points of view, Soffer presents Jane’s sections in a more traditional narrative form. While Alice’s, Max’s, and Abe’s storylines appear on the page in fragments, Jane’s narrative appears in full-length, uninterrupted paragraphs. This formal presentation becomes a representation of Jane’s claustrophobia during her pregnancy and after Max’s birth—the constraints of conventional form and structure confine her story, paralleling the way she feels confined by conventional ideas of motherhood. She not only feels trapped in her changed body—her “thighs and arms and neck are soft, nearly purple” as “overripe fruit” (169)—but her mind also “has been so blurry for the last nine months” (171). Pregnancy alters the way she feels physically and the way she thinks creatively. The blurriness that the third-person limited narrator describes Jane experiencing is echoed in the narrative form, mood, and tone. Descriptive detail of her complicated physiological experience saturates her chapters because Jane is trying to make sense of how pregnancy and motherhood are changing her, both as a woman and as an artist. If she doesn’t recognize her body and can’t make art, Jane is forced to question who she is after all.


After Max’s birth, Jane’s experience of postpartum depression distances her from her work and causes her to feel estranged from her previous sense of self—a dynamic that continues the novel’s exploration of the role of art in shaping identity. Although Abe is “helpful, supportive,” there is a limit to what he can do to alleviate Jane’s creative rut and physical unrest because he is still “a person in the world, unchanged biologically, physiologically” (172). As Abe admits in his chapters, fatherhood doesn’t have the same transformative effect on him. Instead, after Max’s birth, he becomes even more devoted to his writing career, while motherhood actively draws Jane away from her work. For as long as Jane can remember, she has prioritized her art above all else. She fundamentally believes that this approach is the only way to succeed at her craft and make work that is authentic and true. Having Max and living with postpartum depression disrupts this way of life and severs her, creating two versions of experience and self. Her internal monologue in Chapter 23 reveals this facet of her internal struggle: “I make things, she wants to say. I have always made things. I made a three-foot Great Dane out of paper clips and twine” (174). Jane identifies as an artist, someone who creates new things out of other things. This is how she sees, interacts with, and processes the world. She experiences a crisis of identity in pregnancy and motherhood because she temporarily loses her ability to create. With Jane’s experience, the novel interrogates how motherhood challenges a woman’s identity, asking her to divide her attention and love between her children and her work. If Jane can’t create, she feels estranged from herself and incapable of caring for Max, but if she fully devotes herself to his care, she feels incapable of creating new work.


In Abe’s final chapters of the novel, he and Jane continue to recall their lives aloud, an ongoing act that reinforces the novel’s theme of Memory as a Form of Intimacy and Connection. Chapters 29 through 35 return to Abe’s first-person point of view and follow the same formal rules as his previous chapters. However, in these latter chapters, the couple begins to delve into the specifics of how their relationship has evolved as a result of Abe’s affair and Jane’s diagnosis. The questions they ask and the experiences they reflect on reveal their desire to make amends and honor their love before Jane passes away. They not only wonder if they were “bound together by fear or hope or both” but also note how they “came back together, slowly slowly slowly. Like beads of rain” (229, 235). The rain metaphor evokes the notion of separate entities gradually moving toward each other, merging, and making another complete entity. This image echoes the evolution of the couple’s relationship and shows how the act of remembering has strengthened their connection. In remembering, they seek understanding, and in understanding, they find evidence for their indomitable bond.


The novel subverts temporal rules in the final chapter by shifting back into the past through Jane’s perspective after she has died in the narrative present, a formal movement that ushers the narrative toward its resolution. Chapter 37 goes back to “the day that Jane is first diagnosed” and takes a walk in Central Park after her doctor’s visit (285). As the location has done throughout the novel, the Central Park setting grants Jane time and space to think and creates a contemplative narrative mood. Jane is in a reflective state of mind because her diagnosis has compelled her into deep consideration. However, she doesn’t simply think about her life with cervical cancer; rather, her internal monologue is driven by her attempts to make sense of how she’s spent her life so far and how she wants to interact with her art and her family in the days she has left. Although still a self-identifying artist, Jane ultimately realizes that art cannot sustain her forever, whereas love can. This conclusion that she reaches makes a direct connection to the novel’s title and reiterates the notion that Jane and her family’s story is a love story. It doesn’t follow traditional romantic rules and is as sorrowful as it is happy, but their love for one another makes their lives meaningful and solidifies their place in the world.

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