54 pages 1-hour read

Till Summer Do Us Part

Fiction | Novel | Adult | Published in 2025

A modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.

Prologue-Chapter 7Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of emotional abuse.

Prologue Summary: “Scottie”

Scottie Price is 29 and recently divorced. It’s summer, and she’s moved to New York chasing her fantasy of living single in the city. She’s not interested in finding love like in some romantic comedy; instead she wants to “fall in love” with herself and rebuild her life after her divorce. In the bustle of city life, someone bumps into her and she spills coffee on her blouse. Determined not to let anything ruin her day or her dreams of this new life, she brushes off the inconvenience, knowing she can borrow a shirt at her job at Butter Putter editing.

Chapter 1 Summary: “Scottie”

Aside from their CEO, Ellison, Scottie is the only woman in her company. Ellison calls a meeting, and Scottie observes how “The Brads and Chad,” a bunch of “finance bros” (9), surround her. To make matters worse, everyone in her company is either married or partnered, making Scottie feel like “the lonely spinster on the outside” (13) as they share their weekend plans with their partners. Ellison arrives at the meeting, and Scottie is no longer the only woman present. She highly respects Ellison and longs to impress her enough to advance in her career. As Ellison converses with the men about their lives and partners, Scottie feels increasingly out of place, so when Ellison asks about her weekend plans, she responds without thinking, saying she has plans with her husband. No one was aware that Scottie was married, and Chad quickly points out that she isn’t wearing a ring, asking if she is lying just to fit in. Angry at Chad’s accusation and emboldened by the pending humiliation of admitting she lied, Scottie commits to the story and says she and her husband are going through a rough time.


Ellison asks to speak with Scottie privately and explains that her husband is Sanders Martin, a renowned marriage counselor with a successful track record of helping people in the company with marital problems. Ellison schedules Scottie an appointment for the following day, and Scottie fake-texts her non-existent husband to confirm the time. They return to the meeting with Scottie’s head spinning as to how she will acquire a husband in less than 24 hours.

Chapter 2 Summary: “Scottie”

Scottie is at Stockings, her favorite gay bar, where her best friend Mika bartends. Her other best friend, Denise, who is a makeup artist, meets her there. Denise is excited because she just booked Brie Coopertart’s wedding. Scottie tries to be supportive of her friend, but Denise notices her lack of enthusiasm, and Mika explains that Scottie has had a rough day.


After Scottie explains her debacle, both Mika and Denise chide her for making such a bad decision. Scottie begs Mika to pretend to be her husband, but he reminds her that the therapist will instantly know he’s gay, plus he has his therapy appointment at the same time. Mika offers his brother Wilder to play the role. He’s 27 and recently retired after selling an app he developed. Mika texts Wilder, and he agrees. Scottie is relieved because she was considering asking her ex-husband for help.

Chapter 3 Summary: “Wilder”

Wilder is working on his nightly wordsearch when Mika texts him to ask if he would be Scottie’s fake wife. Wilder is bored in his retirement and has been taking improv classes. He figures the fake counseling session will be a good way to practice his acting techniques. He texts with Scottie, and they agree on a meeting place. The next day, Wilder meets Derek, his accountant and Denise’s partner, for breakfast before meeting Scottie. Derek thinks the fake marriage is a bad idea, but Wilder insists it will be fun.


Wilder meets Scottie at their appointed time, and she’s visibly disappointed when she sees that he’s wearing a worn t-shirt and jeans. Wilder feels she’s being ungrateful, considering the favor he’s doing for her. He finds her “cold, standoffish” demeanor off-putting. Scottie introduces herself and asks him how she can repay him for the favor, but Wilder says there’s nothing he needs or wants. They quickly review the plan for addressing the therapist’s questions about their relationship, agreeing that they’ll play it like Wilder doesn’t want kids. Scottie is visibly frustrated and wants to get this over with so that they can go their separate ways. Wilder reminds her that his brother is her best friend and they will likely run into each other again. Wilder says he might one day need her “to return the favor in a fake marriage scheme” (42), and Scottie agrees she would out of obligation.

Chapter 4 Summary: “Scottie”

After seeing how attractive Wilder is, Scottie regrets the entire plan. She can’t stop staring at his lip ring and grey eyes as they enter the therapist’s office. Sanders’s office is surprisingly cluttered and messy, and he is wearing athletic shorts, a tropical shirt, and sandals. He and Wilder hit it off immediately, talking about sports, which annoys Scottie. Wilder takes the lead in crafting an elaborate story about how their marital problems stem from a thawing sex life because Scottie doesn’t want children. Scottie becomes infuriated when he changes the script on the spot. Wilder continues with a detailed story about taking a birthday trip and, due to a booking mishap, having to camp in sleeping bags, which resulted in Wilder getting his penis caught in a zipper and needing surgical removal. Scottie is embarrassed that the session is “off the rails.” They begin to quarrel about all the things that annoy them about each other. Sanders sees their argument as a good sign that there’s still something to salvage in their relationship. He wants to send them on an eight-day marriage retreat in the Catskills. Wilder agrees to go, but Scottie says she can’t get off work. Sanders says he’ll handle the arrangements with Ellison, and Scottie realizes there’s no way out.

Chapter 5 Summary: “Wilder”

Outside Sanders’s office, Wilder commends them on nailing the performance, but Scottie is furious. She can’t believe how off script he went and that he agreed to and paid for them to attend an eight-day, $15,000 marriage retreat. Scottie decides her only choice is to tell Ellison the truth and risk losing her job. Wilder feels bad about making Scottie upset, especially since she’s been such a loyal friend to Mika. She explains that she doesn’t fully comprehend the “marriage cult” that is her workplace. She doesn’t love her job and would like to find something more suited to her passion. Wilder proposes that they attend the retreat, declare it a success, and continue their fake marriage act until Scottie can find a new job. Scottie worries it might take time to find a new position, and she can’t understand why Wilder would agree to such a commitment. Wilder says that playing the role will be an “experience” and will continue to help him with his improv. He offers to help her for six months.

Chapter 6 Summary: “Scottie”

Back at work, Ellison asks Scottie how the counseling session went. Scottie reports that it went so well, Sanders wants them to attend the retreat. Ellison happily agrees to give her the time off and adds that all the Brads and Chad are attending with their spouses, as well as her, solidifying that there is no way out for Scottie.


Wilder has researched the retreat and texts Scottie that he is going shopping for supplies. They discover they both like Nerd Clusters, but Scottie doesn’t want this shared liking to be a “thing.” Money seems to be no object for Wilder, and Scottie makes a mental note to ask Mika about it. Wilder explains that he spends money on things that “matter” to him, like his Brooklyn brownstone, quality binoculars, and an autographed copy of Stephen King’s Misery. Scottie mistakenly thinks she’ll be bunking with the other wives, but Wilder explains they’ll be sharing a cabin. She exclaims that she can’t sleep with him if he snores, has bad breath, or has wet dreams, and demands that he buy an air mattress. Wilder assures her he’s safe to share a bed with and says he won’t be around much because he plans to take long walks to bird watch.


At the bar, Scottie regales Mika with the tale of her day with Wilder and how he “didn’t follow instructions” and went “off script.” Mika explains that Wilder isn’t an actor but a wealthy man looking to have experiences with his life. With Mika’s help, Scottie realizes that she hadn’t fully explained to Wilder that she planned to end the therapy session in a breakup. Since Wilder is always looking for adventure, he wouldn’t have passed up the opportunity to go to camp. Mika adds that Wilder is a loose cannon sometimes, but “humble” and generous.

Chapter 7 Summary: “Wilder”

Wilder picks up Scottie in his green Jeep. He notices she is anxious and wary of getting into the car, so he offers her the chance to ask him questions to get to know him better. He wants her to feel comfortable with him. Wilder shares that he studied art in college and developed the “Soda Tracker” app, which helps people track down and keep up with where the best sodas are in a town. He sold the app when it became too large for him to manage, but he is still remotely involved. He spends his time now taking improv classes and volunteering for various organizations. He can’t leave the city because Mika struggles with mental health occasionally and depends on Wilder for support. Wilder hasn’t had a serious relationship since high school and rarely dates now because his wealth complicates things. Scottie seems more at ease, and they start their trip.


On the drive, they discuss the plan because Wilder wants specific “instructions” for how to behave. Wilder needs to tone down his approach and not rely on the improv rule that everything is a “yes.” They work out the details of their story, such as how they met and what the root of their marital problems is. Scottie is most concerned about convincing Chad they are a real couple since he is the one who tried to expose her in the first place. Scottie says they should be affectionate but not overly so, limiting their physical touch to hand holding and front-facing hugs—and no kissing. She asks that Wilder not befriend the Brads and Chad because they are “pawns” in their scheme. They agree that he will respect her privacy in their shared living space. The conversation makes Wilder more curious about Scottie’s past, as he can tell someone has hurt her. He agrees to her rules and notes that they have a lot in common, “Like two peas in a pod” (90).

Prologue-Chapter 7 Analysis

This section establishes Scottie’s voice and her ambition to discover her value and learn what she deserves in life and love. Moving to New York is more than just a change of scenery: It symbolizes transformation, self-reinvention, and the pursuit of freedom. To Scottie, the city is synonymous with drive, ambition, and hustle, which is what she thinks she needs to start over. In the prologue, Scottie acknowledges the overly romanticized trope of a woman starting over in the big city, and she’s self-aware enough to recognize that she’s not living in a fantasy. Still, she clings to a hopeful, if idealized, vision that New York will help her “find herself,” revealing a tension between the grit of survival and the fantasy of reinvention. Yet her choice to downplay the coffee-spill moment in the prologue already foreshadows her tendency to mask discomfort and power through disconnection. This subtle denial of frustration becomes an early marker of Scottie’s impulse to maintain control, even when reality fails to match her expectations.


This tension between reality and idealism is established through her experience at work, as she struggles to claim space in a competitive industry and navigate Professional Environments Rewarding Conformity. Scottie doesn’t just feel like a professional outsider because she’s a woman in a male-dominated industry; she also feels personally excluded due to the office culture. Her male colleagues start meetings with long, casual conversations about their partners, children, and weekend plans. These moments, though seemingly harmless, become a daily reminder of how different she is. Scottie has nothing to add to their discussions, which makes her feel inferior, despite her desire to explore who she is without the pressure of being in a relationship. The social rituals in the workplace serve as a form of soft surveillance, reinforcing heteronormative coupledom as a professional asset. While nothing overtly sexist happens in those meetings, the underlying message is clear that Scottie isn’t one of them, a heavy burden for someone already fighting to be seen as capable in a competitive, male-dominated space. This outsider feeling is what prompts Scottie’s desire to fabricate a husband to fit in with her colleagues.


Scottie’s lie about having a husband to impress her boss spirals into an elaborate charade, which evolves into an exploration of Developing a Sense of Self-Worth, examining the tension between wanting to belong and being true to oneself. Scottie feels like she must put on an act to impress Ellison and her coworkers, feeling pressure to present herself as equally “complete,” fabricating a domestic life that mirrors theirs. Her deception is driven by a deep-seated belief that being a single woman making it on her own isn’t enough. To gain approval, she constructs a version of herself that aligns with what she thinks her workplace values. This need for validation is compounded by the fact that Ellison is one of the few women in leadership Scottie has ever worked with, making Scottie even more desperate to seem relatable and “successful” in the ways Ellison seems to admire. Ironically, the man she enlists to play her fake husband, Wilder, is training to be an improv actor, a profession built on fluid identity, emotional presence, and spontaneous truth-telling through fiction. While Scottie uses performance to hide, Wilder uses it to explore and experience life. Their dynamic creates tension between performing for acceptance and embracing vulnerability as a path to genuine connection. Even their disagreement about the fake backstory—such as Wilder’s improvised zipper injury—mirrors their opposing approaches to vulnerability: Scottie wants control, Wilder embraces chaos. As the charade unfolds, Scottie is forced to confront not only the false narrative she has spun for her coworkers but also the false story she has been telling herself: that her worth is dependent on how others perceive her.


The therapy session is both absurd and sincere, highlighting the tension between fakery and emotional authenticity. Wilder and Scottie show up pretending to be a married couple, spinning stories to maintain their lie. Yet, as they improvise their “marital issues,” real feelings begin to leak through, blurring the line between what’s made up and what’s real. Scottie’s admission that she’s “never felt more alive in [her] life than during that thirty-second spat” (76), despite the entire session being staged, speaks to how disconnected she’s become from her own emotions and how long she’s been operating on autopilot. The fact that she feels more emotionally engaged during a fake therapy session than in her real life underscores just how hungry she is for connection and honesty, even if it’s coming through the lens of pretense. Sanders’s enthusiastic response to their faux conflict also demonstrates how dysfunction, when named and worked through, can feel more truthful than polished avoidance. Though the concept of a fake marriage is inherently absurd, Quinn uses it as a lens to explore how performative roles and unlikely circumstances can become catalysts for genuine self-discovery, revealing that true self-worth often emerges when people must confront the facades they’ve built.


Improv forces authenticity by stripping away scripts, expectations, and control, leaving only the raw, unfiltered self, something Wilder is comfortable with. His comfort with spontaneity and emotional truth highlights a fundamental difference between the two characters, while also serving as a driving force for Scottie’s journey toward shedding her protective masks. His playful storytelling, rather than undermining the experience, creates a portal for emotional experimentation—a kind of therapy through play. Through Wilder’s connection to improv, the novel emphasizes that genuine authenticity arises not from control or perfection. The forced proximity of driving to the marriage retreat marks the beginning of a process that blurs the lines between performance and authenticity as the drive provides an opportunity for them to get to know one another better and discover they share common interests, setting the stage for the possibility of a growing connection during the retreat. Their shared love of Nerd Clusters and dark humor shows that intimacy sometimes begins in the smallest, most unexpected overlaps—clues that the connection forming may be more than an act.


These early chapters lay the groundwork for Scottie’s transformation by exposing the cost of self-erasure and the allure of constructed identities. The contrast between Scottie’s idealized notions of success and the unpredictable, unscripted chaos introduced by Wilder reveals a central tension: whether connection must be earned through performance or discovered through vulnerability. As her lie deepens, so too does the emotional pressure to reconcile who she is with who she pretends to be. What begins as a farce to survive professional alienation becomes an unexpected path toward emotional awakening, suggesting that the truest reinvention is internal, and that freedom begins when the performance ends.

blurred text
blurred text
blurred text

Unlock all 54 pages of this Study Guide

Get in-depth, chapter-by-chapter summaries and analysis from our literary experts.

  • Grasp challenging concepts with clear, comprehensive explanations
  • Revisit key plot points and ideas without rereading the book
  • Share impressive insights in classes and book clubs