20 pages • 40-minute read
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The Spanish Civil War serves a few purposes in this poem. The main purpose is to establish context and scene. By establishing the political preoccupation of his characters, Ginsberg communicates the exact time and situation of his memories. Because of Aunt Rose and her friends’ actions, readers are able to get a clear sense of the things Ginsberg is reminiscing about, and what he laments losing. Readers are able to establish the values Ginsberg is holding on to as he fondly reflects on the actions of the Abraham Lincoln Brigade and other anti-fascist Leftists.
The war also serves a bigger political purpose. Ginsberg highlights his aunt’s actions during the war to try and build support for the Leftist cause. And though he does not mention it, his focus on her actions heavily implies a criticism of America’s inaction at the time. To understand this, it is important not to read this poem in a vacuum. Ginsberg was deeply involved in political action, and his poetry was highly critical of capitalism, fascism, and America. And Ginsberg’s poetry, though often about the past, was chiefly concerned with the present. By recalling a time in the past when America turned a blind eye to the existential issues Ginsberg cared about, he is able to critique what he saw as America’s then contemporary (1950s) dismissal and rejection of those same issues. This symbolism becomes clearer as Ginsberg introduces sickness and the body into the poem, but Ginsberg consistently romanticized the organizing efforts of 1930s Leftists in much of his poetry, including in “Howl” and “Kaddish.” So it is not surprising he does the same thing here.
Ginsberg never shied away from presenting sickness in all its explicit detail. In “Kaddish,” for example, he describes an episode when his mother had diarrhea and was vomiting. In “To Aunt Rose,” the descriptions are not as disturbing as some of those, but again, he is clear and specific with his imagery. Aunt Rose’s sickness ultimately kills her, but Ginsberg almost celebrates it early in the poem; not because it will kill her, but because she persists despite it. He admires her for her strength. Even with her sexual frustration, her “thin face and buck tooth smile” (Line 2), and her physical limitations, she is caring, passionate, and active. She celebrates and dances with Ginsberg’s father when he gets something published, she takes care of Ginsberg with motherly devotion when he gets poison ivy, and she organizes and raises money for the war effort. All while describing these things, Ginsberg focuses on her sickness to give her agency over it and to present a complete picture of who she was.
The way Ginsberg uses her sickness throughout the poem makes the final stanza that much more devastating. Ultimately, despite her strength, her sickness overtakes her, killing her. Ginsberg offers a sort of solemn final word of peace, suggesting she can rest now as the war in Spain has ended, failing to mention that her side lost. But that intentional omission is important because Aunt Rose’s sickness mimics the sickness Ginsberg sees having enveloped the world since the 1930s. The life and energy and love embodied by his aunt has seemingly died with her.
Another common symbol and preoccupation in Ginsberg’s poetry, the human body represents many things. For Ginsberg, the body was something to be celebrated and explored, and he actively worked to release people from the shame society often makes them feel about their bodies. In “Howl,” for example, he famously calls the body and various parts of it holy, echoing Walt Whitman’s “I Sing the Body Electric” (1855).
In “To Aunt Rose,” the body is both explored as it matures, and it is explored as it dies. As Aunt Rose becomes old, sick, and sexually frustrated, Ginsberg comes to understand his own sexuality through puberty and young adulthood. As Aunt Rose’s body dies, Ginsberg, in his other poems at this time, lives in full appreciation and awareness of his body and all the things it can do.
But the body is also representative of America. Aunt Rose’s body is a Great Depression body, beaten and sick and lame. But in the present, this body fades away like a ghost, and Ginsberg, ever conscious of the past, fears the memory of this Great Depression body no longer exists in America’s collective consciousness. The prosperity of the 1950s has led people to forget the struggles of the past, and Ginsberg uses his aunt’s body to exemplify the change that has happened over the preceding decades.



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