51 pages • 1-hour read
L. M. ElliottA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Luck and hope form important motifs in the novel. Henry keeps in his pocket a marble that for him symbolizes good luck. He calls it a cloud, a “one-of-a-kind marble that glass-blowers made from leftover glass” (17). Floating under the surface are “swirls of red and gold” (17). He won the marble in a game with his father, so it symbolizes for him his independence from that harsh figure. It showed that he could survive in spite of his father’s emotional abuse. Henry keeps the marble with him until he decides to give it to Pierre at the time of their parting.
Just a few days after he is shot down, Henry wakes in the bell tower of the schoolhouse where the schoolteacher has offered him shelter, and in the early morning light he sees the fluttering wings of a stork. The spreading white wings, backlit by a halo of light, make the still-awakening airman think it is an angel. When the schoolteacher sees it, he says it must be a good omen, since the stork used to migrate from Africa to nest in his chimney every year, but he has not seen it for two years. He says it as a symbol of hope that it is the beginning of the end for the Nazis—a hope that will be proved correct.
The beauty of nature is another key motif in the text, forming an important contrast with the harshness and ugliness of war. As Henry parachutes to the ground after bailing out, he lands in a melting snowdrift, where “the rose-washed countryside looked oddly serene” (45). When Henry wanders the countryside in great danger after he has killed two Germans, he encounters a “rolling landscape of wheat fields, a checkerboard of bounty in shades of new green and harvest yellow that rippled gently with the breezes.” He lies down, and “yellow-and-black butterflies fluttered above him. Ladybugs and metallic green beetles crawled about. It reminded him of the hayfields at home” (218). Even after he has dug the trench that is supposed to be his grave, he looks up at the sky: “It was a clear, crystalline blue, stretching up forever, with a bright day-moon shining. The autumn air was brisk, invigorating” (265). Such moments of natural harmony speak to the peace, optimism, and beauty that exists in the world, reminding Henry of all that is worth fighting and living for.
Trust is another key motif in the text, as Henry often has to question who is or is not trustworthy while he is on the run. While he is usually trusting by nature, he soon finds out that in German-occupied Europe trust is at a premium. It can mean the difference between life and death. He learns that anyone he meets, even if they seem to be French Resistance members, could turn out to be a collaborator. The working principle becomes: Be cautious in trusting someone you do not know. This first surfaces when Henry is unsure of whether he can trust the man who joins him and the schoolteacher on the boat that is to take them to Basel. He is only reassured when the teacher vouches for the man.
On another occasion, in Grenoble, Henry worries about whether he may trust his two Resistance guides. Later, when he encounters Pierre’s uncle, neither man trusts the other on first meeting. The maquis do not entirely trust Henry at first, not because they think he might voluntarily betray them but because he might give up names and other information if he were captured and tortured. As it turns out, Henry does suffer such a fate, but gives up no information. However, the only reason he is captured is because, on the walk across the Pyrenees, he and his fellow travelers are betrayed by their guide, whom others had warned might not be absolutely trustworthy. Such betrayal is a harsh reminder of how difficult it can be to know who to trust.



Unlock the meaning behind every key symbol & motif
See how recurring imagery, objects, and ideas shape the narrative.