51 pages 1-hour read

Waiting on the Moon: Artists, Poets, Drifters, Grifters, and Goddesses

Nonfiction | Autobiography / Memoir | Adult | Published in 2025

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Part 3Chapter Summaries & Analyses

Part 3: “I Rode This Dream: Where I’m Headed I Can’t Be Sure”

Part 3, Chapter 15 Summary: “The Red Shoes—Dorothy Faye”

During a performance in San Francisco with the J. Geils Band, Peter met Dorothy, a woman who at first seemed too unusual for his taste. She wore a hat so large and low that he could hardly see her face. Dorothy took an interest in Peter because of his music and wanted to get to know him, so she came to Peter’s apartment under the guise of wanting to wait for a friend. Peter then realized he was in the presence of Dorothy Faye Dunaway, and when he saw her without her disguise, he could tell how beautiful she was. Faye and Peter talked for hours about music, film, and their lives, and at the end of the night, she kissed him.


Weeks later, Faye invited Peter to spend the holidays with her and her family in New York. Peter accepted and spent days walking around the city with Faye and nights at her luxury penthouse apartment. In January, Peter and Faye celebrated her birthday in Boston and then went to Spain for the filming of The Three Musketeers. While there, Peter had the chance to meet Christopher Lee. In addition, he witnessed Faye’s occasional dark moods, and at one point she violently pushed a fellow actor whom Peter believed she was jealous of. Peter went into the Mediterranean Sea at one point wearing a bathing suit of Faye’s and stepped on an urchin. He needed immediate care, and it took hours to have the needles removed.


In Paris weeks later, Faye fell into another dark mood and refused to leave the bedroom in the hotel. Peter thought about going home and leaving Faye, unable to bear her unpredictable moods, but when he went to tell her, she changed his mind by inviting him to walk by the river. Afterward, they attended mass at Notre Dame together.

Part 3, Chapter 16 Summary: “It’s Only a Movie—Alfred Hitchcock”

Peter recounts a missed opportunity to potentially create a film soundtrack for Alfred Hitchcock. A friend and well-known agent arranged a meeting with Alfred at his home, and Peter made sure to be early. The man himself greeted Peter and took him to the living room, where they discussed various paintings on Alfred’s wall. Alfred continually offered Peter a drink, but Peter was determined to make a good impression and insisted on having only tea. When he left, he had the strange sense that he had done something wrong. Years later, he found out that Alfred’s wife allowed him to drink only in the afternoons if he drank with a guest. Peter felt like a fool but reminded himself of the Hitchcock quote, “It’s only a movie.”

Part 3, Chapter 17 Summary: “The Deep End—Chinatown”

In 1974, the J. Geils Band toured with ZZ Top, and then Peter went to Bel-Air to spend time with Faye. She was hired to star in Roman Polanski’s Chinatown but was not his or the producer’s first choice for the role. She felt unwelcome during filming and pushed Polanski’s patience as much as she could. At one point, she and Peter went to Polanski’s house to try and work things out with him, but the talk didn’t seem to go anywhere. At one point during filming, Roman Polanski pulled a hair out of Faye’s head because it would not sit in place. She walked off the set, causing drama and chaos. Faye was upset that night and wanted to talk to costar Jack Nicholson about it. She and Peter went to Jack’s house, where Faye disappeared upstairs with Jack and never came down. Peter was sure she was sleeping with him and left to go back to the East Coast.

Part 3, Chapter 18 Summary: “Cambridge Unbound—Robert Lowell and Bill Alfred”

Peter felt more at home and at peace back in Cambridge. He saw an Everly Brothers show and listened to their rehearsal beforehand, during which they played songs by The Beatles. The next day, a friend, William Alfred (a playwright and poet) invited Peter to a dinner, where Peter saw Cal (Robert Lowell), a renowned poet whom Ed Hood first introduced to him. Cal was moody, pensive, and difficult to read. At one point he asked Peter what he considered the great American novel, and after many drinks, Peter couldn’t remember the name “Moby Dick.” Thankfully, William’s house was filled with clocks, and they all chimed at that moment, saving Peter from humiliation. Peter saw Cal several more times throughout his life.

Part 3, Chapter 19 Summary: “Fun for a While—John Lennon and Harry Nilsson”

The Record Plant was a multi-floor recording studio in Manhattan that many well-known musicians of the era used. Peter was there recording an album with the J. Geils Band when he met Harry Nilsson. Harry saw Peter walk by and remarked that he looked like a Ringo wannabe, and Peter made an equally sharp retort. The two men seemed to instantly understand one another, and Harry invited Peter to hear him play in the studio. Afterward, Harry invited Peter to his favorite bar, along with his friend John Lennon. Peter spent a couple of days with the two men both in and out of the studio and found it difficult to keep up with their wit and antics. He indulged in cannabis with them, despite rarely smoking it, and while he had fun, he knew it was something he shouldn’t keep up for long.

Part 3, Chapter 20 Summary: “Faith, Hope, and Charity—Stormy Weather”

Faye came to Boston after the Chinatown filming, and she and Peter made amends. They received a pair of necklaces from a friend that had an anchor with two fish, symbolizing “faith, hope, and charity” (201). Peter accompanied Faye to the set of her next film and spent some time in Hollywood. At one point, he mailed out postcards but unknowingly put them into a prop mailbox on a movie set, and they were never sent. Faye stayed sober for a while, and those times were happy for them both, but Faye started to worry when Peter prepared to go back home. She asked him to marry her, and despite his hesitation, he agreed. The wedding took place at a courthouse and was followed by a lavish party with endless alcohol in supply. After the party, Faye passed out in the limousine, and Peter and the limo driver had to carry her inside. They placed her on the couch, where she lay sleeping and unaware of the world. Peter stared at her and wondered if this was what his life would now be like.

Part 3, Chapter 21 Summary: “No Wine Before Its Time—The Great Exchange”

Peter received a shipment of two cases of fine wines from the record label, but he preferred cheaper wine and called the distributor to exchange it. The distributor was shocked and asked Peter several times if he was serious, but Peter was certain he would rather have more wine than less of it. The two cases of fine wine translated into fifty cases of cheap wine, and Peter was proud of himself. He was also excited to tell Faye about it.

Part 3, Chapter 22 Summary: “Dinner at Eight—George Cukor and Peter Sellers”

Faye spontaneously took Peter to London to meet famed director George Cukor (My Fair Lady), and they spent the evening chatting in the hotel room, eating, and drinking. George remarked on how he found it strange that people fixated on Marilyn Monroe despite the fact that he was never even able to finish his film with her. Later, in the hotel bar, Peter and Faye ran into Peter Sellers, and he invited them to his place. There, Faye asked Sellers to reenact his Dr. Strangelove role, and he happily did so. After several drinks, Sellers insisted on driving Peter and Faye back to their hotel despite their advice that they should take a cab instead. On the road, Sellers did his impression of an “American driver” and drove on the wrong side of the road, nearly crashing into an oncoming car. After dropping off Peter and Faye, Sellers continued his Dr. Strangelove impression as he drove away.

Part 3, Chapter 23 Summary: “Rock-’n’-Roll Circus—The Rolling Stones”

Peter has had a long-time relationship with the Rolling Stones, both professionally and personally. The first time he met them, he was working in a record store in New York, and Brian Jones asked for recommendations on where to buy rhythm and blues albums. In 1971, Peter noticed Mick Jagger at one of his shows, watching the band perform. In 1975, the J. Geils Band performed as an opening act for the Stones in Memphis, and it was the largest crowd they had ever performed for. At the end of the tour, a massive party was thrown, and Peter decided to go to the beach. Faye warned him that he was inebriated and couldn’t swim, but Peter assured her that he would be fine. He went for a short dip and then back to Keith Richards’s room, where he fell asleep in the closet. Panic ensued when no one could locate him and Faye was worried he drowned.


The J. Geils Band went on several more tours with the Stones over the years. In Ireland, Peter drank his first real Guinness with Mick, and Keith Richards was always friendly and welcoming. Peter admires Mick’s discipline and his ability to get up early every day to rehearse. While in Ireland, Peter got to sleep in Slane Castle (which sounded fun but was torturous). For the big concert, a deal was made to prevent any possible Irish Republican Army (IRA) attacks, which were frequent at the time.

Part 3, Chapter 24 Summary: “Reduce, Reduce, Reduce—Julia Child”

Peter used to shop in the same fish market as Julia Child and was friends with the owner. At one point, she invited Peter to a special dinner at Julia Child’s house. Peter knew that Ed Hood was a big fan and couldn’t wait to tell him about it. Julia Child served a special wine created by two of the most prominent wine houses at the time, followed by clam chowder and coleslaw. Afterward, she announced that there wasn’t much for dessert, and everyone was flabbergasted. On the way out, Peter overheard other guests discussing where they should go for dinner.

Part 3, Chapter 25 Summary: “Five O’Clock Angel—Tennessee Williams”

Peter attended the 25th anniversary of A Streetcar Named Desire, starring Faye Dunaway and Jon Voight. He happened to sit next to Tennessee Williams (the playwright) and found it amusing how Tennessee laughed at all the jokes, irritating others in the audience. Peter had several more opportunities to spend time with Tennessee over the years and always found his wry wit entertaining. One of Tennessee’s later plays, The Red Devil Battery Sign, was not as well received as his earlier work. When Peter met up with him years later, he could tell that Tennessee was sullen. Tennessee had recently renounced himself as a ghost of his former talent. Peter had recently divorced Faye, and he and Tennessee found solace in watching the ocean together.

Part 3, Chapter 26 Summary: “Kiss and Say Goodbye—Exeunt”

In 1979, Faye left Peter in Boston and went to New York to stay in their apartment there. Peter went to New York to see his father because he was ill, and called Faye after going to the hospital. Faye seemed unsympathetic and disinterested, and Peter decided to go for a drink. Afterward, he went to the apartment and was told he wasn’t allowed in, so he snuck in the back. His key no longer worked in the lock, so he hurled himself through the door and found Faye with a photographer named Terry O’Neill. Terry ran to the bedroom and locked the door, and Faye yelled at Peter to leave. She tried to fake concern and tell him she would work things out with him, but Peter was already angry. He began smashing Terry’s cameras and lenses and then left. He later attempted to work things out with Faye, but it was hopeless, and they divorced. Months later, Peter walked past Faye and Terry on the street, and they didn’t even notice him.

Part 3 Analysis

One significant symbol in Waiting on the Moon is the silver necklace featuring an anchor and two fish, representing “faith, hope, and charity” (201) and given to Peter and Faye by a close friend. The gift foreshadowed the “stormy waters” ahead for the couple as their relationship became increasingly rocky. Additionally, Peter reflects on the song “I Can’t Help It If I’m Still in Love with You” by Hank Williams, noting, “When I hear Hank Williams sing ‘I Can’t Help It If I’m Still in Love with YOU,’ I am right back on that New York City sidewalk, an invisible observer of the woman I once loved” (242). All these years later, it’s clear that Peter’s relationship with Faye still deeply affects him. Music is another of the memoir’s recurring motifs, and references to John Lennon and the Rolling Stones reveal the profound impact of these artists on Peter’s life and career.


Thematically, The Joys and Pitfalls of Fame weaves throughout the memoir, highlighting the wonders of both fame and the music scene as well as the challenges and dangers of being involved in it. Faye Dunaway’s moods, like Van Morrison’s, reflect the complexities of living in the public eye and the need for a sense of normalcy amid a chaotic life full of expectation. The J. Geils Band similarly grappled with the pressures of fame and wanting to make a name for themselves, struggling to find their place in the spotlight, and dealing with an intensely emotional manager. Peter recounts the excitement of their first show opening for the Rolling Stones in 1975: “When we played our first Stones show, in 1975, my rock-’n’-roll dream came true at last” (218). He also reflects on the rise and fall of Tennessee Williams, who realized that his talent was waning and even publicly commented on both his falling recognition for his work and his not writing the same quality of material he once did. For Peter, meeting Tennessee Williams, who was his childhood hero, left a lasting impression, particularly because of Tennessee’s distinctive sense of humor and kindness.


Peter’s relationships, both romantic and platonic, continue to be central in these chapters, further highlighting Relationships That Define a Person’s Life as a theme. His connection with Faye Dunaway began when she took an interest in him, initially appearing as a mysterious figure he didn’t even recognize but later revealing her more human side. Their bond deepened when she invited him to New York for the holidays; however, their relationship (and eventual marriage) faced challenges, including Faye’s infidelity with Jack Nicholson, which led Peter to question everything. Despite these challenges, Peter attempted reconciliation but came to feel like “an invisible observer of the woman I once loved” (242). Meanwhile, Peter’s long-term friendships with the Rolling Stones, both professionally and personally, helped propel his band’s success. He cherished memorable experiences such as visiting a castle in Ireland, savoring an authentic Guinness, and witnessing the British Invasion firsthand.


Peter’s storytelling is marked by vivid imagery and irony, which help make his experiences relatable and engaging. He adeptly portrays the human side of celebrities, demystifying their public personas. For example, during his encounter with Alfred Hitchcock, Peter declined a drink to maintain propriety, only to find that Hitchcock was disappointed by his refusal. In another instance, Peter humorously recounts mailing postcards to nowhere from Hollywood, highlighting the absurdities of fame. A brief chapter about acquiring 50 cases of wine foreshadows future events as Peter notes his excitement to “show Faye.” Additionally, a dinner at Julia Child’s house turned out to be unexpectedly modest, the host serving only soup and salad, which adds a touch of irony to the narrative.


The memoir represents a culmination of cultural and personal history. Faye Dunaway’s acting career and her relationships with figures like director Roman Polanski and actor Jack Nicholson shed light on her multifaceted life and the complexities of trying to fight for one’s rights amid many powerful players. Peter’s encounters with icons like singer-songwriters John Lennon (of the Beatles), Harry Nilsson, and Prince (whom he notes was once booed off stage early in his career) add depth to the memoir and demonstrate the precarious nature of fame. Prince eventually became one of the top-selling artists of all time, but it took time, effort, and a push for acceptance of his unique style to get there. The inclusion of Julia Child, known for her cooking shows and cookbooks, emphasizes the diverse mixture of personalities Peter engaged with throughout his journey.

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