50 pages 1-hour read

We All Live Here

Fiction | Novel | Adult | Published in 2025

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Chapters 1-11Chapter Summaries & Analyses

Chapter 1 Summary: “Lila”

Content Warning: This section of the guide includes discussion of death and substance use.


Forty-two-year-old Lila Kennedy lives in an old house in London with her stepfather, Bill McKenzie, and two daughters, Celie and Violet. One day, she’s working on unclogging the drain when her agent, Anoushka, calls about her newest manuscript. Lila’s first book, The Rebuild, is about rebuilding a marriage, and she hasn’t had energy to write the “guide to a Happy Single Life” since she and her ex-husband, Dan, split up (4). Dan left Lila for another woman named Marja, with whom he was having an affair. Lila ends the call, promising Anoushka pages soon.


After updating Bill on the plumbing situation, she walks to Violet’s school to pick her up. Outside, she notices another mother named Phillipa exclaiming over Marja’s pregnancy news. Shocked and hurt, Lila pretends to be on a phone call to avoid interacting with them. Finally Violet emerges, and they head home.

Chapter 2 Summary

Lila tries to dismiss her thoughts about Dan and his new life. He left her around the same time her mother, Francesca, was hit by a bus and killed. Ever since, she’s tried to stave off unwanted feelings by taking antidepressants; walking her dog, Truant; listening to music; and smoking marijuana before bed. Meanwhile, she’s dealing with her daughters’ moods and Bill’s fixations on tidiness and healthy food.


Dan calls that evening to talk about the baby. Lila confronts him about prioritizing his new family over their daughters. She abruptly ends the call when she realizes that 16-year-old Celie overheard the conversation. Celie tells Lila that she already knew Dan and Marja were trying for a baby because she found Marja’s prenatal vitamins. Bill deduces what’s going on and tries comforting Lila, but Lila feels guilty because Bill is still grieving Francesca.

Chapter 3 Summary

Lila sits down to write but can only think about The Rebuild and how much Dan hurt her. Then, she looks outside and sees an unfamiliar man in her driveway examining her tree. She races outside and yells at him for trespassing. The man, Jensen, reveals that Bill hired him to help redo the garden.


Lila takes a walk with her best friend, Eleanor, sharing the anecdote about Jensen. Eleanor confronts Lila about being edgy since everything that happened with Dan and suggests that she try having more fun. She shares stories about her own recent sexual adventures, but Lila argues that she isn’t as brave as Eleanor.


Lila comes home to find Bill cooking dinner and a painting of her naked mother in the kitchen. She insists that he can’t display the painting, but Bill argues that they need more photos of Francesca around.

Chapter 4 Summary

The next morning, Celie’s school calls to ask about her whereabouts. Panicking, Lila repeatedly texts Celie and finally tracks her down at a shopping center using the Find My Phone app. Celie doesn’t explain why she skipped school, and Lila doesn’t know what to say until she smells marijuana on her clothes. Celie dismisses Lila’s concern, accusing her of smoking, too. Bill calls, interrupting their conversation. Lila snaps at him, ends the call, and races after an upset Celie.

Chapter 5 Summary

Lila shuts herself in her room and watches her telenovela La Familia Esperanza. She enjoys getting lost in the main character Estella’s world and falls asleep.


Celie gives Lila the silent treatment for three days. Bill reminds Lila that she was like this at that age, too, before changing the conversation to Jensen and the garden. Moving through the house afterward, Lila wonders what she did to upset her life.


Later that week, Lila and Dan get into a phone argument about Dan’s relationship with the girls. Celie doesn’t want to spend time with him that week because of the baby. Dan changes the conversation to finances, revealing that he’ll be paying less in child support in light of the new baby and Marja’s son, Hugo. Outside afterward, Lila chats with Jensen, who reveals that the tree out front is dying and should be removed. Then, Lila’s biological father, Gene, suddenly appears, and Truant attacks and bites him.

Chapter 6 Summary: “Celie”

Celie watches Jensen bandage Gene’s bite while listening to the adults’ conversation. She discovers that Gene, who is a former television actor, is Lila’s father and that he wants to stay with them while he’s in town working on an alleged production.


Dinner is an uncomfortable affair. Bill and Lila seem displeased with Gene, but Gene excitedly talks about his role on Star Squadron Zero years prior. Then, Lila confronts him for skipping Francesca’s funeral. Gene makes excuses and changes the subject to Bill’s painting, instigating an argument. Lila wants Gene to leave, but the girls suggest that he stay. Lila caves.

Chapter 7 Summary: “Lila”

Lila doesn’t like the idea of Gene staying in her office for the night but doesn’t know what else to do. She also feels guilty for upsetting Bill, who’s been in her life since she was seven.

Chapter 8 Summary

Lila takes a walk with Eleanor and tells her about Gene’s arrival. Then, they chat about sex and relationships. Eleanor again encourages Lila to move forward.


On her walk to Violet’s school, Lila mulls over everything that happened with Dan. She feels foolish now that she knows that Dan met Marja outside Violet’s school on the afternoons when he picked up Violet while Lila wrote The Rebuild. She remembers what Eleanor told her about moving forward. Outside the school, an attractive father named Gabriel asks Lila where she got the cinnamon roll she’s holding. She bought it at a local bakery for Violet as a treat because Bill doesn’t allow sweets at home. The two chat for a while before Lila gives Gabriel the pastry for his daughter, Lennie. Her mother recently died, and she’s having a hard time at her new school.


For the rest of the day, Lila feels “little electric shocks of pleasure” while remembering her conversation with Gabriel (81). That evening, she distracts herself from writing by googling Gabriel.


During dinner, Gene shows up at the house drunk. His ex Jane also stops by with boxes that Gene left at her house years ago. Over dinner, Gene and Bill get into an argument and start whipping each other with towels. When Violet gets upset, they pretend that they’re old friends and are just playing. That night, Gene disappears, and Lila assumes that he’s moved out.

Chapter 9 Summary

Lila reports to Anoushka’s office to discuss the manuscript. She encourages Lila to keep writing, promising her a six-figure deal with Regent Publishers. For the rest of the day, Lila obsesses over how to start her new book. Finally, she writes a few thousand words about the end of her marriage. She takes a break to bring Jensen tea in the garden. They chat about landscaping, Bill, and Lila’s family situation. When Jensen tries mentioning something about the shed, Lila tells him off and leaves to pick up Violet. Outside the school, she chats with Gabriel again, opening up about Marja, Dan, and their new baby.


That evening, Lila notices Truant acting strangely in the yard. Worried that they have rats in the shed, she looks inside and discovers Gene. He admits that he’s been staying there for the past few nights. She invites him back inside and texts Jensen an apology.

Chapter 10 Summary

The neighbor Penelope stops over to see Bill. He owns a house nearby but has been gradually moving into Lila’s since Francesca’s death. Ever since, Penelope has been making regular visits.


That evening, Lila confronts Gene about why he’s really in town. He admits that he’s not in a production and that things fell through in California. (He left Francesca and Lila decades prior to pursue acting in the US). He’s also in debt and needs help. Lila reluctantly agrees to let him stay a while longer.

Chapter 11 Summary

Lila is reflecting on passages from The Rebuild when Dan calls to say that he and Marja are considering buying a bigger house in a different neighborhood. They argue until Lila hangs up abruptly. Afterward, she returns to her writing.


Over the following days, Lila’s house feels chaotic. Gene and Bill still aren’t getting along, and Lila is trying to hold things together. She takes a walk with Eleanor one day and vents. That evening, Gabriel texts her to see how she is, having gotten her number off the parent directory. They commiserate over their parenting challenges before saying goodnight.

Chapters 1-11 Analysis

Chapters 1-11 introduce the theme of the Challenges and Rewards of Family Life by focusing on conflicts central to the protagonist Lila Kennedy’s domestic sphere. With the exception of Chapter 6, the entirety of the excerpt follows Lila’s storyline. Her chapters are written from a third-person limited point of view, where the third person narrator renders the narrative world according to Lila’s distinct perspective. This formal technique immerses the reader in Lila’s experience while enacting her estrangement from herself. Lila is a recently single mother of two daughters who is not only living with her grieving stepfather but also processing her mother’s death, trying to write a new book, and struggling to manage her increasingly chaotic home life. This network of familial and domestic complications destabilizes Lila’s sense of self and causes her to question who she is, what she wants, and how she will survive her network of life challenges on her own. Lila loves her family, but since Dan’s affair and their subsequent divorce, she has felt unmoored and alone. Being at home no longer feels like a safe, comforting place where she can be herself and enjoy her family but is instead a realm defined by the unexpected and the contentious. Her dynamics with her loved ones—as well as the added stressors of the plumbing problem, Gene’s unexpected arrival, Bill’s explicit painting, and Jensen’s garden project—create a restless narrative mood, which reflects Lila’s tenuous state of mind.


Lila’s relationship complications establish the novel’s theme of the Search for Love and Companionship. The author uses irony to encapsulate Lila’s recent heartbreak and divorce. Lila’s first major book, The Rebuild, is a personal growth title about working through marital tensions in order to establish healthier patterns with one’s spouse and thus a more sustainable relationship. While Lila was writing this text—which heavily features anecdotes from her seemingly idyllic marriage to Dan—Dan was developing a relationship with Marja. Thus, during “what [Lila] had thought of as three precious months” when Dan was helping balance parenting responsibilities and she was working hard on her “ode” to their marriage (76), Dan was actually involved in an extramarital affair. In We All Live Here, these ironic plot points read as dark humor—a literary technique that functions in service of Lila’s story because she is a writer. She is aware of the intricacies of language and storytelling and thus knows how her own life uncannily satisfies literary models. In spite of the ironically humorous elements of her story, Lila still struggles to make sense of why Dan had an affair and why she is alone in the present and now has to translate her allegedly happy-go-lucky post-divorce life into an inspiring memoir. However, Lila’s life has felt devoid of love, desire, and excitement since the divorce because she has limited her definitions of intimacy to her former marriage. In the aftermath of the divorce, she’s thus compelled toward a quest for healthy connection. Lila feels reluctant to begin this journey, but via her experiences, the novel suggests that all endings—even if heartbreaking—make room for new, loving beginnings.


Eleanor’s conversations with Lila throughout these chapters usher Lila toward Healing, Reconciliation, and Personal Growth. Still reeling from her divorce, Lila feels trapped in a life she didn’t choose. She relies on her friendship with Eleanor in order to both escape her tumultuous home life and orally process her unresolved emotions. Eleanor’s character quickly proves herself to be an archetypal guide: She is a fixture in Lila’s life, listens to her express her feelings, and offers her lucid advice. Indeed, Eleanor doesn’t simply reinforce Lila’s experiences and emotions; she often challenges them. Her point of view offers a counterweight to Lila’s and reveals how Lila needs to grow. In their regular conversations, Eleanor encourages Lila to do things like “have a laugh, get laid, get the softness back around those shoulders,” and “live every day with an open heart and an open mind and see what happens” (30, 75). Eleanor’s history with Lila and investment in her life makes her a trusting confidante (and, in turn, a reliable character). When she challenges Lila’s frustration, confusion, or negativity, she isn’t making a judgment on her life but reminding her that no matter what age she is and what hurt she’s experienced, she is capable of moving beyond it. Eleanor is a peripheral character, but her and Lila’s walking ritual offers Lila grounding in her otherwise tempestuous life. The conversations that the friends have also foreshadow risks that Lila will learn to take as she journeys toward forgiveness, renewal, and growth.

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