We All Live Here

Jojo Moyes

50 pages 1-hour read

Jojo Moyes

We All Live Here

Fiction | Novel | Adult | Published in 2025

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Chapters 12-20Chapter Summaries & Analyses

Chapter 12 Summary: “Celie”

Content Warning: This section of the guide includes discussion of death, bullying, sexual content, and substance use.


At school, Celie watches her friends Meena and China and wonders why they’ve been so cold toward her recently. She remembers when they cut another girl out of their group when they started to think she was weird. She doesn’t understand why the same thing is happening to her but doesn’t want to say anything to anyone at home.


That night, Gene finds Celie lying in her room. When he comments on her pictures of her friends, she admits that they’re not friends anymore. Gene encourages her to talk to Lila about it and then suggests taking her out for a Coke. They spend the afternoon wandering around town together. Lila finally finds them, upset that they didn’t tell her where they were and even more dismayed when she notices a tattoo on Celie’s arm. In her bedroom, Celie reveals to Violet that the tattoo isn’t real.

Chapter 13 Summary: “Lila”

Lila emails Anoushka about her writing progress while working on her first three chapters. She feels proud of herself and excited for other women to read her story.


That afternoon, Lila runs into Dan outside the school. Gabriel texts her later to say how nice she looked and how well she handled seeing Dan. Lila tells Eleanor about the exchange on their walk, and she suggests that Lila ask Gabriel out. She feels hopeful for the next few days until Bill moves his piano into the front hall—evidence that he’s really moving in. Meanwhile, she fields Anoushka’s texts about including sexier stories in her manuscript. She impulsively texts Gabriel about getting a drink.


Lila runs into Jensen in the yard. She’s surprised when he asks how she’s doing. They start chatting about their pasts. Jensen reveals that he had a mental health crisis a few years ago and has been getting therapy since. He shares a quote from Rainer Maria Rilke to encourage her and suggests that they get a drink. Lila admits that she doesn’t drink because of Gene’s drinking habits and asks about his wife. He’s wearing a wedding ring, but he reveals that it was his late father’s.


Lila texts Eleanor about Gabriel’s unresponsiveness while emailing Anoushka about Regent’s potential offer.

Chapter 14 Summary

One day, Gene and Bill get into an argument while Penelope is over because Gene stole Bill’s socks. Lila tries to ignore another of their petty battles but worries that everything is falling apart.

Chapter 15 Summary

Lila writes and rewrites imaginary sexual encounters with imaginary men for her book. She gets frustrated with her attempts, wondering if it’s because she hasn’t had sex in some time.


Lila doesn’t see Gabriel at school that day but runs into Violet’s teacher, Mrs. Tugendhat. She enlists Lila to do the costumes for their upcoming Peter Pan play. Violet races outside and demands to go home because Gene is taking her out. Back at the house, Lila gets another email from Anoushka about her pages. Overwhelmed, she texts Jensen about getting a drink.

Chapter 16 Summary

Lila and Jensen go out for drinks. Lila starts with a Diet Coke and immediately tells Jensen that they’re not on a date. They banter and joke before talking more openly about their lives. Lila shares more about her former marriage and divorce until Violet calls, demanding that Lila come home. Bill and Gene got into a fight, and Gene fell and injured himself. Jensen drives Lila back.

Chapter 17 Summary

Lila takes Gene to the hospital for an exam and painkillers. Back at the house, Gene and Bill start fighting again. Lila interrupts them, demanding that they “let go of the past” (173), and then leaves again with Jensen. Lila wants an alcoholic drink, so they stop at the liquor store before heading to Jensen’s. Jensen forgot his keys, so they go to Bill’s carpentry workshop instead. They spend the evening drinking and talking. Jensen opens up about his bad relationship with his ex, Irina, and subsequent mental health crisis. Unsure what to say, Lila kisses him. They make out and engage in sexual foreplay and oral sex.

Chapter 18 Summary: “Celie”

The next morning, Celie runs into Lila in the hallway and sees that she’s wearing the same outfit as last night. Gene emerges, and they both scold Lila for staying out all night.

Chapter 19 Summary: “Lila”

After their workout class, Lila and Eleanor chat about Lila’s night with Jensen. She can’t “quite articulate to Eleanor” what happened but admits that she enjoyed herself even if Jensen isn’t her usual type (187). Afterward, Lila discovers a text from Gabriel. He apologizes for taking so long to respond and agrees that it’d be nice to go out sometime.


Over the following days, Lila’s house changes. Gene and Bill start to get along, and the girls are more helpful. Meanwhile, Lila starts writing about her night with Jensen for her book and continues texting Gabriel. She enjoys his attention and hopes that they’ll meet up soon.


Lila tells Eleanor about her exchanges with Gabriel on their walk. Eleanor encourages her not to give up on him even if he seems busy. When Lila returns home, Gene is teasing Bill about Penelope and encouraging him to ask her out. Lila seconds the plan.

Chapter 20 Summary: “Celie”

Celie lies in bed with Truant. He’s been her only comfort since her friends abandoned her. Gene comes in and urges her to tell him why she’s upset. Finally, he gets her to accompany him and Truant on a walk. At the park, Celie opens up about Meena and China’s unkindness. Gene insists that she has to act like it doesn’t bother her and shows her how to change her body language. Celie imitates him, and they both laugh.

Chapters 12-20 Analysis

Over the course of Chapters 12-20, Lila begins to take active steps toward Healing, Reconciliation, and Personal Growth. When Lila lets herself get frustrated with Bill and Gene’s fighting, Bill’s particularities, Gene’s unpredictability, and her daughters’ moods, she is less able to focus on her own growth. Once she stops fixating on these domestic frustrations, she creates room for herself that in turn creates opportunities for new experiences and personal evolution. Her constant communication with Anoushka about her manuscript and her regular interactions with Eleanor urge her to prioritize her own needs so that she can move beyond her heartbreak, focus on her writing, and enjoy life again.


Lila’s attempts to navigate the Challenges and Rewards of Family Life coincide with her personal growth journey and her Search for Love and Companionship. These chapters focus on Lila’s evolving dynamics with Gabriel and Jensen—each of which conveys Lila’s desire to experience new things and rediscover herself in the context of intimate relationships. Lila also receives pressure from her agent to incorporate more explicit sexual encounters into her new book and from Eleanor to branch out of her insular domestic sphere. Lila worries that she can’t accomplish these things because her familial responsibilities have dampened her sense of possibility and freedom. At the same time, Anoushka’s and Eleanor’s encouragement compels Lila to take control of her life as a single mother and create new experiences for herself. “I am a mature woman capable of asking for what she wants,” she reminds herself as she texts Gabriel about meeting up for a drink; “It’s just a drink, not a big deal whatsoever” (142). Lila’s internal monologue conveys her simultaneous insecurity and longing for self-empowerment. While she doesn’t go out with Gabriel in this section, she does communicate with him. Their texts illustrate Lila opening herself to intimacy. The same is true of Jensen. They share vulnerable conversations in the garden, at the pub, and in Bill’s workshop. They also become physically intimate—a scene that represents Lila embracing her own desire and pleasure. Specifically, Jensen performs oral sex on Lila, showing that she is receiving attention from another person in a way that prioritizes her needs. These dynamics capture Lila’s attempts to balance her personal and familial needs and to seek out intimate connection for the first time since the divorce.


Bill and Gene’s evolving dynamic nuances the novel’s explorations of the challenges and rewards of family life. When Gene originally shows up on Lila’s doorstep, his presence is disruptive. He and Bill don’t get along because they were both married to Francesca. Gene is envious of Bill’s long-time relationship with her, and Bill resents Gene for hurting his late wife and threatening Lila’s and her daughters’ peace of mind. Their constant battles—be they about meal plans, pianos, paintings, crushes, or socks—further disrupt Lila’s already tumultuous home life:


Every interaction between her two fathers, Lila has noticed, has lately morphed into a battle situation with a winner and a loser. […] But she only has limited sympathy because it’s like living with two particularly recalcitrant toddlers. And if she challenges them, they will inevitably deny that there is a problem (152).


However, when Lila does finally confront them about their fighting, Bill and Gene start to get along. Over the weeks, their relationship evolves from a rivalry into a peaceable acquaintanceship. Their altered dynamic in turn changes the atmosphere of Lila’s home and proves that she and her family can live happily together. The same is true of Gene’s individual evolution, too. Gene stops spending all his time moping around and drinking and starts investing in his granddaughters’ lives. He and Celie particularly begin to bond—a connection that exemplifies the rewards of family life. Celie doesn’t feel like she can go to Lila or Bill with her school troubles, but Gene offers her a friendly face and even helps her combat the bullying she’s experiencing. In these ways, Lila’s family begins to help one another. They embrace a more communal dynamic and start shouldering life’s challenges as a unit.


Positive changes in Lila’s home life grant her more space to invest in her writing—progress that symbolizes Lila’s attempts at personal growth. When she finds success in her writing, she feels more grounded and proud of herself. After all, “[t]his is her chance to claw back her narrative, to speak for all the women who have been left, who are trying to keep their remaining family afloat amid a series of catastrophic decisions and choices” (136). Lila’s writing progress shows her expressing herself authentically in a medium that she enjoys and thus represents her journey toward reconciliation and renewal.

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