49 pages 1-hour read

When the Going Was Good: An Editor's Adventures During the Last Golden Age of Magazines

Nonfiction | Autobiography / Memoir | Adult | Published in 2025

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Chapters 1-4Chapter Summaries & Analyses

Chapter 1 Summary: “One Big Scoop and a Wedding”

Long-time Vanity Fair editor Graydon Carter describes an experience that could have arguably ruined his editorial career. In May 2005, he was on his way back to New York from his honeymoon in the Bahamas when his new wife Anna got a call from David Friend. David was one of Carter’s Vanity Fair deputies. He informed Carter that his story on the identity of “Deep Throat”—the alias given to the informant who helped journalists Bob Woodward and Carl Bernstein report on Watergate—had just been released; already the magazine was fielding calls. Carter had been working on this story for some time but had put it out of his mind due to his wedding. Via his research, Carter learned that Deep Throat was a now elderly man named Mark Felt. He also discovered that Bob and Carl weren’t planning to reveal Felt’s identity until after his death; Carl was writing a book on the issue. Both Carl and Bob were disappointed when they saw Carl’s story. However, Carter argues that Bob and Carl’s grace towards him kept him from a potentially ruinous situation.

Chapter 2 Summary: “Bitter Winters and a Lot of Hockey”

Carter describes his childhood in Canada. Although he was bright, he holds that he was an average child. He did okay in school but was never ambitious or a dreamer. However, he did dream of living in New York, working as a magazine editor, marrying someone he loved, and having a big family. He has accomplished all of these things since.


In the 1950s and 1960s, Carter was living primarily in Ottawa with his family. They often moved because his father was in the air force. He was obsessive about saving money, and the Carters often went without. Carter quickly learned to fend for himself. His parents weren’t hard on him, but they were emotionally distant, which he holds was typical of parents during the era. Carter was particularly fascinated by his parents’ outings or bridge nights with friends. Carter thought these humble affairs were glamorous.


In his adolescence and teens, Carter developed a love of reading, music, and movies. When he was 16, he found a copy of Mayfair—the English equivalent of Playboy—and hid it under his bed. This was his introduction to magazines. Not long later, he brought the magazine to camp when he was working as a counselor. He let the boys in his charge each have one photo from the issue. However, before an inspection, Carter confiscated the pages and burned them.

Chapter 3 Summary: “A Lineman for the Railroad”

Carter continues to detail his young adult experiences. After high school, Carter wasn’t sure what he should do next. His parents encouraged him to get a job with the Canadian National Railway—a common occupation at the time. With the help of his aunt (who had a job with the railway), he secured a spot on a crew mending the telephone lines. He took a train to Winnipeg and joined his new team. It was freezing, conditions were trying, and the work was challenging. However, Carter made friends during his six months on the team. Finally one day, he saw a train pass and noticed the glamorous passengers inside; he immediately realized that he wanted to be riding inside the train instead of working on it.

Chapter 4 Summary: “A College Magazine to the Rescue”

Carter details his experiences after returning home from his railway job. He got back to Ottawa too late “to begin college in the fall” and “went looking for work” (47). Still unsure what he wanted do, Carter found a government job. The position required him to pay federal employees on a consultant basis. Here he met Bob Hixt, another consultant about Carter’s age. The two didn’t have much guidance or work to do and spent their days goofing off and feigning professionalism. However, Carter did help to write a report on employee payments using the office’s new computer system. This was his biggest contribution.


After leaving the consultant job, Carter tentatively pursued a career in architecture with the help of his childhood friend’s father (who was also an architect). Carter could draw but didn’t have a mind for math or engineering. He gave up on this dream and enrolled at the University of Ottawa. While there, he joined the literary and poetry magazine’s editorial team almost by happenstance. Carter immediately felt inspired by the work and developed new ideas to expand the publication’s reach. During this time, he met and married Marie Williams. (This relationship wouldn’t last, as Carter’s commitment to the magazine kept him away from home.) Meanwhile, he devoted himself to developing the Review. He dropped the poetry portion and tried to narrow the publication’s focus. He spent three years editing the Review, but barely attended class. He was less interested in academia but was proud of the Review’s growing reach. However, the wider their reach, the less money they made. He and his team soon decided to sell The Canadian Review to Saturday Night. The only thing that Carter took with him when he left the magazine was an old Royal Bank of Canada calendar, which he still has. He has carried it with him from his job at “Time, to Life, to Spy, to The New York Observer, to Vanity Fair, and to where [he is] now, Air Mail” (56).

Chapters 1-4 Analysis

In the opening chapters of When the Going Was Good, Graydon Carter uses a conversational tone and narrative style to introduce his early life and foray into print journalism. Focusing primarily on Carter’s childhood, adolescence, and young adulthood, Chapters 1-4 establish The Entanglement of Success, Celebrity, and Power. For Carter, none of these was a defining factor of his coming of age in Ontario, Canada nor his early sense of self. The way that he describes himself in Chapter 2 is self-deprecating and humble. His “self-portrait” also implies that Carter never fancied himself a high-powered individual driven by money or fame when he was seeking out a defined direction for his life:


I was decent at sports, but nobody would have ever called me a jock. I read everything I could get my hands on, but nobody would have ever called me a scholar. I was clever, but nobody would have ever called me a brainiac. I was reasonably good-looking and could talk to girls and make them laugh, but nobody would have ever called me a Casanova. I had dreams, but nobody would have ever called me ambitious (13).


Carter’s use of parallel structure and anaphora effects an honest, open, and witty tone while foreshadowing Carter’s impromptu rise to celebrity. While he does later claim that he always dreamed of living in New York City and working for a magazine, the above passage implies that Carter never imagined the esteemed career and life he’d someday lead. Success, celebrity, and power came gradually to him, but would eventually define his life once he made it into the world of print journalism.


Carter includes a series of images and anecdotal scenes that he identifies as turning points in his vocational trajectory. These moments include his fascination with his parents’ parties, his discovery of Mayfair magazine, his observation of the glamorous couple on the train, and the calendar he kept as a memento of his first editing job with The Canadian Review. As a child, Carter says that he remembers “looking over the banister and seeing my parents and [their friends] dancing this new dance. I thought it all was the most glamorous existence in the world” (25). He attached glamour to his parents’ gatherings because he (although unconsciously at the time) aspired to a more decadent lifestyle. He later became attached to Mayfair because he liked the feel of the magazine pages and the secret, illicit content they contained. He was moved by the couple on the train because they represented the more comfortable life he wanted instead of the difficult one he was leading. He kept the calendar from The Canadian Review because it symbolized the formative nature of this first magazine gig. Such anecdotal details serve as early “mile markers” along Carter’s journey towards the Vanity Fair editor-in-chief position. These details also humanize Carter by immersing the reader in the texture and mood of his life before success and fame.


Carter’s descriptions of his time at The Canadian Review introduce Carter’s examinations of The Evolution of Print Journalism in the Digital Era. Carter was working on the Review in the 1970s—20 years prior to the dot-com boom. His editorial work was therefore entirely analogue, and he outlines some of the radical differences between the work of making a magazine then and now. To shape and develop the Review, Carter used “classic typefaces and an ornate border. In those days, covers were often set in hot type, the antique process where individual letters are placed in troughs on printers’ plates”; and because there “were no computers,” the writing and layouts were all done by hand, too (50). Carter’s detailed depictions of his editorial work in this era are in immediate contrast with digital journalism in the mid 21st century. Therefore, his focus on the analogue aspects of the industry in Chapter 4 foreshadows how Carter’s work with magazines will evolve as technology develops.

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