70 pages 2-hour read

Whiskey Tender

Nonfiction | Autobiography / Memoir | Adult | Published in 2024

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Part 2Chapter Summaries & Analyses

Part 2, Chapter 8 Summary

Content Warning: This section of the guide includes discussion of racism, death, child death, and substance use.


Taffa dreams that she is strapped into a chair on a space shuttle. She holds hands with a stranger as they disembark and are greeted with a welcome ceremony. People from numerous Indigenous nations pound drums and dance together. When she looks up, she sees Earth through the glass ceiling, and part of the planet explodes. Taffa tries to pull her hand away, insisting that she has to go home. Instead, the stranger pulls her toward the dancers. Taffa feels afraid; she looks down, and her hand is wrinkled like an old woman’s.

Part 2, Chapter 9 Summary: “Crowned (1977)”

Out of 22 students in Taffa’s new second-grade classroom, she was one of three Indigenous children. Taffa didn’t like Cherie, a Ute girl, from the moment she met her, but Robert, a Navajo boy, interested her. When she told her father about him, he reminded her to call him Diné; he had learned from his Navajo coworkers that this was their original tribal name. One day in class, a boy called Billy was solving math problems on the blackboard. When the teacher became impatient, Billy began hyperventilating, turning white and then blue. The teacher panicked, but Robert ran to the class bins, found a brown paper sack, and held it over Billy’s mouth until his breathing normalized.


Taffa admired Robert’s confidence on the softball field, but in class, she was “embarrassed” by him. He struggled with reading aloud, and Taffa felt that this undermined her mission to prove to her teacher that “Indian kids were smart” (101). Her father told them that they “had to exceed expectations if [they] wanted to rise above [their] circumstances” (101). Some of her classmates lived in houses that were “fancier than anything [Taffa had] ever seen” (101), and she noticed how her teacher treated these children differently. She was determined to win her teacher over, and she could out-read most children in her class. However, after Robert saved Billy, she worried that he would become the teacher’s “favorite Native student” (102). When she told her father about the incident, he told her that Robert had “more street smarts” and that “full-blood kids” were “spunky” (102). There was an “admiration” in his voice that bothered Taffa, partly because she agreed that the “full-blood kids” she knew were “cool and capable” (102).


There were other forces contributing to the “tension” that Taffa felt at school and home. A few months before the Jacksons moved to Farmington, three white teenagers had tortured and killed three Navajo men. Despite the brutal nature of the crime, the boys were tried as minors and given light sentences. Protesters gathered for seven weekends in a row until the city stopped issuing permits, claiming that the marchers would interfere with the upcoming annual sheriff’s posse parade. The protestors showed up anyway, and the police responded with teargas, inciting a riot. Farmington became known across the country as “the Selma, Alabama, of the Southwest” (104). Lorraine and Edmond were privately panicked. Although Taffa didn’t know about the racial unrest in Farmington, she sensed her parents’ fear and understood that Farmington was “haunted.”


The day after Robert saved Billy, Taffa did so well reading in class that her teacher asked her and another girl to recite the poem “Paul Revere’s Ride” by Henry Wadsworth Longfellow at an event commemorating revolutionary battles. Taffa was proud and excited. Outside at recess, she watched Robert play kickball until a girl called Nicole came to sit beside her. They played together until they saw an Indigenous couple walking past the school. Taffa could tell that they’d been drinking, but they were “jolly” and greeted her. Before she could say anything else, her teacher snatched her away, shouting at the couple to leave her alone. As they went back inside, Nicole muttered about “drunk Indians.” Taffa was confused. The couple reminded her of her aunts and uncles and “seemed fine,” but she realized that her teacher saw them as “dangerous” (108). She remembered the commentator during the baseball game calling the protesters “animals” and felt “embarrassed,” not knowing that “this slur said more about mainstream society than it did about [Indigenous people]” (108). Her resolve to make her teacher respect her and become an “anomaly” doubled.


The next day, Edmond brought home a beautiful purebred Dalmatian, Sadie, that he was dog-sitting. Taffa, who desperately wanted a dog, played with Sadie nonstop. When her sisters complained that Sadie was “ugly,” Taffa scoffed at how they knew nothing about the dog’s “lineage and class” (109). She wasn’t “a mutt” like Taffa and her sisters, and she was even allowed in the house “because she was well behaved and special” (109), unlike the dogs that Taffa had known on the reservation.


The next week, Taffa’s class was abuzz at learning that they would be in a class play called “From Colony to Country, America.” Each student was assigned “an Early American role” (110); Robert would play the “Indian,” but Taffa would wear a gold crown representing England. Another girl, Julie, would play America and wear a red, white, and blue headband. As their teacher announced this to the class, Robert met Taffa’s eyes, and she didn’t understand “why he was frowning with disappointment” (111). When she rushed home to share the news with Sadie, she discovered that her father had taken the dog back to her owner. The following week, Nicole asked Taffa about her part in the play, announcing that her grandmother, who was also a teacher at Sacred Heart, “said it doesn’t make any sense for an Indian to wear that crown” (112).


The night of the play, Taffa recited her line loudly, as she had been taught. Afterward, Robert’s father shook hands with Edmond, who congratulated Robert on his role as a “farmer.” As the family left, Taffa saw Robert’s father talking to his son. He seemed “angry,” and Taffa worried that Robert was in trouble for mumbling his lines. She often got the feeling that Robert was “wiser” than her, as if “he had been initiated into the adult world with a secret code [she] still didn’t have” (114).


That weekend, Sadie escaped from her owner and showed up at the Jacksons’ house 30 miles away. Taffa knew that they couldn’t keep the dog, but she took Sadie’s return as “a sign that [she] was as noble as [the dog]” (114). Sadie knew that Taffa “had the beauty and talent to rise above [her] half-breed status” and “do great things” (114).

Part 2, Chapter 10 Summary: “First Funeral (1978)”

In third grade, Taffa’s teacher announced that her class would sing at a funeral mass. Most of the children had never been to a funeral before, but their teacher said they shouldn’t be sheltered from death. She told them about her little sister, who burned to death when they were young. While many of the children began to cry, Taffa didn’t. At first, she was proud of her composure, but when she noticed her teacher looking at her, she worried that she revealed “the Native side of [her]” (116), showing her teacher that she was different from her classmates.


On the day of the funeral, Taffa worked hard to follow the Sisters’ rules and prove that she “was devoted and trying to conquer” her “feral side” (117). When it was her turn to take Communion, she watched the dead man’s widow shaking with repressed sobs until she noticed one of the Sisters “frowning” at her. Back in her pew, Taffa “prayed to be worthy, respectable, and clean” (119).


The next week, the Jacksons received news that Edmond’s brother, Johnny, and his wife had drowned after their car flipped off the bridge that connected Yuma to the reservation. The family packed up and headed home. They missed the first part of the ceremony, in which the family burned all of Uncle Johnny’s possessions, but they arrived in time for mass and the second part of the keruk funeral ceremony. The priest sent them on their way “grimly” after mass, and the family made their way to the tribal cemetery, where the Cry House and cremation grounds were located. Johnny and his wife’s “waterlogged” bodies were laid out in the Cry House, and the family spent the day with the bodies.


Later, men danced and sang in Quechan, and women accompanied them, holding bundles of clothes representing each deceased member of the family. Late in the night, the people who were not as close to the deceased cried loudly in unison to help the others with their grief. The ceremony would continue all night, but eventually, Lorraine decided that it was time for the children to go to bed and led them off despite their complaints. Taffa knew that her mother was “challenged” by Edmond’s traditions, but she didn’t understand why. She felt more connected to her father’s customs, which seemed “more meaningful” than Lorraine’s, and she worried that her mother “resented the fact [that she] loved his customs more” (125).


Early the next morning, the bodies were placed on the funeral pyre alongside gifts from the mourners. The pyre was lit, and everyone returned to the house. That night, the family gathered at Uncle Gene’s house. Aunt Vi said that Johnny should have left the reservation, but Edmond didn’t believe that it would have made a difference. Taffa didn’t understand the specifics of her personal and communal history, but she intuited that Johnny and Gene saw their poverty and life on the reservation “as an act of resistance” (126).


When Taffa returned to school, her teacher made her stand in front of the class and explain what happened to her uncle. It was an attempt “to elicit shame,” and Taffa felt like crying, but she kept it inside because she had learned that “the howling was beautiful” and felt that her teacher “did not deserve to see” (127).

Part 2, Chapter 11 Summary: “Pancake Alley (1979)”

For fourth grade, Taffa was assigned Mrs. Toronto, her classmate Nicole’s grandmother. Mrs. Toronto had a reputation for being strict, but she wasn’t a nun, and Taffa thought she might be less “moralizing.” However, it soon became clear that Mrs. Toronto’s “brand of racism was even worse than the nun’s proselytizing suspicions” (129). When she accused Taffa of cheating on a math test, she realized that the teacher wanted to see her fail. She worried about how her parents would react, as they counted on their daughters to show the world that they “weren’t loser Indians” (136).


Over the weekend, Taffa became so nervous about the grade that she made herself sick. When her mother finally asked what was wrong, she couldn’t bring herself to tell the truth. Instead, she told her about an incident the year before when a Mexican girl in her class had been spanked in front of everyone after being caught in the playground tunnel with a boy. The girl was so upset by the punishment that she wet herself. Lorraine soothed her daughter, assuring her that “[o]nly the worst kids get paddled like that,” but Taffa was frustrated that her mother “[blamed] the girl instead of [her] puritanical teacher” (138).


Monday included parent-teacher conferences at Sacred Heart, and Taffa waited for her mother with her father and sisters at their favorite diner. As they waited, a Navajo woman approached them, selling jewelry. She spoke to them in Diné and didn’t give up when Edmond spoke English back. Taffa noticed how her father was sometimes “awkward” around “more traditional Navajos” (130). The Navajo reservation was large and “imposing” with its lively culture and numerous traditions. Edmond’s Quechan ancestors were “simpler.” In part driven by the tribe’s emphasis on the icama dreams, the tribe had little interest in material possessions or maintaining oral histories, but this lack of visible tradition sometimes made Edmond feel “diminished by Navajo culture” (132). When the waitress began to suspect that the jewelry vendor was bothering Edmond and signaled to her manager, he quickly changed his mind about buying her jewelry and assured the manager that nothing was wrong.


Lorraine arrived, furious. She had grown up poor and dependent on the charity of Catholic nuns, and defending her daughter in the parent-teacher conference felt like “losing progress.” Edmond was angry because he felt that they “had sacrificed everything” to give their children better opportunities, but Lorraine was upset because she feared that Taffa’s “dark skin and lies might drag [them] down and reflect poorly on the family” (141). Taffa began to understand that her mother “had an inferiority complex with whites like Dad did with Navajos,” and she “donned both versions of this oppression,” making her “nervous” and unsure of where she truly belonged (141).

Part 2, Chapter 12 Summary: “Boarding School (1980)”

During the summers, Edmond coached his daughters’ tee ball and softball teams. The Jacksons had dominated the baseball field for generations, and Taffa felt proud of her family’s “tough reputation.” However, she hated the pressure of playing. The family had bought a new home, and Lorraine’s mother, Grandma Mary, came to stay with Annie and Kathy, Lorraine’s youngest sisters. Kathy had a Hispanic boyfriend and referred to herself as Chicana. Soon, Taffa realized that her aunt Kathy was pregnant; she was staying with the Jacksons to avoid the scandal of being an unmarried Catholic mother in Yuma.


Meanwhile, Joan was graduating eighth grade, and the nuns announced that Sacred Heart was closing its high school due to a lack of funds. Lorraine and Edmond were among the parents who gathered to protest the decision. They were determined not to send their daughters to public school, but the best the nuns could do was recommend a Catholic boarding school in Cañon City, Colorado. Taffa was frightened by “the idea of a fragmented family” (150), but her father insisted on maintaining “a focus on learning and an obsession with mainstream schools” (150). Edmond’s grandmother Ethel’s aunt, Sarah, was ostracized from the family for performing under the stage name “Indian Princess” in the 1800s, but she used her earnings to open a school for Paiute children. Her school operated for only two years, and Sarah “died just as poor and discouraged as any other Native person working for change in her generation” (151), but she instilled the importance of education in her family. Taffa didn’t know then about her aunt Sarah’s story, and her parents’ insistence on education made her feel as if they “were trying to live vicariously through [their children]” (152).


In one of her doctor’s visits, Aunt Kathy learned that her baby no longer had a heartbeat. She was induced and gave birth to a stillborn baby boy. Kathy was devastated; she believed that her baby couldn’t go to heaven because he hadn’t been baptized. Taffa felt for the first time a “righteous anger toward the Church” (156). The baby was buried in Farmington, and Kathy went back to Yuma with Grandma Mary.


Meanwhile, Joan’s departure date was looming. Upset that her sister was leaving, Taffa decided to get back at her parents by throwing her softball game. Once the team started losing and Edmond realized what was happening, Taffa shouted at him that he was mad because she wasn’t as good of a softball player as Joan. To her surprise, he agreed to let her quit, and Taffa never played softball again.

Part 2 Analysis

Part 2 details not just Taffa’s dawning sense of self during the family’s first few years in Farmington but also her deepening awareness of the racial, social, and cultural forces shaping her reality. The move caused Taffa to lose her “perspective” and “sense of both past and future” by separating her from her community, culture, and extended family (93). These chapters examine the theme of Coming of Age and the Search for Belonging: In Farmington, Taffa felt out of place, and she became aware of how the different aspects of her identity interacted with and conflicted with one another. Unlike in Yuma, where her cultural belonging was unquestioned, in Farmington, she found herself navigating a world where her racial identity was scrutinized by those around her. She struggled with questions of identity, self-worth, and belonging—issues that became more urgent as she faced external pressures to assimilate while simultaneously being judged for not being true to her Indigenous roots.


Farmington is located on the outskirts of the Navajo reservation, so it exposed Taffa to members of other Indigenous tribes and revealed the lack of homogeny among Indigenous Americans. She began to understand that there are distinct traditions, histories, and internal divisions within Indigenous communities. She was surprised to notice that her father was sometimes “awkward” around “more traditional Navajos” at work and in town (130). This discomfort was not rooted in disdain but in Edmond’s awareness of how assimilation had distanced him from Indigenous traditions that others had preserved. With its lively culture and numerous traditions, Edmond sometimes felt “diminished by Navajo culture” (132). However, he still stood in solidarity with Indigenous people. For example, when a Navajo woman approached them in a restaurant selling jewelry, he bought something so that the waitress wouldn’t harass the woman for bothering them. Moments like these underscore the complicated nature of Edmond’s identity. Although he felt inadequately Indigenous in certain contexts, he remained fiercely loyal to his roots. Taffa’s observations of her father’s struggle with identity mirror her own internal conflict, reflecting the theme of The Personal and Collective Journey of Cultural Preservation and Recovery. As she matured, she recognized that neither assimilation nor cultural preservation is a simple choice—both come with personal costs and compromises.


As Taffa became accustomed to life outside of the Yuma reservation, she started to see the racial and social hierarchies that govern society. Some of her white classmates lived in houses that were “fancier” than she could have imagined, and she noticed that the teachers treated these children differently. She started to see the possibilities of wealth and success in a way she couldn’t while surrounded by the reservation’s poverty, and she began to “understand [her] parents’ striving in Yuma” (101). This realization was significant for Taffa because it conveyed the tension between cultural preservation and social mobility, raising the question of whether a person can “rise” in mainstream American society without abandoning Indigenous identity. With this dawning understanding came an increasing awareness of the obstacles that stood in her way. At school, Taffa not only encountered racism for the first time but also learned that there were two different “brands” of discrimination around her, one stemming from religious beliefs and the other from pure racism. This contrast highlights the dual methods of assimilation enforced by colonial structures: forced inclusion under the guise of salvation and forced exclusion through systemic barriers.


As she became more aware of the racial and social hierarchies at play in Farmington, Taffa also became more unsure of her own place in society because of her mixed heritage. She sensed favoritism, even from her own father, toward “full-blood” Indigenous children, who seemed “cool and capable” to Taffa (102). This admiration complicated her understanding of what it meant to be Indigenous—her father associated “Indianness” with an inherent strength and confidence that she lacked. Her mother, meanwhile, had “an inferiority complex with whites” (114), similar to Edmond’s insecurity around Navajos. This mirrors the historical erasure of Lorraine’s genízaro roots—her family’s decision to pass as Hispanic was an act of survival, but it also created generational shame around their Indigenous ancestry. Taffa “donned both versions of this oppression,” making her “nervous” around both white and Indigenous people (141). This tension—between wanting to prove herself in white spaces and feeling insufficient in Indigenous spaces—followed her throughout her childhood and adolescence.


Her subconscious desire for clarity concerning her identity and heritage manifested in a fascination with purebred dogs. She was delighted when her family had the opportunity to pet-sit an elegant Dalmatian. She wasn’t “a mutt,” like Taffa and her sisters, and this status entitled her to special treatment, suggesting that Taffa was unconsciously absorbing colonial notions of blood purity and superiority. This moment foreshadows her later struggles with internalized racism and her quest to “prove” her worth within Indigenous and non-Indigenous communities alike.


No matter how committed Taffa was to tame her “feral side,” some teachers continued to treat her poorly and force her to fail. This realization was pivotal—she began to see that the respectability politics that she was taught to embrace were ultimately designed to keep her striving for approval that she would never fully receive. Furthermore, her whitewashed education contributed to Taffa’s building identity crisis by failing to contextualize the Indigenous students’ real-life experiences and reinforcing a worldview that excluded Taffa’s reality. The play, where she was cast as England while Robert played the “Indian,” underscores the absurdity of forcing Indigenous children to reenact colonial histories that have directly harmed them. This moment reflects the theme of The Effects of Assimilation Policies on Indigenous Identities, as it illustrates how Indigenous children are pressured to internalize colonial narratives that erase or distort their histories. Taffa’s education was not just incomplete—it reinforced settler-colonial ideologies that depict Indigenous people as historical figures rather than living, contemporary communities.


Taffa’s desire to reclaim her Indigenous heritage was sparked when her family returned to the reservation for her uncle Johnny’s funeral. This return to her father’s traditions was transformative, marking a moment where she began to reevaluate the lessons she had absorbed from school and mainstream American society. Earlier in the year, she attended a Catholic funeral with her class for the first time. At the Catholic funeral, Taffa was struck by the widow in the front row, shaking with repressed sobs. It seemed unnatural and “scary to see anyone shaking and fighting their own body” (119). At her uncle’s funeral, however, the mourners wailed loudly and intentionally to process their grief. The raw, unfiltered sorrow at Johnny’s funeral was a revelation for Taffa, showing her that Indigenous traditions did not just exist in history books but were actively lived and deeply meaningful. This moment also served as a counterpoint to her Catholic school education—while Catholicism taught her to suppress emotion and seek respectability, Quechan traditions embrace raw feeling and communal healing. 


When she returned to school, she no longer felt ashamed, even when her teacher made her stand in front of the class to explain that her aunt and uncle died while driving drunk. This forced moment of public humiliation was another attempt at colonial shaming—an effort to reinforce stereotypes and force Indigenous students to internalize them. However, instead of submitting to it, Taffa silently asserted her cultural pride. She went from “[praying] to be worthy, respectable, and clean” to understanding that “the Native side of [her], the howling, dry desert […] inside [her] chest” was beautiful and valuable (119, 116). By the end of the events described in this section, her attitude had noticeably shifted. She no longer strove to be the “model Native” who proved white society wrong; instead, she recognized the limitations of assimilation and began actively reclaiming her identity. This resistance is evident in how she stood up to her father’s decision to send Joan away to school, as well as in her own act of rebellion—quitting baseball. Rather than seeking white validation, she started to define success on her own terms.

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