56 pages • 1-hour read
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Content Warning: This section of the guide includes discussion of suicidal ideation, death by suicide, child death, sexual content, mental illness, and animal death.
The next day, Rowan does chores with the rest of the household. After dinner, Rowan, Orly, and Raff go down to the beach to bring Fen dinner. Down on the beach are the remains of metal barrels that 19th-century hunters used to boil penguins to render their fat. Rowan tells the children that she wants to destroy the barrels. Rowan and the children work together to dismantle the barrels and use the scrap metal to build a giant penguin statue.
Later, Rowan goes to the tool shed to return the tools she used to make the statue. The shed door is open, and she sees Dom opening a trapdoor. After he leaves, she investigates. Under the trapdoor, she finds Hank’s cell phone and passport.
Orly talks about how the mangrove seed changes its buoyancy to propagate. It floats horizontally when it is traveling down the river and vertically when it senses that it is somewhere nutrient-rich so that it can lodge in the soil and set down roots.
Dom reflects on how bonded his wife was with his first two children, Raff and Fen. Claire died soon after the birth of Orly. It was then that Dom realized that Claire had needed to learn how to care for a newborn; it wasn’t an innate maternal knowledge with which she was born.
Dom is in bed with Orly and asks him what the wind tells him. Orly tells Dom that the creatures are “saying [they] tried to fix something that can’t be fixed. Not without loss” (148), referring to the penguin statue.
The next morning, at breakfast, Dom notices that Rowan seems suspicious of him. While they eat, Orly announces that he wants to move to Tasmania after they leave the island. Afterward, Rowan and Orly go for a walk. Raff asks Dom if they are “really not gonna tell” Rowan (150).
Rowan and Orly go to the laboratory. Rowan looks for and finds luminol, a chemical used to identify blood and other human secretions. As they are walking back to the house, Orly spots whales offshore. Raff is going to record the whale sounds, and Rowan goes with him. After he finishes his recording, Rowan asks Raff to take her to the seed vault to assess the concrete damage. Rowan notes that the damage is worse than she originally realized.
Because it is late, Raff and Rowan spend the night in the huts at the scientific base. Rowan and Raff talk about his anger and his need to learn a better way to control it. That night, Rowan sprays the luminol on the floor of the blue hut and sees it light up. She tells Raff that it is blood.
Fen is on the beach keeping watch for Raff and Rowan’s return. While she waits, she tries on her mother’s rings and scarf, which she took from her father’s closet.
Dom goes to the beach when Raff and Rowan do not return. He keeps watch with Fen all night. While they keep watch, Fen encourages Dom to “let [Claire] go” (165). After sunrise, Orly joins them and tells Dom that Rowan was looking for a chemical to “detect copper and iron” (166).
Eventually, the group sees Raff and Rowan in the distance offshore, but they stop before they get to the beach.
Rowan wonders if the Salts killed Hank. While she ponders, Raff stops to look at a humpback whale and her calf. He wants to record her whale song. After a minute, the humpback dives and then leaps out of the water next to the small boat. It is going to land on top of them.
Before the whale falls on him, Raff thinks about his mother and decides this is a decent way to die.
Onshore, Dom notices that the whale seems to notice the small boat before she lands, twisting her body out of the way.
Rowan is thrown into the water and spots Raff, whose arm is hurt. She swims to him and then drags him back to shore. Onshore, the family takes them both to the hospital in the scientific base. As Rowan sleeps, she dreams of her brother, River.
Raff’s wrist is hurt and swollen. The whole group sleeps on camp beds in the hospital while Raff and Rowan recover.
Sometime later, Rowan wakes. She is alone with Dom. She tells him that she was dreaming about her younger brother, River. When he was a young child, she was meant to be looking after him on the houseboat when he drowned. Following Rowan’s admission, she and Dom kiss. Rowan is shocked and walks outside.
Dom is moved by learning that Rowan’s brother died and how she endured the loss.
The group goes back to the lighthouse. Raff thinks his injury is just a sprain, not a break. Rowan and Raff talk about how Dom does not want to leave the island. Raff feels guilty for thinking of his mother and not his father in the moments before he thought he was about to die.
Rowan and Raff make a fire in the fireplace. Rowan cleans her injuries and thinks the deepest wound may not “ever fully heal” (181). In bed, Rowan feels Claire’s presence and tells Claire she “can’t protect” the Salts from their actions.
Orly notes that most plants are food but that some, like the pitcher plant, are carnivores. There are pitcher plant seeds in the vault.
Rowan hikes out to a spot on the island where she heard Orly telling the voices in the wind that the Salts would not go.
As she walks, she thinks about sifting through the ashes of her burned home with Hank. Hank was devastated by the loss of all his possessions. Suddenly, he told her he was planning on taking the job on Shearwater because there was no need for him to stay if she didn’t want to have children. She was shocked. Rowan cried for all the life lost in the fire.
Rowan arrives at her destination, which she believes is Hank’s grave.
Dom notices that Rowan is gone. When she returns for supplies, including a shovel, Dom follows her. He sees her digging where the grave is. He stops her and continues digging himself. When they reach the body, Dom pulls the sheet away from its face, and Rowan asks who it is.
Alex came to Shearwater Island to be with his older brother, Tom, whom he adored. Tom was a climate change scientist who studied extreme weather. Alex studied seals with the knowledge that it would allow him to spend time with his brother. However, Alex was much less experienced than the other scientists on Shearwater, which made him feel like an outsider until he met Raff.
Raff told Alex that someone once hanged themselves from the fuel tanks. Alex told Raff that a group of humpback whales once defended a gray whale calf’s body from a group of attacking orcas, arguing that this showed whales have empathy.
Alex wanted to do something special for Raff’s 18th birthday. He planned for the two of them to spend the night together in a green hut that was officially off-limits because of the rising sea water. Tom told Alex not to go because there was a large storm coming in, but Alex ignored the warning.
That night, the storm was raging. Tom and his girlfriend, Naija, took a Zodiac out to the hut to warn Alex and Raff. Alex and Raff headed back to shore in their Zodiac, but Tom and Naija’s Zodiac was swamped by a wave, and they drowned. Later, Dom and Raff recovered and buried their bodies. Alex was devastated by the guilt and contemplated dying by suicide.
Dom recounts the story of Tom and Naija’s death to Rowan. He explains that Alex ultimately died by suicide out of guilt. Dom then says that he has Hank’s phone and passport because Hank left them behind when he left the island with the other evacuating scientists; Hank was experiencing psychosis at the time. Rowan believes him and assumes the blood on the floor of the hut was Alex’s.
Dom and Rowan return to one of the huts on the scientific base. Dom tells her he is going for a swim to clean off the dirt from the digging. Rowan joins him. They return to the hut to warm up and dry off. Dom kisses her again, and they have sex. Afterward, Dom admits that he does not want to leave the island. They spend the night together. Dom asks why Rowan and Hank did not have any children. Rowan admits that the real reason is that she felt it was “too dangerous.” Dom tells her that toward the end of his stay, Hank “wanted to destroy things” (203). Rowan is not sure if her marriage to Hank is over and points out that Dom’s marriage to Claire isn’t really over either.
Dom decides there is no future for himself and Rowan because she doesn’t want children, and he has three. He remembers waking one morning to Raff and Fen standing over a baby Orly, marveling at his first smile.
Rowan points out the concrete damage in the seed vault to Dom. They decide to make a serious effort to repair the wall. As they walk back to the lighthouse, Dom wonders if he could be with Rowan if he truly let Claire go.
Fen sees Rowan and Dom kissing on their way back to the lighthouse. She resolves to do something to help Dom let go of Claire, so she takes all of Claire’s belongings out of her father’s closet, builds a large bonfire, and burns all of Claire’s things.
Dom notices that Claire’s things are missing. Raff tells him that Fen has been taking them. Dom says that they are all going down to the beach to eat dinner with Fen.
Dom is shocked when he sees Fen burning all of Claire’s things. Fen tells him she did it to “free” him, and he begins to weep. Rowan sends the children to the boathouse while she comforts Dom. Raff instead goes to the communications building and smashes his beloved hydrophone. Later, he reflects that Rowan is right; he needs to get better at managing his anger.
Rowan is able to save Claire’s annotated copy of Jane Eyre from the fire, and she gives it to Dom.
The next morning, Rowan and the Salt family work together to repair the concrete in the vault. Rowan is still skeptical that the wall will hold, so she has the children work to sort and pack the seed containers for shipping. They only have the freezer in the lighthouse to preserve the seeds in, so Hank’s list of seeds to save will have to be reduced even further. Orly is in charge of identifying which seeds to keep. Rowan feels bad for having to put so much responsibility on Orly, the most knowledgeable botanist of the group, to make these decisions.
Orly talks about a “dinosaur tree” called a Wollemi pine that was believed to have gone extinct 2 million years ago. However, a ranger in New South Wales, Australia, found a stand of these trees. Their location was kept a secret to preserve them. During a “megafire,” a group of firefighters was sent to this secret location to protect these trees. There are Wollemi pine seeds in the vault, but they are not marked to be saved.
The Salts have two weeks left before the ship arrives. Rowan decides to organize a dinner party to improve morale. While dinner is cooking, Rowan trims her shaved hair using her clippers. Fen asks Rowan to shave her head as well, and Rowan agrees. Then, they have a feast. The family relaxes around each other. The children tell Rowan they want to return to her land and help her rebuild her home. Rowan is touched. After dinner, everyone goes outside. Raff plays violin for the family, and they all dance. Rowan feels as if “the hungry ghosts” of the island are dancing with them (222).
Dom reflects that they need to leave this island so that he can stop holding his children “hostage” and let them become their own people. He is deeply touched by all Rowan has done for him and the children.
Later, Dom and the children are warming themselves by the fireplace. Fen gives him Claire’s three wedding rings, which she saved from the bonfire. Dom says each of the children should get one of the rings.
Though Wild Dark Shore critiques colonial-era treatment of wildlife, it replicates some colonial beliefs about the frontier, land ownership, and a pristine, untouched wilderness without Indigenous people. This is a common critique of white-led ecological conservation efforts, particularly in Australia (see, for example, Ellen van Holstein and Lesley Head. “Shifting Settler-Colonial Discourses of Environmentalism: Representations of Indigeneity and Migration in Australian Conservation.” Geoforum, vol. 29, Aug. 2018). Author Charlotte McConaghy is white, and all of the characters in the work, except the minor figures of Alex, his brother Tom, and his brother’s girlfriend, Naija, are white as well. Their life on Shearwater Island, while difficult in many ways, also reflects the idealized image of the self-sufficient white settler-colonial homestead. Similarly, Rowan’s reflections about her life and land in the Outback near the Snowy Mountains of New South Wales, Australia, are completely devoid of any people except herself and her husband: The Indigenous residents of that region, the Ngarigo and Wagal peoples, are entirely written out of the narrative.
This narrative move is in keeping with a colonial-era view that preserving wilderness areas requires displacing Indigenous inhabitants. Rowan is only interested in the “plants and trees” and animals found on her land (57); she does not recognize that there may be or have been people who consider “her” land sacred. She describes the place as a “land of [her] own” that she purchased to fulfill her individual dream (53), reflecting a settler-colonial ideal of land ownership as a mode of asserting dominance and agency over a landscape. This omission is more notable given the emphasis on the brushfire that destroyed her home; such fires, though exacerbated by climate change, are a feature of the Australian environment that many Indigenous peoples have managed through controlled burns that also hold cultural significance (Perkins, Miki. “What Is Cultural Burning?” The Sydney Morning Herald, 31 Dec. 2020).
Similarly, in Chapter 27, Orly announces his desire for the family to move to the island of Tasmania after they leave Shearwater. Like Rowan’s attitude toward the Outback, Orly and the family’s view of Tasmania is one completely devoid of Indigenous people; it is a view of Tasmania as a place of pristine wilderness. Orly explains to his father that he wants to go there because of “the diversity of the vegetation” (149); there is no discussion of the people who live there. The novel ends with the Salt family leaving the island to become settlers in Australia, either in the Snowy Mountains or Tasmania, framed as a relocation to somewhere as devoid of human inhabitants as Shearwater Island itself is.
A key theme that emerges in this section of the novel is the Interconnectivity of Life and Death, manifesting both as the circle of life and as the sacrifices people are forced to make to preserve life. The notion that new life requires death is most clearly articulated by Orly, who states that the plants’ “main function on the planet, aside from creating oxygen,” is to “feed life” by being consumed (182). However, he notes, some plants are carnivorous; they “refuse to be prey” (182). In this way, life and death are intricately connected throughout ecosystems. (The pitcher plant is also a symbolic reference to the way Hank “traps” and preys on Fen.) The notion of sacrifice of one life for another is highlighted through the story of Alex and his brother. Tom and Naija risk their lives to warn Alex and Raff about the dangers of the storm and die as a result. However, the guilt Alex feels about his brother’s death leads him to die by suicide, revealing further interconnections between destruction and renewal.
Both strands of this theme are united in the life of Orly and the death of his mother. As is revealed at the end of the novel, Orly’s mother risked her own life so that he might live: Her death and her sacrifice gave him life. Dominic is weighed down by the consequences of the role he played in this decision, his guilt about his wife’s death mirroring Alex’s guilt about his brother’s death. As he reflects later in the book, “I have never been able to grieve for her simply or purely because I have always had to contend with my own shame, my own responsibility, and the idea of the choice I made between the two of them” (283). Although Alex does not articulate his feelings about his brother’s death in his single point-of-view chapter, it is implied that a similar mix of shame and guilt drove him to die by suicide.



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