59 pages • 1-hour read
Donna EverhartA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes descriptions of gender discrimination, sexual violence, rape, ableism, mental illness, disordered eating, child sexual abuse, pregnancy termination, cursing, illness, and physical and emotional abuse.
Dr. Graham’s updates to Baker regarding Stella make the superintendent suspicious. Her gut tells her to investigate, so she does. Stella is much improved, and Baker asks the nurse for more detail. In his report to Baker, the doctor did not mention the infection or the force-feeding. When Baker finds out, she is incensed by his barbarism. However, she is pleased to learn that Ruth’s cooking assisted Stella’s recovery. Baker can do nothing to punish Dr. Graham without the board’s approval, but she goes to see him in his office. When she confronts him, he tells her that he’s the expert and knows more than she does; furthermore, Dr. Greene agreed with him. Dr. Graham suggests that the board will not listen to her, pointing out that she hasn’t gotten the funding she’s requested. Baker is forced to let the matter drop.
Next, she addresses Maynard, who participated in the force-feeding. Baker tries to be polite, but Maynard name-drops Dr. Woodall, the chairman of the board, who is also her personal friend. Baker has been wondering when Maynard would play that card. Maynard mentions an upcoming dinner party at the Woodalls’, but Baker hasn’t been invited and ignores her. She sees that this meeting, too, is a lost cause.
Ruth is getting some fresh air because the Neosalvaran has made her weak . A taxi arrives, and she recognizes her mother approaching the building. She runs toward her mother as Baker steps outside. Baker cautions Ruth, who tries to quickly tell her mother everything she hasn’t been able to write. However, Baker stops Ruth before she can talk about her time in the solitary confinement of “meditation.” Ruth’s mother notes her changed appearance, and Baker insists that reliable physicians have conducted “positive tests” confirming Ruth’s venereal disease. Baker explains the Chamberlain-Kahn Act and claims that Ruth is leading her mother astray with inaccuracies about the Colony. Baker says it is common for “[w]omen of a promiscuous nature” (166) to hide their behavior from their families. When Baker labels Ruth a “danger to society” (167), Ruth can see her mother beginning to doubt. Mrs. Foster doesn’t know what to think and reflects on Ruth’s father’s beliefs about unmarried women living independently. Finally, convinced by Baker’s words, Mrs. Foster backs down.
After her mother leaves, Ruth tells the other residents what happened. She says that they’ll never be free of this place and cites the many times Lucy has been returned to the Colony. Lucy compares being here to wearing “that scarlet letter” (171).
Maynard takes Ruth to Baker’s office, where Baker promises to allow Ruth to continue in her current role in the kitchen if she will agree to write a letter that describes how the Colony is helping her to turn her life around. Ruth asks what will happen if she refuses. Baker implies that she’ll return to meditation. Ruth has until tomorrow evening to give Maynard her letter. When Ruth returns to the kitchen, she is grateful for the presence of her friends there.
Stella returns to the laundry, explaining to Lucy she had an infection from her operation. Lucy asks about the operation, and Stella says she had a tumor. Lucy knows this is not why Stella had surgery, but she doesn’t correct the girl. Stella had thought that Baker was in charge, but now she realizes that the doctors can do whatever they want because they are men. When Stella finds an undergarment stained with menstrual blood, she recalls that she hasn’t had her “monthly” since before the “predicament” that landed her here. Baker comes, telling Lucy that Stella will no longer work in the laundry.
Stella follows Baker, who walks with a limp. Baker explains that her limp came about when she misbehaved as a child and paid for it. Baker says that she and Stella are alike, that they have both made “significant mistakes” and have paid a “permanent price” (179). Stella doesn’t understand. Baker says that Stella is special. She gives the girl pencil and paper, and Stella writes her letter. Afterward, Baker plans to have Stella help Frances a few hours a day; Stella will spend the rest of her time in the kitchen. Stella is so happy that she’ll get to work with Ruth. Baker tells Stella to report any rule infractions she witnesses there, and Stella’s guilt returns.
Ruth does not turn in a letter, enraging Baker. In Baker’s mind, Ruth resembles the type of woman that her husband liked: the very type she is now trying to reform at the Colony. Maynard arrives with Dillard, the other housemother, and alerts Baker that Lucy is missing. Baker questions Ruth and tells her to come to her office after breakfast tomorrow.
The next day, Baker tells the nurse to come to her office to take Ruth’s blood for her next round of testing. Baker can see that Ruth’s appearance has changed; this makes her happy. She says that until Ruth’s tests return, Ruth will be in quarantine. Maynard protests, as this is not the protocol for someone with demerits, but Baker watches as the nurse takes Ruth’s blood. Baker tells Ruth that she is starting over at day one; she has a clean record, with no history of running off. Baker tells Maynard to give Ruth a task that will occupy her and keep her away from others.
Ruth was not brave enough to escape with Lucy, but now she regrets it. Lucy promised Ruth that she would tell a man she knows on the outside what is really happening at the Colony; she promised to tell him to look for Ruth. Lucy wouldn’t tell Ruth what the man does, but she promised that he is smart. This gave Ruth hope.
Now, Maynard assigns Ruth to varnish the hallway floors, and when the other women see her, they are disappointed that she won’t be cooking. Frances holds out her hand, and Ruth passes her the rag. Frances inhales deeply, and Ruth panics. Frances obviously likes the high feeling that smelling the varnish gives her. Ruth varnishes the floors for days, learning to enjoy the semi-high that she gets from the fumes. When her test results come back, Baker tells her that they are positive but won’t let her see them.
Stella and Frances sit in a small room. Stella tries to get Frances to talk to her, to no avail. She shows Frances a book about the alphabet, but Frances goes to sleep. After a while, Frances wakes up and walks to the door. She strides outside as Stella follows, complaining that they aren’t supposed to be outdoors. Frances gets to the barbed wire again, and Stella implores her, saying they’ll be whipped or put into meditation if they’re caught. When Frances’s expression changes, Stella could swear that the woman is scheming. Frances goes back inside, and when Stella catches up, Frances has written a neat line of capital and lowercase letters. Stella shows the housemother, but Maynard doesn’t believe that Frances wrote them. When Maynard isn’t paying attention, Frances repeats Stella’s words from earlier in the day. Then she tells Stella not to tell anyone or she’ll bite her. At lunch, Frances sits next to Stella.
Word has gotten out that Ruth refused to write a letter, but Baker cannot understand why the other women respect Ruth. Maynard shows Baker Frances’s paper and accuses Stella of lying to please Baker. Baker compares Stella’s handwritten letter to the letters written on the paper, and the handwriting does not match. Maynard says she was surprised not to see Baker at Dr. Woodall’s dinner party a few nights ago; she tells Baker that the board is now accepting applications for her position. Deciding to deploy her most powerful leverage over Maynard, Baker accuses the woman of enjoying the group punishments, of watching the girls get beaten and even beating them herself. She suggests that Maynard’s husband and Woodall would both find this information distasteful and embarrassing. Baker says that if Maynard speaks against her, she will share what she knows about Maynard’s behavior. Stella arrives, confirming that Frances wrote the letters on the paper. Frances enters next, but when she refuses to say anything, Baker decides that Maynard must be right and that Frances simply is not intelligent enough to write. Baker is glad that Frances will not be able to bear children, as they would have her same deficiencies. However, she is disappointed to think that Stella must have lied to her.
As the abusive tactics of the Colony unfold, Everhart injects pointed imagery in several key passages to illustrate the contrast between who the incarcerated women truly are and who society forces them to be. Baker’s own innate cruelty is illustrated by the fact that when she looks out her office window, she finds contentment in the sight of the women toiling in the field below. However, in one particular moment, “the sun breaks through the clouds and sets [the women] aglow, as if God finds them […] a wholesome lot radiating golden purity like angels” (124). Then, when Mr. Lumley yells at someone,” the “vision” of angelic women “warps back into reality and they’re restored to their dull, wrecked, ordinary selves” (124). The simile comparing the women to angels emphasizes the innocence of the women—even those like Lucy, who may act as though they are “guilty” of something. Everhard employs this pointed contrast to show that these women are struggling to survive a system that has blamed them for society’s problems and scapegoated them for men’s lack of sexual self-control. The passage showers compassion on the residents but implicitly passes judgment upon Baker, whose instinctive scorn for her charges proves that she does not have their best interests at heart. This particular scene emphasizes the widespread prevalence of State Power as a Tool of Misogynistic Oppression, making it clear that Baker is complicit in defending a system that has inflicted physical and emotional scars on her as well.
The second such passage echoes the first, and it also shows how individuals are indoctrinated into the disapproving attitude shared by those who run institutions such as the Colony. For example, on Stella’s last day in the laundry, she leaves for Baker’s office and glances behind her to see Lucy hanging clothes on the line, “the sunlight shining over her in such a way it reminds Stella of a painting she once saw […]. It was […] called Hanging out Linen […], and she deems [Lucy] pretty until the sun goes behind a cloud, turning the scene before her dreary” (177-78). Once again, the presence of sunlight brings out the beauty in one of the incarcerated women, but it is also telling that Stella’s perception echoes that of Baker; just like the superintendent, the girl can no longer see the beauty in Lucy once the cloud blocks the sunlight, so she assumes that her vision was a momentary illusion rather than a quick glimpse of truth. The scene also subtly reinforces Stella’s sense of superiority; she believes that Lucy, unlike herself, is irredeemable, thereby sharing Baker’s summary judgment of the incarcerated women. The passage emphasizes Baker’s influence on Stella, who revels in the special treatment that she receives from Baker. Again, Everhart’s tone toward Lucy is kindly and understanding, while her tone toward Stella is more matter-of-fact. The scene ultimately suggests that Stella’s own perspective is emblematic of the internalized misogyny that afflicts many women who become complicit within the very systems that oppress them.
The inherent oppression of this system is also made explicit when Lucy makes an allusion to Nathaniel Hawthorne’s The Scarlet Letter as she is discussing the current predicament with the other residents. When Ruth says that the women will never be able to escape the Colony because someone will always be watching them, Lucy says, “You ask me, we might as well be wearing something like that scarlet letter” (171). To make the connection even clearer, Everhart has Ruth summarize the plot of Hawthorne’s novel and recount how the protagonist Hester Prynne’s Puritan community forces her to wear a red letter “A” pinned to her dress. This symbol is meant to be a sign of shame over the fact that she has become pregnant when her husband had been missing for over a year. When Hester stands on the scaffold with her baby, wearing her “A,” the sunlight shines down on her, reflecting off her dark hair to make it look like a halo. Just as Hawthorne uses the sunlight to highlight Hester’s beauty and innocence, which fades the longer she wears the letter, Everhart details a similar deterioration in the fact that the women at the Colony grow dull and lose the vibrancy of their complexions and the brightness of their eyes in the midst of Baker and the doctors’ inhumane treatment. As Lucy points out, though it has been several hundred years since the time of the Puritans, society operates in much the same way as it did, and “Ruth snorts in agreement” (171). With this pointed literary allusion, Everhart draws upon a well-known story to challenge The Patriarchal Construction of “Good” and “Bad” Femininity, and the women’s sense of kinship with Hester also emphasizes their understanding of Female Solidarity as a Form of Rebellion. By relating to Hester’s plight and voicing these convictions in a group, they fight back in some small way against the invisible bonds that tie them to this inhumane facility.



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