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Laverne Cox writes that she is used to putting on protective armor. As a trans Hollywood star, she has experienced physical and verbal abuse from the public. Cox tells a story about vulnerability. After surgery, she went to the pharmacy to pick up a prescription. She was anxious and she could not walk as quickly as she normally does. She was aware that her vulnerability meant that she could easily be put into danger. While leaving the pharmacy, a woman greeted her and misgendered her. This was triggering for Cox; being misgendered is usually the beginning of a violent confrontation.
Cox’s family members were no strangers to violence. Her great-grandfather was jailed for feeding his family with a dead cow he encountered on the road. He was forced into indentured servitude, and Cox’s grandfather was enslaved on a plantation for years after emancipation. Her mother was emotionally abusive. Cox looks at her ancestors with understanding and compassion. She sees how the damage that was caused to them by white supremacy led them to hurt others. Even Cox finds herself struggling with internalized transphobia. Cox argues that conversations about racial justice must be enveloped by conversations about shame.
Jessica J. Williams writes about learning to surrender. While writing, she learned to surrender to the words on the page; sometimes she did not even know how she felt until she read what she had written. When Williams was sexually assaulted in graduate school, she had even more learn to about surrender. She was angry and frustrated that her story had been hijacked by someone else, and she did not know where to begin to heal. Everyone around her wanted her to stop talking about her experience, to “get over it.” But therapy and valuable relationships with others taught Williams to value and acknowledge her experience and to surrender to the process.
Williams’s journey with trauma leads her to change her approach as an educator. She works with students of color to seek justice against faculty and administration who had mistreated them, and she gives herself time off to care for her mental health. Williams was ultimately asked to resign, and she recognizes that she was challenging the racist structures of higher education. Surrendering to the process and honoring her experiences gave Williams the strength she needed to keep moving forward and to produce beauty and knowledge.
Aiko D. Bethea attended an all-white gifted school as a young girl, and she was keenly aware how everyone saw her: poor and Black. Bethea explains that to be Black and a woman means that others will always inflict specific ideologies upon her identity: “When you’re seen, you’re seen as everything that a white supremacist society associates with being a Black woman: poor, uneducated, promiscuous, unattractive, sassy, loud. You walk into every room at a deficit” (180). Bethea suggests that people have four specific responses to these outside perceptions: assimilation, fighting by wielding shame as a weapon, hiding, and living wholeheartedly. The first three responses are examples of using armor for protection.
Marginalized people may react to their unacceptance within white culture by seeking to fit into that culture through academic and professional credentials, beauty, etc. Therefore, worthiness is associated with who can be the most white-like. Another reaction is through toughness and nonconformity which utilize anger and judgment. Reacting by hiding isolates the individual from their own strength and worth. Bethea promotes shame resilience and living wholeheartedly as a reaction that empowers and heals. She identifies tools of shame resilience, like creativity, naming, community, learner mindset, and connection.
Imani Perry draws attention to the ways Black people have vulnerability forced upon them, leaving them exposed to greater risk. This forced vulnerability, often physical, differs from emotional vulnerability. Perry suggests that Black mothers face unique challenges with forced vulnerability. Because empathy is often controlled by white supremacy, the humanity of Black mothers is ignored. Black women work extremely hard to maintain their own success while caring for their children; when one of these elements of their lives suffers, they are made to feel ashamed for not being enough.
Perry argues that Black women are subject to contradictory messages. They are told to break structural and oppressive cycles with their children while repeatedly being told that they must be strong and not vulnerable. They are criticized for how well they care for others while given no space or time to care for themselves. Their experiences are separated from context. Perry shows how vulnerability can help women, but she acknowledges that vulnerability is continual work.
Tarana Burke writes the final essay in the anthology, and she structures it as a letter to her younger self, which functions as an extension of empathy to herself. When she was younger, Burke tried to adhere to the expectations of white supremacist culture: she was the good girl and smart girl. But the burden of living up to others’ ideas of who she was became too heavy to carry. Burke looks at her child self with compassion. When staying at a friend’s house, her friend’s father asked her for a goodnight kiss, igniting a trauma response. By middle school, she learned to stuff down her emotions and experiences. She also learned to speak negatively toward herself. Each new strategy revealed the same problem. She could not contain all she was bottling up inside.
Burke kept pushing away her needs and emotions, even while helping others. She promised herself that she would seek treatment for anxiety but never did. She believed that her ability to hide her struggles was indicative of her strength. In her letter, Burke reminds herself of the hard work she did to unpack the trauma that she worked so hard to tuck away. She then acknowledges the work that still must be done. Burke, who has devoted her life to the liberation and healing of others, reminds herself that she must also bring liberation and healing to herself.
Writer and poet Audre Lorde wrote, “For the master’s tools will never dismantle the master’s house. They may allow us to temporarily beat him at his own game, but they will never enable us to bring about genuine change” (Lorde, Audre. “The Master’s Tools Will Never Dismantle the Master’s House,” 1979). In this section, the writers cast aside the tools and mechanisms given to them by white supremacy, tools sold with the lie that they will empower the marginalized to destroy racist structures. Laverne Cox reminds readers that much of the work that must be done to dismantle white supremacy must begin within Black communities. She shows how racism has pervaded Black culture, turning people of color against one another. Perry reveals how Black women and mothers are held to impossible standards, and how they uphold these expectations within their own communities. Lorde’s reference to the master’s tools describes the way that the culture of white supremacy pervades Black communities and convinces Black people that the tools of racism, such as shame and violence, can and should be used to destroy the system that they are designed to support.
Bethea continues this idea as she details the four ways individuals react to the The Trauma of Racism and White Supremacy. She argues that three of the four ways in which Black people react to racial trauma are rooted in white supremacist structures. According to Bethea, hiding, fighting, and assimilating are all ways in which white supremacy maintains itself, and they are tools of racism. By hiding, white supremacy is able to continue unchecked, because pretending that racial injustice and violence does not exist allows it to grow. Fighting requires fighting shame with shame, and this technique isolates the individual. Betha writes, “The goal is to cut off expectations of acceptance and connection by intentionally disconnecting and mitigating the feeling of exclusion and being judged” (182). Assimilation means associating worthiness with whiteness. The whiter a person can seem, the more worthy they believe themselves to be. However, white supremacist culture will never accept Black people, and assimilation is merely a tool to keep Black people from growing and embracing their own voices.
Bethea argues that shame resilience is the lifelong, difficult work that dismantles white supremacy, and the tool of those who wish to eradicate racism and shame. Tarana Burke writes a letter to her younger self in the final chapter, recalling Deran Young’s use of the Ghanaian term sankofa. She looks back and carries her wisdom forward. She extends herself grace for the times when she clung to shame, and she admires the work she has done thus far, while reminding herself that there is still work to be done. She carries the wisdom of her earlier experiences into the future work that she must pursue while confronting The Nature of Shame.
Imani Perry writes to herself and other vulnerable mothers in Chapter 19. She exposes how Black mothers are some of the last to experience Empowerment Through Empathy. They are held to contradictory expectations that are impossible for them to satisfy fully. Perry despises the statistics that prove that Black women are more likely to die than other women from childbirth, obesity, and sexually transmitted diseases. Black women, she explains, look at themselves with cruelty rather than love. She states that Black women need to be seen; they need empathy and understanding, as well as advocacy and support, for the unique pressures and destructive forces of white supremacy that try to dictate their lives.
In her chapter, Burke also exemplifies the theme Empowerment Through Empathy. She adds a new dimension to the theme by showing how important it is to extend empathy toward oneself. Burke uses “we” when talking to her younger self, and this collective pronoun indicates how she sees the various versions of herself, but also how she extends empathy toward herself. Burke looks back at the various versions of her younger self—a small girl characterized by trauma, a middle school girl who embraced secrecy and a false sense of strength, and a woman who always put the needs of others before her own. These were women who did the best they could with the tools they had to work with. Burke looks back at her younger self and says, “Me too.”



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