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Content Warning: This section of the guide contains cursing.
Naomi wakes up the next morning fully committed to winning the break-off-the-engagement game. She digs her ex-boyfriend’s hoodie out of her closet and applies excessive makeup, knowing Nicholas will hate both. Next, she calls Deborah, pressing for the phone numbers of the florist and bakery who are taking care of the wedding, gleefully enjoying the woman’s increasing irritation at the idea of her plans being thwarted.
Sunday night, Naomi wears her ex-boyfriend’s hoodie to dinner with Nicholas’s family. She notices a bouquet of roses in the backseat of the car, and though she knows they are for his mom, she thanks him for the flowers. Nicholas argues Naomi told him she didn’t want flowers and that impractical gifts are pointless. Naomi thinks this is ironic because he named a star after his mother for her birthday, adding that if the universe explodes her last thought would be, “Ha ha, there goes your fucking star, you bitch!” (61). When they get to his parents’ house, Nicholas and Naomi glare at each other until his mom opens the door. Then, they pretend to love each other.
The house is full of relics (like a TV from the 1970s) and is meant to invoke a sense of the past when children respected adults without question. Deborah greets Naomi with frigid passive aggressiveness, which Naomi meets with an overkill of exuberance. Deborah calls out the couple for not sending out their wedding invitations. Both Nicholas and Naomi realize they don’t have to send out the invitations, and they glare each other down in a silent challenge.
Over a dinner of veal that Naomi hates, Nicholas and Naomi have a barely disguised argument about how little they have sex and, when they do, how neither satisfies the other. The discussion circles back around to the wedding. Naomi casually drops the idea of Nicholas taking her last name. Deborah rejects the idea because Nicholas wants his children to have his name, to which Naomi responds they aren’t having children because “[she] lost [her] uterus in a Ponzi scheme” (77).
At home, the argument continues. Nicholas rages about how Naomi never supports him and is holding him back from the life he wants, with a house in nature and time to enjoy the outdoors. Nicholas flips a coin to determine whether they start living his way or keep going as they are. Instead of revealing the results, he storms to their bedroom and locks Naomi out. Naomi feels like she should be upset, but instead, she feels better, realizing, “We’ve been together for almost two years, and this is our first real fight” (84).
At the Junk Yard the next morning, someone delivers several bouquets to Naomi. The card is blank, but she knows they’re from Nicholas. Melissa says the flowers look like oleander, which is poisonous, and the group spends the rest of the afternoon frantically researching the flowers to figure out if they’re going to die. Brandy insists that Naomi break up with Nicholas because he’s clearly murderous, but Naomi refuses, determined to face him. Zach burns the flowers while the others scrub the shop with bleach. Afterward, they play games and forget about the incident.
Later, Nicholas texts Naomi to ask if she got the flowers. She tells him she burned them because she didn’t want a bunch of poisonous oleander plants. Nicholas says they were jasmine, adding that burning oleander would kill her because they’re poisonous. Naomi is sure he’s trying to show off his knowledge and ignores him. Even so, she wants to feel good about the flowers because they are so pretty, but she can’t. She knows he only got them out of a sense of obligation, making it “an empty gesture, a dark condemnation” (96).
On Naomi’s next day off, Nicholas doesn’t go to work either, though he spends the day out of the house. Naomi enjoys her time alone until her employer calls. The Junk Yard can’t afford to stay open, and everyone, including Naomi, is being let go in a few weeks. When Nicholas comes home, he doesn’t tell Naomi where he’s been and asks what she made for dinner. When Naomi says nothing, he orders pizza for just himself and locks himself in his office.
On Halloween, Naomi puts business cards for Nicholas’s dental office in bags with candy, knowing it will make him look like a terrible dentist. Nicholas arrives home in a Jeep, instead of his fancy car, and he’s wearing jeans, which aren’t allowed at his work. Naomi wants to know where he’s been going and what he’s been doing, but she refuses to give him the satisfaction of asking. At the end of the night, Nicholas says he has a surprise for her that he’ll show her after work on Friday. Naomi goes inside, silently promising herself that “there’s no way [she’s] coming home Friday after work” (108).
When Friday comes, Brandy insists Naomi keep in touch so Brandy knows she’s alive. Leon wants to buy the Junk Yard and turn it into a restaurant. He’d hire Naomi and Brandy, but not Zach and Melissa, and while Naomi loves the idea, she knows it won’t happen. Right before closing, Nicholas arrives, wearing hiking clothes in camo colors.
Nicholas bundles Naomi into the Jeep, and she wonders if someone else took over his brain because he’s acting so strangely. In the car, there’s a cup of cold tea (which he never drinks) in one cupholder and his favorite discarded jacket in the back seat—-details that make Naomi unexpectedly jealous because “he just got this car and already there’s a full life he’s lived in here that [she hasn’t] been part of” (116). The surprise is a house out in nature that Nicholas says is their new home.
Naomi’s decision to stop attempting to become the person she believes Nicholas and his family want her to be, even if it means destroying their relationship, kickstarts a battle of wills between the couple that underscores The Importance of Living Authentically. Naomi’s choice reflects a desire to be loved and accepted as her true self rather than trying and failing to live up to the expectations of others. Her belief that Nicholas has been goading her into canceling the wedding motivates her to fight back and stand up for herself. As Naomi begins to fight for what she wants, she gains confidence and a sense of purpose—both things she’d been missing in her life. While her initial purpose is to sabotage her engagement so Nicholas will call off the wedding, embracing her independence eventually facilitates the redemption of their relationship.
Embracing her authentic self allows Naomi to identify and effectively communicate what’s important to her—both to herself and to Nicholas—reinforcing The Destructive Nature of Poor Communication in Romantic Partnerships. As a result of their emotional estrangement, Naomi and Nicholas have gotten into the habit of pretending their lives are perfect in front of other people—for example, at game night in Chapter 3 and Deborah’s house in Chapter 5. However, in both of these scenes, they fail to keep up the façade, signaling the ways that the absence of healthy communication has deteriorated their relationship to the point that keeping up appearances is no longer possible. The argument at home afterward shows both of them genuinely expressing their true feelings, which Hogle positions as a turning point in their relationship. For months, Naomi and Nicholas have hidden behind the façade of their perfect relationship, even when they’re alone together, causing both of them to minimize their feelings and desires to maintain the status quo and the illusion that everything is fine. As Naomi reflects, both she and Nicholas “are usually so wary of rocking the boat that they’re maybe eighty percent honest with each other” but, in their fight, they “both dialed it up to one hundred,” positioning conflict as a key part of healthy communication and vulnerability (84).
The house Nicholas buys in this section underscores his ongoing, imperfect attempts to rebuild trust in their relationship, pointing to the novel’s thematic engagement with The Power of Choice Versus Obligation. In Chapters 6 and 7, Nicholas sends Naomi flowers and buys the house out of a heartfelt desire to save their relationship, however, he does so without communicating his intentions honestly to Naomi, preventing her from recognizing his genuine intent. Nicholas sees buying the flowers and house as reflective of his desire to build a life he wants with the woman he loves. By contrast, Naomi sees the decision as Nicholas fulfilling an obligation to appear loving and doting in front of her friends. Because their romantic arc is still very much in progress, Naomi struggles to believe the house is truly theirs rather than his, emphasizing her lingering doubts about Nicholas’s feelings and actions.



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