50 pages 1-hour read

You Deserve Each Other

Fiction | Novel | Adult | Published in 2020

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Symbols & Motifs

“Our” House

The house Nicholas buys for himself and Naomi evolves across the narrative as a symbol of their connection. Nicholas first buys the house without consulting Naomi, hoping to save their relationship. He makes a point of telling Naomi the house is “ours” because he bought it for them, but Naomi initially views the house as “his” since she had no role in the decision—exemplifying The Destructive Nature of Poor Communication in Romantic Partnerships. Naomi doesn’t call him out on the fact that he made this decision on his own, evidencing her struggle to communicate how she feels.


As the narrative progresses, “Our” house serves as a canvas for Naomi’s creativity and aptitude for decorating. When Nicholas first shows her the house, every room takes on a theme in her mind. She expands on each one, wanting a sitting area in the room Nicholas takes as his office, where large windows overlook the scenic pond and forest. Naomi envisions it as a cozy space with a fire crackling in the hearth, a nutcracker on the mantle, and comfortable chairs. When Nicholas installs his large, bulky desk in the room, he unknowingly destroys the mental image Naomi created for the space, but the sense of disconnect in their relationship prevents Naomi from communicating these feelings, fearing her ideas won’t matter to him. When she finally explains her original concept for the room, it marks a huge step in both her individual arc and their arc as a couple. She begins to realize her talents have value and sees the importance of clear communication. Nicholas reorganizes the space so it can be both an office and a sitting room, which represents the two coming back together. Instead of being shoved out of the space, Naomi’s decorative flair is added to the house, making it truly “Our” house.

The Junk Yard

Naomi’s job at the Junk Yard represents a refuge for her—a symbol of The Importance of Living Authentically. In the early portion of the book, Naomi feels diminished at home, both because of Nicholas’s attitude and her own refusal to communicate her feelings. The Junk Yard is the only place she truly feels like herself—it offers Naomi a place where she can experiment with her decorating talents without judgment. After the Junk Yard closes, Naomi is left adrift as she struggles to figure out who she is and what she wants. Without the Junk Yard as a haven, Naomi spends more time at “Our” house, which forces her to readjust her sense of comfort. 


As her relationship with Nicholas starts to rebuild, Naomi feels more comfortable at the house. Thus, while the Junk Yard closing is initially a heartbreaking development, it becomes a necessary part of Naomi’s character arc because it forces her to find ways to feel comfortable at home. Leon’s choice to buy the Junk Yard and renovate it at the end of the book brings Naomi’s character arc full circle. At the beginning of the book, the Junk Yard is her only place of refuge because it helps her feel like an individual. At the end of her character arc, the Junk Yard’s continuation symbolizes her happiness because, like Nicholas’s love, she gets it back.

The Wedding

Nicholas and Naomi’s wedding provides an ongoing source of tension in the novel that emphasizes Hogle’s thematic exploration of The Power of Choice Versus Obligation. From Chapter 1, Naomi makes it clear that she feels obligated to go through with the wedding. The time she’s invested in the relationship, coupled with the inconvenience of divesting from Nicholas, makes calling off the wedding feel like more work than it’s worth—and Naomi justifies her decision by figuring she won’t be more miserable as Nicholas’s wife than she’s been as his fiancée. 


The wedding also serves as the nexus of the conflict between Naomi and Deborah. Deborah’s need for control allows her to justify taking over the wedding plans. In the process, she takes advantage of Nicholas’s loyalty and bulldozes Naomi’s desires, thus driving Naomi and Nicholas further apart. Naomi’s choice to stand up to Deborah inspires Nicholas to do the same, and their joint force allows them to overcome the influence Deborah has on their relationship. Without Deborah looming over them, Nicholas and Naomi can finally realize that the wedding has become a source of contention because they both let Deborah use it as a weapon against them. Throwing away the wedding invitations in Chapter 21 marks the completion of Nicholas and Naomi’s relationship arc. Eliminating this final representation of Deborah’s influence means they regain control over the wedding, which makes the marriage a choice, rather than an obligation, for both of them.

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