48 pages • 1-hour read
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Nina is a complex character. She acts as a foil to the community of the Nashville elite, illuminating their snobbery and elitism with her compassion. She is a dynamic character, as she changes over the course of the novel.
At the beginning of the story, Nina is part of the rich, elite community. Initially, Nina feels as though she has to hide her Cartier watch from her best friend Julie, who finds extravagant displays of wealth “obscene.” At this point in the text, Nina does not consciously feel as though she needs to be ashamed of her lifestyle, but the act of hiding the watch implies otherwise. She is attracted to Kirk in part for his wealth, and willingly goes along with the wealthy community’s social norms to better her status. The first half of the novel illustrates just how much Nina chooses to ignore the problematic aspects of her community, such as the constant lying and using of money to better one’s social standing.
As the novel progresses, Nina starts to discover that her values are different from her husband’s. She struggles with her son’s actions, and places what is right above his comfort. She puts Finch’s future at Princeton on the line rather than pay his way out of trouble, demonstrating her character development. She shows further growth by helping Lyla receive justice.
As she continues to develop, Nina defends herself against Kirk’s infidelity and selfish behavior. She cultivates independence, and continues to give back to her community, which is one of her passions, after her divorce.
Although Nina has positive attributes from the beginning of the text, it is not until she leaves her marriage that she is able to express herself. The decision to start a business with Tom allows Nina to explore her passion for design while also utilizing their business to give back to local charities.
As a single father, Tom is dedicated to raising Lyla to the best of his ability. Tom’s development, unlike Nina’s, is less extensive. However, he is dynamic rather than flat. He grows as a father and changes his opinions about people, such as Nina.
At the beginning of the novel, Tom appears to be strict. He worries that Lyla has struggled “to keep pace in [the] polished, privileged world” (15) of the other students at Windsor. This implies that his fear for Lyla extends toward himself as well. As a carpenter, Tom does not make nearly as much money as the other families in the Windsor community, and this makes him insecure. He is also apprehensive and untrusting of the other parents. At first, he thinks Nina is as “an asshole” because “only an asshole could marry a guy like” Kirk (136). He quickly judges Nina due to his experiences with other wealthy people, rather than allowing her to express herself to him.
Throughout the novel, Tom’s relationship with Bonnie illustrates his ability and willingness to grow. Tom tries to understand other viewpoints, including Lyla’s, which allows him to broaden his perspective on the situation with the Browning family. When Lyla expresses her feelings, he thinks about how he feels “the truth of her words on a deeper level that [he] thought possible” (291). Rather than acting on his emotions, such as when losing his temper in Walter’s office, he allows himself time to process what Lyla is saying. By doing so, Tom evolves. He places importance on deepening his relationship with Lyla over being strict and demanding.
Lyla is the protagonist of the novel. She is a sophomore in high school at Windsor, a private school she attends on financial aid. Lyla has white and Brazilian heritage and is in a lower financial class than almost all of her classmates. The other characters intersect through the picture Finch took of Lyla.
Lyla exhibits a broad range of emotions. Toward the beginning of the text, she claims that “it was really hard to find anything to be grateful for lately;” this implies just how much her experiences and moods shape her view of the world (67). She argues with her father, Tom, and, like a typical teenager, sneaks off to a party, which further perpetuates their tense relationship. Although Lyla struggles with Tom’s strict rules and her mother’s alcohol misuse disorder, she is able to understand her father’s perspective while staying true to her own needs. This illustrates Lyla’s ability to be both empathetic and independent.
Lyla can also be naive. Initially, Lyla chooses to trust Finch’s portrayal of Polly as being “jealous.” Lyla’s character deepens when she decides to rush to Polly’s aid and connects to Nina. By the end of the novel, Lyla has matured into a caring and aware young woman. In Polly’s room, she notes that Polly’s fear that her parents will be ashamed of her is not as “painful” for them as her attempted suicide. In this moment, Lyla demonstrates perceptiveness. She is also confident in her decision-making skills and values her integrity as well as the livelihoods of others. Rather than continuing to stay angry at Polly, she prioritizes Polly’s emotional well-being over her own troubles.
At the end of the novel, Lyla fully comes into her own integrity and values. She reflects on how much she, Nina, Tom, and Finch have grown. Though unsure whether she truly forgives Finch or not, she views the situation with empathy and recognizes his internal battle. She does not condemn Finch, nor does she forget the past.
The point of view never switches to Finch’s in the text. However, Giffin characterizes him through the lens of others, specifically Lyla and Nina. Their perspective contradicts his claims about himself.
Nina emphasizes that Finch has not been told no growing up because “if you can say yes, why not say yes?” (180). Finch’s reality has been one of privilege without consequence. Rather than attempting to take ownership of his actions, Finch learns from his father that he can lie and manipulate his way out of a situation to get what he wants. Finch does not care to understand how he has affected other people, a willful ignorance that comes along with privilege. For example, he lies to his mother about how he obtained the concert tickets, which creates conflict between the two.
Giffin characterizes Finch as the antagonist, while also creating a dynamic character arc. Due to his actions, the novel does not fully forgive or redeem Finch. However, he does evolve to some degree by the novel’s end. He “looks right into [Lyla’s] eyes” (330), implying that he feels genuine remorse for his actions; this contrasts with his behavior earlier in the novel. His apology to his mother and decision to attend the charity event also reflect growth.
However, Finch still has a way to go. He has to unlearn years of behavior that he internalized as a child and young adult, specifically from his father and their community of privileged, wealthy people. While he may not be able to fully resolve his past or move on from his actions, he appears to be embracing integrity.



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