51 pages • 1-hour read
Tom ClancyA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of graphic violence, death, and death by suicide.
Jack Ryan is the Acting Deputy Director (Intelligence) of the CIA, and an important character in the second half of the novel. Ryan is introduced as a reluctant DDI, taking the position after his friend and mentor James Greer develops cancer. Ryan initially hesitates to enforce the power of his new role, believing that he is “only an acting chief of directorate, after all” (306). As a result, he allows Ritter, his counterpart in Operations, to act in Colombia without oversight. Ryan only acts when his old friend Robert Jackson and fellow Greer mentee John Clark ask him to intervene. Ryan’s willingness to help out his friends reflects his emotional nature, which offers a contrast to his talent as a soldier and intelligence operative.
Ryan’s characterization largely rejects the ambiguous morality expressed by other characters in the novel. He is described as “a man who believed that Right and Wrong really existed as discrete and identifiable values” (389), distinguishing him from his Operations counterpart Robert Ritter. Clear and Present Danger represents a turning point in Ryan’s characterization in the series, as he moves away from field operations and analysis and into a formal leadership position within the CIA.
John Clark is a CIA operative specializing in covert operations, and an important protagonist in the novel. He is the primary American intelligence officer in the Colombian operations. Clark is described as a physically imposing man: The narrator notes that “on instinct, most men watched their behavior around Mr. Clark” (282) and that “it seldom took more than a single glance to know that he was not to be trifled with” (282). Like Cortez, he has extensive training in intelligence operations, especially undercover work, and is willing to act against his superiors’ orders. Unlike Cortez, however, Clark demonstrates intense loyalty to the people he works with: His determination to rescue American soldiers is a stark contrast to Cortez’s willingness to sacrifice the cartel fighters to achieve his own goals.
Clark meets Jack Ryan the first time in this novel. Clark’s extensive experience as a field operative is in direct opposition to Ryan’s academic history and role as an intelligence analyst. Although they are working towards the same goal, Clark and Ryan approach the operation from different angles. That Clark and Ryan work together in the novel’s final rescue scene suggests that both tactical and analytical skills are needed for a successful operation.
Domingo Chavez is a 26-year-old Latino Army Light Infantry fighter and Ranger School graduate recruited for participation in operation SHOWBOAT. He is one of the novel’s protagonists, offering a direct perspective to the experience of field operatives who risk their lives without fully understanding the purpose of their missions. He is depicted as the perfect American soldier, “a weapon of his country” (448). He is an expert in covert operations, a man “whom the Apaches or the Viet Cong would have recognized as one of their own—or one of their most dangerous enemies” (49). On their very first meeting, John Clark describes Chavez as “the best I’ve seen in a while” (135). In the novel’s final chapter, Clark recruits Chavez to join him in the CIA, suggesting that he sees Chavez as a protégé capable of becoming his equal.
Chavez’s tactical skills are complemented by his genuine love for service in the Army. Chavez feels as if he has “found in [the Army] a true home of security and opportunity and fellowship and respect” (207). Even in the midst of combat, Chavez feels confident that “this was his place. On the mission, everything was so wonderfully clear” (448). Chavez’s confidence and instincts make him an invaluable tactical asset.
Felix Cortez is a former Cuban intelligence officer working for cartel leader Ernesto Escobedo. He is described as a “raffishly handsome man” (97) and is characterized as an antagonist. Although Cortez is actively fighting against the novel’s protagonists and putting their lives in danger, his fears and desires are initially taken seriously. In the novel’s final section, however, he becomes overcome with greed and a desire for power. He claims that his goal is to prove to the other cartel members “that he was more useful” as a leader than Escobedo (331). As he begins to gain influence within the cartel, Cortez notes that “this sort of Godlike power was destructive to one’s soul” (463).
As the novel progresses, Cortez becomes consumed by greed and a desire for power. He begins fantasizing that the cartel might “grow in riches and power” indefinitely under his rule (560), and his confidence causes him to act irrationally. The novel also suggests that Cortez lacks the loyalty of Clark, his American counterpoint, as Cortez is willing to sacrifice cartel soldiers for his own goals.
Robert Ritter is Deputy Director (Operations) of the CIA, and a secondary antagonist in the novel. Although he initially supports Cutter’s decision to abandon the SHOWBOAT troops, he later relents and offers Ryan and Clark the intelligence they need to complete the extraction.
Ritter reflects the novel’s thematic interest in ambiguous morality. Initially, Ritter is conspicuously unconcerned about innocent civilian deaths, arguing that “the taking of human life was part of his job description” (383) as DDO. Ritter expresses similar apathy regarding the deaths of the American soldiers he sends into battle, noting that “they were assets, and assets sometimes get expended” (473) in covert operations. Ritter’s dismissive attitude towards casualties in war reflects his belief that not all murders are unethical.
Ritter’s attitude begins to change when Cutter suddenly insists that they cancel the planned extraction of SHOWBOAT troops. Ritter reluctantly agrees, “knowing that it was cowardice to pretend” (554) that Cutter would keep his word. The term cowardice appears again when Ritter decides to ignore Cutter and support Ryan’s extraction efforts, as Ritter fears that abandoning American troops would be “the ultimate cowardice, the ultimate failure of life” (596). Ritter’s shifting moral framework reflects the novel’s thematic interest in ambiguous morality.
James Cutter is National Security Advisor to the President, and one of the novel’s primary antagonists. He is the mastermind behind the Colombian operations and later conspires to conceal evidence of the operations. He ultimately chooses to die by suicide rather than face the consequences of his actions. He is a manifestation of the novel’s thematic interest in government corruption: He organizes the Colombian operations to angle a more powerful position for himself, then conceals evidence to protect himself from scandal.
Throughout the novel, other characters recognize that Cutter is largely unfit for his position, and the novel suggests that his scheme fails because of his incompetence. Jack Ryan comments that Cutter is “in over his head, but had not the sense to know it” (117). Later, Clark similarly notes that Cutter is “a babe in the woods as far as conspiracy went” (551). Cutter’s obvious lack of covert operations experience suggests that he is too incompetent to manipulate the government to serve him.
Ernesto Escobedo is the leader of the Colombian cartel, which functions as one of the novel’s primary antagonists. Escobedo’s behavior reveals problems that characterize the Colombian drug cartel at large, implying that these flaws will likely be repeated in whoever succeeds him as leader of the cartel. The novel describes the cartel as a “loose alliance” (79) of gang leaders who came together because they knew “gang wars cost everybody” (79). Although the other cartel leaders do “not all bend to [Escobedo]’s will […] his ideas were always given the attention they deserved because they had proven to be effective ones” (93). The goal of the CIA’s operations in Colombia is to disrupt the cartel’s alliances.
Escobedo and the other cartel leaders are repeatedly compared to children, suggesting that they lack the experience and professionalism of their American counterparts. An early description of the cartel notes that the members “killed as casually and as brutally as a child might stamp down his foot on an anthill” (138). Later, Felix Cortez describes Escobedo as “a man ruled by childish emotions” (287) and “a child to be manipulated” (437). The depiction of the cartel as emotionally immature and inexperienced reflects the generally biased tone in the text against characters who are Latin American instead of American, depicting the cartel adversaries more as cartoonish caricatures than real, complex threats to American interests.
Moira Wolfe is the executive assistant to FBI Director Emil Jacobs, and the only woman featured in the novel. She is unwittingly pulled into an international scandal as a result of her affair with a man calling himself Juan Diaz, later revealed to be Felix Cortez.
The novel suggests that Moira’s vulnerability to manipulation by Diaz/Cortez is the result of intense grief after the loss of her husband. In the novel’s opening chapters, Wolfe’s grief is described as “an open sore that would not heal” (249) and all-consuming pain: “[S]he’d wept alone in her bed when a phrase crossed her mind, on the anniversaries of all the special dates that acquire meaning in the twenty-two years that two lives merge into one” (249). The novel highlights both the pain of Wolfe’s grief and her overwhelming loneliness.
Wolfe is targeted by “Juan Diaz,” also known as Felix Cortez, precisely because she was “lonely, like most widows” (368). Her affair with Cortez makes her a “bright, beautiful, happy woman again” (328), and the novel attributes her willingness to share secrets with him to her desire to be partnered again. Although Wolfe blames herself for Emil Jacobs’s death, the novel largely absolves her of any responsibility.



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