Everyone Is Lying to You

Jo Piazza

59 pages 1-hour read

Jo Piazza

Everyone Is Lying to You

Fiction | Novel | Adult | Published in 2025

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Chapter 23-Epilogue 3Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of graphic violence, death by suicide, sexual violence, physical abuse, pregnancy loss, and death.

Chapter 23 Summary: “Rebecca”

Marsden takes Rebecca into the house. He forces her to apply makeup and put on one of the flowing dresses she wears in her Instagram posts. Rebecca tries to prolong the process, hoping her voicemail went through and will prompt Katie to send help. Marsden forces her outside, and they walk toward the barn together: The way he holds her arm creates the impression that they might be happily walking together. When she asks about his plan, he explains his fabricated narrative: Rebecca murdered Grayson and will now die by suicide out of guilt. Marsden is prepared to claim that Grayson repeatedly confided concerns about his wife’s mental health. He uses his phone to play an AI-generated recording of Rebecca seemingly confessing to the murder. Rebecca is horrified because the confession sounds extremely real. 


In the barn, Marsden forces Rebecca up to the hayloft, where a noose waits. From the ledge, Rebecca spots a figure in the moonlight outside. She allows Marsden to place the noose around her neck, but when he pushes her off the ledge, she kicks him, sending both of them falling from the ledge.

Chapter 24 Summary: “Lizzie”

Lizzie and Olivia arrive at the ranch after walking from the front gate. Olivia carries a handgun. When they see a light in the window of Rebecca’s bathroom, Olivia stops Lizzie from rushing into the house. Hiding behind hedges, they watch Rebecca and Marsden emerge from the house and head toward the barn, seemingly arm in arm. Lizzie mistakenly believes they are lovers who conspired to kill Grayson. 


Peering through a barn window, they see the pair in the hayloft and mistake their proximity for intimacy. Then Lizzie spots the rope around Rebecca’s neck just as Rebecca kicks Marsden off the ledge, sending him falling to the ground while she is left hanging by the noose. Marsden lands on his spine and falls silent. Rebecca hangs from the noose, gasping, her fingers wedged under the rope to keep from breaking her neck.


Olivia rushes into the loft and cuts the rope with a knife while Lizzie positions hay bales below and climbs atop them. When Olivia severs the rope, Lizzie breaks Rebecca’s fall. Marsden regains consciousness with his neck twisted and his back clearly broken. Olivia wordlessly places the gun in his hand and guides it into his mouth, looking to Rebecca for approval. Rebecca whispers to Olivia to do it. Olivia uses Marsden’s finger to pull the trigger, killing him.

Interlude 2 Summary: “Transcript of Detective Jim Walsh Interviewing Veronica Smith Greer”

Detective Jim Walsh interviews Veronica; by this point, he knows that Marsden killed Grayson. Veronica explains that Marsden was obsessed with and jealous of Grayson their entire lives, constantly competing over everything. She mentions the rumors of her affair with Grayson, which she denies. Walsh confirms police found photographs of Veronica hidden under Grayson’s bed. Veronica claims Grayson took them without her knowledge and sent her inappropriate emails over the years that she never answered. 


Veronica suggests a narrative that the video footage (which the detective has seen) supports. Marsden confronted Grayson in a jealous rage and killed him after the camera footage cut out. Then, a few days later, overwhelmed by guilt, Marsden returned to the barn and killed himself. Veronica confirms that the gun found at the scene belonged to Marsden.

Epilogue 1 Summary: “Rebecca”

More than a year after Grayson’s death, Rebecca marries Dan in a large, sponsored wedding orchestrated by Olivia to relaunch her brand. Rebecca is six and a half months pregnant; Dan is delighted to combine their families and supportive of her career ambitions. Rebecca has not told him that James is also his biological child and that her eldest five were fathered by Marsden, nor does she plan to. 


Lizzie is the matron of honor at the wedding; Olivia also brokered Lizzie’s seven-figure book deal about the murders, which is set to be published next month. Lizzie’s profits have allowed her to stop writing for Modern Woman and launch a new and more fulfilling career as a true crime writer. Meanwhile, Peter has also sold his first novel in a deal brokered by Olivia. Veronica, now calling herself Ronnie, officiated the ceremony and is auditioning for a reality show. Rebecca reflects that both she and Veronica were trapped by their husbands. 


Rebecca acknowledges she does not question Olivia’s behind-the-scenes manipulations because Olivia makes her feel safe and powerful. Her hands bear permanent nerve damage from fighting the noose. After Marsden’s death, Olivia brought in the FBI and provided the camera footage (claiming it was from a security camera). Rebecca claimed she had delayed showing the footage to anyone because she feared police corruption and repercussions. Although the footage did not capture the actual murder, the violent struggle between the two men made it seem clear that Marsden killed Grayson. Rebecca’s brand as a survivor and entrepreneur thrives, and she considers running for Congress. She is planning to name her unborn child Elizabeth, after her loyal best friend.

Epilogue 2 Summary: “Lizzie”

Lizzie deleted her Instagram account after the traumatic events, no longer wanting to participate in social media performance. Her publisher was concerned about her inability to promote the book, but Olivia promised they would sell it on Rebecca’s platforms. Lizzie reflects that Olivia has orchestrated success for everyone—herself, Rebecca, and Veronica—while remaining terrifyingly powerful and unknowable. The Smith triplets now own the hotel outright, another Olivia achievement. While interviewing Veronica for her book, Lizzie became much more compassionate, although she still feels wary.


At the wedding reception, Veronica makes a comment to Lizzie about writing a book focused on Dr. Carmichael (the OB-GYN who treated both her and Rebecca). Lizzie has never learned the secret about the paternity of Rebecca’s children and is confused about why this would be an interesting topic. Veronica explains that she has always wanted a daughter, but every time she was pregnant with a girl, she would lose the baby. Lizzie is astonished by the insinuation that Dr. Carmichael played a role in these losses. Veronica calmly tells Lizzie that there are enough secrets in the local community to keep Lizzie successful for a long time. 


Lizzie is left questioning how much Olivia knew about the murders and when, suspecting she manipulated both women throughout. She vows to eventually confront Olivia for the full truth. Watching Olivia with one of Rebecca’s children, Lizzie cements her view of Olivia as the puppet master pulling everyone’s strings.

Epilogue 3 Summary: “Veronica”

Veronica confesses that Grayson would still be alive without her intervention. She reveals she is a self-taught hacker who used spyware to monitor Marsden’s communications for years. As a result, she saw Rebecca’s message to Marsden with the DNA test results and the contract severing parental rights. Veronica was furious but unsurprised, as she had long suspected Dr. Carmichael of interfering with her health and the health of other women he treats. Veronica also saw the message Rebecca sent Marsden with the emails from Grayson, and this angered her. When Marsden confronted Veronica, she denied any affair and begged him not to meet with Grayson (knowing this would encourage him to do the opposite). 


Veronica has a traumatic history involving both men. When she was 12 (and Grayson and Marsden were 18), they forced her into a shed where Grayson sexually assaulted her while Marsden forcibly kissed her. Veronica told her mother about Marsden kissing her but was too ashamed to add what Grayson had done. Because Marsden kissed her, her father considered her to be defiled and began planning for her eventual marriage to Marsden (since she now belonged to him). Veronica confesses to murdering her father years later by smothering him with a pillow.


On the night of the murder, Veronica drove Marsden to the ranch, relishing the prospect of him beating Grayson. She waited outside but eventually entered the barn where Grayson was barely conscious and badly beaten. Marsden was weeping and suggested calling an ambulance; he also explained about breaking the camera. Veronica sent Marsden to deal with the camera (it had stopped recording, so none of this footage was captured) and impaled Grayson on the harvester blades herself. She then severed his right hand with an ax—the hand that had assaulted her—and hid it in a freezer.


Veronica reveals the full extent of her plotting in the aftermath of the murder. She confided in Olivia, explaining that she wanted to blackmail Marsden for his role in the crime and secure a divorce. Olivia told her to wait, promising to make the violent events lucrative and beneficial for both Veronica and Rebecca. However, Marsden became fixated on killing Rebecca, and Veronica was happy to go along with this plan. She took photos of herself, went to the ranch, and planted them to give the appearance that Rebecca found the photos and killed Marsden out of jealousy (Veronica was the one in the house on the day that Lizzie hid in the bathroom). She organized the desert dinner to create an alibi for herself during the period when Marsden was kidnapping Rebecca, and after confiscating the phones of all the guests, she installed spyware on every influencer’s phone, which allowed her to track Rebecca through Katie’s texts.


Although the plan went awry and Marsden (rather than Rebecca) ended up dead, Olivia reassured Veronica that they could pivot and conceal any involvement on Veronica’s part. After Olivia facilitated what would be reported as Marsden’s death by suicide, she instructed Veronica to confirm the gun was his. In exchange for eliminating Marsden, Veronica provided Olivia with all the data scraped from the influencers’ phones. In the wake of her husband’s death, Veronica has the power and freedom she has long craved. She has ambitious plans for her future, and she and Olivia work closely together; for example, Olivia was the one who proposed telling Lizzie about Dr. Carmichael. The epilogue ends with Veronica, Lizzie, and Rebecca posing for a photo while laughing together.

Chapter 23-Epilogue 3 Analysis

The novel’s conclusion uses a complex narrative structure (a series of nested epilogues and the perspective of Veronica) to resolve some aspects of the central conflict while leaving other aspects ambiguous. After rescuing Rebecca from the noose Marsden placed around her neck, Olivia places a gun in his hand and guides it into his mouth, using his finger to pull the trigger. This ending aligns with the conventions of a thriller, where the protagonist is saved, and her antagonist is eliminated. Olivia’s extrajudicial execution of Marsden delivers a seemingly straightforward, if brutal, form of justice, especially since he is positioned as the villain who killed Grayson and tried to kill Rebecca, while also posing a threat to her children. Marsden’s obsession with asserting a biology-based claim to Rebecca’s children reinforces the theme of The Corrosive Effect of Rigid Gender Roles. Both men pose a threat to Rebecca’s security, autonomy, and ability to protect her family, and thus, both need to be dead for the conflict to resolve. 


While Olivia manipulates Marsden’s finger on the gun (to ensure the physical evidence corroborates the narrative of death by suicide), Rebecca confirms her consent. Olivia, Veronica, and Rebecca utilize the skillset they have gained from creating social media narratives to hide the reality of what happened in the barn: They curate the physical setting and craft a plausible story that their audience will want to believe. Because all of them, as well as Lizzie, are now bound together by the secret they share, the narrative resolution could be a heroic one, exemplifying the theme of The Power of Female Community and Solidarity


However, the three epilogues (told from the perspectives of Rebecca, Lizzie, and Veronica) add significant information and subvert any notion of true solidarity or straightforward resolution. Rebecca’s epilogue reveals that within a year of escaping from a controlling and abusive marriage, she remarries and is expecting a seventh child. Dan is positioned as embodying a very different form of masculinity and as genuinely willing to support Rebecca and her goals. However, Rebecca’s rapid remarriage and its intersection with the growth of her personal brand imply that there is limited appetite for a single mother to thrive as an influencer. 


The final chapters bring The Pressures of Portraying an Idealized Life on Social Media to their culmination, demonstrating that in the influencer economy, even murder and trauma can be rebranded into profitable content. Following the violence at the ranch, every character involved constructs a new, highly successful public persona based on a foundation of lies. Rebecca pivots from lifestyle influencer to empowered survivor, launching a television show, magazine, and product lines. Rather than offering a simple story of female solidarity triumphing over male abuse, the novel presents a more complex vision of empowerment. The female characters do not overthrow the system so much as master its tools of manipulation for their own gain. Olivia Jackson embodies this new form of power, brokering deals and fabricating narratives with amoral efficiency. The ending suggests that within this world, the only way to escape subjugation is to become a more effective manipulator, turning trauma into a brand and justice into a business opportunity.


The ultimate reveal of the truth about Grayson’s death emerges only in Veronica’s epilogue, demonstrating that the “truth” presented to the public, to Lizzie and Rebecca, and even to the reader is another curated performance, mirroring the influencer culture the novel deconstructs. Veronica reveals how she was assaulted by both Marsden and Grayson as a child, and then forced to marry the former, exemplifying the theme of the corrosive effect of rigid gender roles. Veronica’s casual reveal that she eventually murdered her father as revenge for forcing her into an unwanted marriage reflects the complexity of women perpetuating acts of violence against men who have harmed them. Yet her solution is not collective liberation but an individualistic power grab that mirrors the entitlement she despised in the men who controlled her. Veronica knew that Rebecca would likely be blamed for Grayson’s death, and she was also content to tolerate Marsden’s plan to kill her. Veronica is revealed as the character most unfazed by violent acts and loss of life: she kills Grayson when Marsden finds himself unable to do so. She shrugs off the death of her husband, as this ultimately serves her goals of greater independence. Veronica’s cold and ruthless vision of what she wants to achieve subverts the theme of the power of female community and solidarity, since she is depicted as ultimately caring only about herself and her motives.

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