Ernest “Ernie” Cunningham

<p>The novel’s <a href="https://www.supersummary.com/protagonist/" rel="noopener noreferrer" target="_blank"><a data-internal-link data-link-type="Literary Device" href="https://www.supersummary.com/protagonist/">protagonist</a></a> and narrator, Ernie, is a divorced Australian man in his early forties who, after a career spent writing “how to” advice pamphlets for mystery writers, recently published his own first book, a true-crime <a data-internal-link data-link-type="Literary Device" href="https://www.supersummary.com/narrative/">narrative</a> about murders that occurred while his family was staying at Sky Lodge Mountain Retreat. Ernie is a <a href="https://www.supersummary.com/paradox-in-literature-definition-examples/" rel="noopener noreferrer" target="_blank">paradoxical</a> study in contrasts. He has the confidence to investigate crimes and to write about his experiences. A devotee of golden-age mysteries and their <a data-internal-link data-link-type="Literary Device" href="https://www.supersummary.com/genre-in-literature-definition-examples/">genre</a> conventions, he knows his own preferences as a writer and sticks to them regardless of what others think. His narrative <a href="https://www.supersummary.com/voice/" rel="noopener noreferrer" target="_blank"><a data-internal-link data-link-type="Literary Device" href="https://www.supersummary.com/voice/">voice</a></a> is friendly and poised, full of <a href="https://www.supersummary.com/sarcasm/" rel="noopener noreferrer" target="_blank">sarcastic</a> quips, colorful <a href="https://www.supersummary.com/figurative-language/" rel="noopener noreferrer" target="_blank"><a data-internal-link data-link-type="Literary Device" href="https://www.supersummary.com/figurative-language/">figurative language</a></a>, playful misdirection that allows him to walk a fine line between reliability and unreliability, and <a href="https://www.supersummary.com/satire/" rel="noopener noreferrer" target="_blank">satirical</a> commentary about the theme of <strong><a data-internal-link data-link-type="Themes" href="https://www.supersummary.com/everyone-on-this-train-is-a-suspect/themes/#613967">Genre and Its Impact on Creativity</a></strong>. His <a href="https://www.supersummary.com/style/" rel="noopener noreferrer" target="_blank"><a data-internal-link data-link-type="Literary Device" href="https://www.supersummary.com/style/">style</a></a> is a key element of the novel’s thematic arguments about <strong><a data-internal-link data-link-type="Themes" href="https://www.

Juliette Henderson

Henry McTavish

Wyatt Lloyd

Harriet Murdoch

Jasper Murdoch

Lisa Fulton

Alan Royce

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Explore Everyone on This Train Is a Suspect reviews, reading age recommendations, and essential genre and thematic details before you start reading.

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Everyone on This Train Is a Suspect Summary and Study Guide

Background

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Front Matter-Prologue

Everyone on This Train Is a Suspect Front Matter-Prologue Summary & Analysis

Part 1: “Memoir”

Part 1 Everyone on This Train Is a Suspect Part 1 Summary & Analysis

Part 2: “Blockbuster”

Part 2 Everyone on This Train Is a Suspect Part 2 Summary & Analysis

Part 3: “Forensic”

Part 3 Everyone on This Train Is a Suspect Part 3 Summary & Analysis

Part 4: “Psychological”

Part 4 Everyone on This Train Is a Suspect Part 4 Summary & Analysis

Part 5: “Legal”

Part 5 Everyone on This Train Is a Suspect Part 5 Summary & Analysis

Part 6: “Literary” - Part 7: “The Seven Deductions of Ernest Cunningham”

Everyone on This Train Is a Suspect

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