Falling Angels

Fiction | Novel | Adult | Published in 2001
336
Novel • Fiction
•
Historical Fiction•
British LiteratureLondon, England, January 1901–May 1910.
2001
Plume
Paperback • 2002
Adult
16+ years
In 1901 London, two families meet while mourning Queen Victoria beside their neighboring cemetery plots. Their daughters, thoughtful Maude Coleman and dramatic Lavinia Waterhouse, quickly become friends, despite their mothers’ disapproval. As the upper-middle-class Colemans and lower-middle-class Waterhouses are reluctantly drawn together, their contrasting attitudes toward tradition and modernity reflect a nation entering a new era and confronting the growing women’s suffrage movement.
Contemplative
Emotional
Humorous
Informative
Melancholic
29,324 ratings
Loved it
Mixed feelings
Not a fan
Reviewers praise Chevalier’s vivid handling of social change, especially her ability to weave historical detail naturally into the story. The many first-person narrators also win approval: their distinct voices create a layered portrait without becoming confusing. Critics are less convinced by the book’s originality and period authenticity. Kirkus finds the premise overly familiar and its historical texture formulaic, while The Guardian says some passages slip toward pastiche, though it commends the characters’ movement beyond Victorian restraint.
This is a strong choice for readers who enjoy historical fiction centered on social change, especially women’s suffrage, class divisions, and changing attitudes toward mourning. It should also appeal to those who like intimate family stories with a broad historical backdrop. Readers drawn to ensemble novels will appreciate the shifting viewpoints of family members, servants, and others. Its cemetery setting and attention to Victorian and Edwardian mourning customs make it particularly suitable for anyone seeking an unusual, richly period-focused read.
29,324 ratings
Loved it
Mixed feelings
Not a fan
The impulsive, dramatic Waterhouse daughter who meets Maude among their families’ neighboring cemetery plots and becomes her close friend.
Maude’s upper-middle-class mother, who welcomes a more modern society and holds political views sharply opposed to Gertrude Waterhouse’s.
Lavinia’s lower-middle-class mother, who reveres Queen Victoria, preserves Victorian traditions, and disapproves of the girls’ friendship.
A young gravedigger who remains involved in Maude and Lavinia’s lives and plays an important part in both families’ troubles.
A Coleman family man whose brief first-person passages reveal his impressions of his wife, neighbors, other people, and events.
A Waterhouse family man whose concise narrative passages disclose his impressions of his wife, neighbors, other people, and events.
A peripheral character who nevertheless plays key roles in events affecting the Coleman and Waterhouse families.
336
Novel • Fiction
•
Historical Fiction•
British LiteratureLondon, England, January 1901–May 1910.
2001
Plume
Paperback • 2002
Adult
16+ years
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