Grendel's Mother: The Saga of the Wyrd-Wife, Susan Signe Morrison’s feminist revision of the ancient <a href="http://www.supersummary.com/epic/">epic</a> Beowulf, embraces and fleshes out the story of Grendel's mother, Brimhild, who struggles in a Medieval world which does not respect her authority and in which women are often mistreated, threatened, or discounted. Though in the original text Brimhild is described as a monster, Morrison makes it clear that Brimhild is a strong female character, more a victim of her times than a character to fear. The story follows Brimhild from her childhood, when she was found with magical objects on the shores of the land of the Scyldings, until her days of old age and prophecy as an exiled “witch.” The story of Brimhild begins with a baby, who floats to shore in the land of Scythings wrapped in a salty, brine-crusted blanket in a boat unfamiliar to the local people. The girl baby is a mystery; she has no identification other than the three objects tucked around her in the small boat, which include a silver spoon, an illuminated manuscript, and a piece of gold jewelry. She is found and adopted by a local fisherman and his wife, who take her in as their own. The couple names the girl Brimhild; the king of the land of Scyldings, Hrothgar, approves the adoption, despite warnings from his mother. Hrothgar is a young king, and his mother questions his judgment allowing a strange baby into their lands. She tells Hrothgar that this baby will cause the ruin of their people. Brimhild grows into a gentle, kind woman, curious about the customs and folklore of her adopted people. She learns from a “mere-woman” – a local witch, or medicine woman – about the lore of the Scyldings, and the magic that exists all around them. Brimhild embraces these traditions but also takes an interest in the teachings of a passing Irish monk, who spreads the word of a gentle, Christian god who appeals to Brimhild's soft and sweet-tempered nature. Eventually, Brimhild rises to such a place of prominence in the community that she earns the attention of King Hrothgar. He courts her, and she becomes his wife. Honored to be the queen of Scyldings, Brimhild helps Hrothgar build the great hall, Heorot, which will become the pride of their kingdom and a place of celebration and festivities. Shortly after their marriage, the King and Brimhild have a son named Grendel, who is timid and whom Brimhild raises secretly in her newly adopted Christian faith. Hrothgar, who believes in the old gods and magic of the Scyldings, does not approve of this new faith, causing tension for Brimhild, who feels herself at a pivotal crossroads between old and new ideas, customs, and traditions. As Grendel grows older, Brimhild's origins become the subject of discussion in the kingdom. People become suspicious of an “alien” woman running their tribe and residing in their great hall; Brimhild's claim to the throne is put on the line. When the truth of her story comes out, she is revealed to be a “monster-woman,” and she and her son, Grendel, are cast aside as horrific creatures worthy of living in caves and marshes. Devastated, Brimhild prophesizes that this violence of men is cyclical and will lead the ruination of her adopted people. However, nobody takes her seriously. As Grendel grows older, he begins to despise Hrothgar and his great hall, which symbolize his family's fall from grace. He attacks the hall every night, which is where the classic Beowulf poem begins. Of course, the eventual death of Grendel and Grendel's mother at the hands of Beowulf are foretold by the epic, but Morrison highlights Brimhild's dedication to the blood pact, defense of her only son, and strength of character as she is attacked by the “hero” Beowulf in her own home. Susan Signe Morrison is a professor of English and researcher on medieval women's history. She is interested in writing feminist reinterpretations of classics and women's stories at the fringes of history. Grendel's Mother, her first novel, won a number of awards, including the Words on Wings Book Award for young adult fiction and a 2015 Indiefab Book of the Year. She is also the author of A Medieval Woman's Companion: European Women's Lives in the Middle Ages, The Literature of Waste, and Home Front Girl, among other texts.

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