Grim and Oro

Alex Aster

56 pages 1-hour read

Alex Aster

Grim and Oro

Fiction | Novel | YA | Published in 2025

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Themes

Content Warning: This section of the guide includes discussion of bullying, physical abuse, emotional abuse, child abuse, child death, graphic violence, and death.

The Clash Between Duty and Desire

The two companion novellas echo tensions within the main novels of the Lightlark Saga. Each examine the conflict between the characters’ romantic feelings and their obligations. This is closely tied to Aster’s worldbuilding. In the romantasy, the lives of rulers like Isla, Grim, and Oro are bound to those of their subjects, underscoring their responsibilities to their realms. Oro and Grim are both taught from a young age that “[t]rue, selfless love between rulers doesn’t exist” and that they must restrain their personal feelings for the greater good (482). In the world of Lightlark, the focal characters’ romantic desires seem expressly incompatible with their political duties.


In both Grim and Oro, Isla attracts the narrators’ desire, leading to each narrator’s inner conflict and growth. Initially, both men are resistant to love. Because his brother’s affair with Violet leads Aurora to curse the entire world, Oro vows to “never let a woman get in between [him] and [his] duty to the people” (358). Similarly, Grim believes that falling in love would make his people vulnerable and undermine all of the sacrifices Nightshade’s leaders have made, especially the death of his beloved sister. Oro and Grim conceal their feelings from Isla and even from themselves. Grim encourages Isla to think of him as a monster and Oro purposely behaves like a “miserable wretch.” For much of their stories, Grim and Oro believe that their longing for Isla can’t coexist with their responsibilities to their realms.


However, the novellas are rooted in the love between Isla and the narrators, and offer a resolution between duty and desire. Grim and Oro can only achieve their objectives and defend their peoples with Isla’s help. Grim cannot claim Cronan’s sword and stop the dreks’ attacks without Isla, and Oro needs Isla to find the heart of Lightlark and break the curses: “It takes days, but she figures it out. Everything that I couldn’t, for decades” (527).


Oro and Grim can accomplish more together than if they obeyed societal messaging and remained alone out of a sense of duty. The novellas suggest that desire can ultimately make people stronger and better equipped to fulfill their responsibilities when they are part of a loving, mutually supportive partnership.


While Oro sees his partnership with Isla as a way to save the world, Grim resolves to destroy anyone who opposes her, even his own subjects: “I chose her. Over my people. Over everything I have been taught to care about. Over myself” (213). This highlights key differences in Oro and Grim’s characters and the ways that they continue to navigate the tension between duty and desire later in the series’s timeline.

The Uncertain Boundaries Between Heroism and Villainy

Aster depicts heroism and villainy as subjective labels rather than fixed categories. Most of Lightlark sees Grim as a “monster,” but he’s capable of acts of love, fidelity, and selflessness. Similarly, Oro, who is coded as the more “heroic” of the two love interests, often behaves in a cold and unkind manner, such as when he betrays Isla’s trust to further his own agenda. The author’s examination of the categories of “hero” and villain” argues that human nature defies such binary thinking.


Many characters see Grim as a villain, including Grim himself, but his heroic qualities challenge stark divisions between good and evil. He describes himself as “greedy,” “selfish,” and “despicable” (235). The people of Lightlark see him as “the bloodthirsty warrior, the villain, the enemy” because of the ruthlessness with which he waged his father’s wars (235). However, Grim’s relationship with Isla helps him realize that he’s capable of more than the sinister part he’s played for centuries: “For once […] I am a cure. Instead of causing pain, I am healing it” (113). During the novel’s climax, Grim pours his life force into Isla. His self-sacrifice brings his character full-circle. He echoes the selflessness he exhibited as a child who wanted to spare his sister even at the cost of his own life. The more “heroic” version of himself isn’t a new direction so much as the restoration of Grim’s original values.


However, the end of Oro moves Grim back into questionable ethical territory. Grim is revealed to have stolen Isla’s memories and manipulated her. In the novella, Grim’s presentation aligns with his role within the broader series. He is the more morally dubious of the love interests but capable of virtuous deeds.


Oro’s society views him as the more traditionally “heroic” of the two male leads. Aster casts Oro in a morally upright light because Nightshade is the aggressor in the war with Lightlark. Oro also strives to help as many realms as he can, as demonstrated by his search for the heart of Lightlark. Additionally, Oro is predisposed towards morality due to his flair: “It’s hard not to be honest when I can feel, constantly, the poison of all the lies around me” (265). At the same time, he struggles with “villainous” moments that undermine his heroic image as king of Lightlark. He wrestles with his own inner demons and biases.


Oro condemns himself for the “monstrous action” of accidentally gilding the attendant, and he almost kills Grim when the Nightshade is a defenseless prisoner of war, a murder which would have “ruined the peace treaty” between their realms (311). At times, Oro’s certainty of his own rectitude leads him astray into cruel deeds and ignorant biases, such as when he attacks Grim because he assumes Grim is responsible for the curses. Aster shows that he isn’t purely good.


Through Oro and Grim, Aster argues that people are too complex to be boxed into categories.

The Impact of Trauma on Relationships

As in many contemporary dark romantasies, the focal figures’ have had traumatic experiences. These deeply shape their characterization. Grim is shaped by neglect and the physical and emotional abuse he experienced during childhood. His emotional blunting is a shield, a response to accidentally killing Laila, the only relative he was close to.


Aster’s stylistic choices, such as her use of first person-narration and stream of consciousness, capture the lingering effects of Grim’s trauma. For example, Grim has a flashback during a council meeting: “Memories again, choking me. Blood spilling across those halls—The ancient councilman is speaking again” (49).


Similarly, Oro’s is traumatized by accidentally taking a life as a child. From the moment he gilds the attendant, he lives with shame and self-loathing (511).


The pain that the narrators experience as children continues to haunt them for centuries, emphasizing the far-reaching effects of trauma.


Grim and Oro’s childhoods impact their ethics. This is particularly important because they’re rulers whose choices affect the lives of thousands of subjects. Grim “learned to block out” his own emotional pain (33). He shows his opponents on and off the battlefield no compassion because “no mercy was ever shown to [him]” (33). Oro’s emotional scars contribute to his own capacity for violence, such as when, after witnessing sudden deaths at the onset of the curses, he blames and attacks Grim. More insidiously, Oro’s pain influences his decisions even when he purports to be acting on behalf of the greater good and takes time to weigh his choices. For example, he’s willing to kill Grim and condemn thousands of Nightshade people because he thinks breaking the curses will give Egan’s death meaning.


Although Grim and Oro both experience traumas, Grim lacks a support network and family. Grim’s father keeps him from “anyone [he] ever had a chance to care about” (72) Grim’s father kills Grim’s mother and pits Grim against his siblings. Grim’s tendency to isolate himself as an adult traces back to this abuse and to the death of his sister, his only loving connection. In contrast, Oro has a strong support system of family and friends. Crucially, Enya is present during the gilding and offers him unwavering compassion at his lowest moment: “Everyone else might have left you here, but I never will, that look said. I will never leave you. You are not alone” (274). Oro’s lack of isolation explains why he feels safe forming friendships as an adult instead of secluding himself away like Grim.


Oro and Grim’s trauma shape their relationship with one another. Both know the horrors of war firsthand, and this knowledge underpins their plan to become rulers so that they can foster peace between their peoples. At the same time, their pain contributes to the dissolution of their friendship because they struggle with trust.


For both Grim and Oro, Isla serves as a catalyst for healing. She rekindles Oro’s hope in the world by helping him break the curses. In addition, Isla helps Grim confront his past, move past his emotional blunting, and rediscover positive memories. As Grim says: “For centuries, whenever I thought of my childhood, I only thought of the bad. But now […] I remember the pockets of light” (200). Grim and Oro’s stories demonstrate that trauma strongly impacts individuals’ personalities and perspectives, but that loving relationships create opportunities for growth.

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