It Should Have Been You: A Novel

Andrea Mara

71 pages 2-hour read

Andrea Mara

It Should Have Been You: A Novel

Fiction | Novel | Adult | Published in 2026

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Character Analysis

Content Warning: This section of the guide includes discussion of graphic violence, death, child abuse, physical abuse, emotional abuse, bullying, mental illness, self-harm, substance use, and addiction.

Susan O’Donnell

Susan is the novel’s protagonist and primary narrator. She’s a round and dynamic character whose accidental WhatsApp message serves as the inciting incident for the entire plot. Initially, she’s portrayed as an anxious new mother, overwhelmed by sleep deprivation and the loss of her former identity. She misses her “pre-baby structure, the outside world, the old [her]” (3), and this vulnerability contributes to her impulsive and misdirected text about her neighbor Celeste Geary. This single digital transgression makes her the “common denominator” that connects a series of violent events, positioning her at the center of the novel’s exploration of The Unforeseeable Consequences of Small Transgressions and Digital Communication and the Collapse of Privacy. Her character arc is defined by a descent into paranoia, which is both a symptom of her pre-existing anxiety and a response to the threats that emerge against her and her family. The breaking of her window, the threatening texts, and the escalating invasions of her privacy force her to question her safety in her own home and community.


Susan’s discovery of her husband Jon’s infidelity marks a significant turning point in her development. This betrayal shatters her domestic reality, forcing her to confront The Pervasiveness of Deception and Hidden Lives within her own marriage. The rose-gold bangle becomes a symbol of this hidden life, making Jon’s deception tangible and undeniable. As the external threat from Venetia converges with the internal collapse of her marriage, Susan is pushed from a state of passive anxiety to active self-preservation. She becomes a detective in her own life, seeking to unravel the connections between the murders and her own fractured world. Her final, climactic confrontation with Venetia, where she must make the choice between saving her baby and her sister, represents the culmination of her journey. Susan’s decision at the novel’s end to delete a reactive text message signifies her growth and a newfound understanding of the weight and consequences of her actions.

Greta O’Donnell

Greta functions as both a protective mentor and a morally ambiguous anti-hero. She’s initially presented as the capable and dependable older sister, the “calm one” who provides practical support to Susan. This persona, however, conceals a complex and calculating individual. Her motivations are rooted in a fierce, almost parental loyalty to her sisters, a role she assumed after their mother’s death. This protectiveness drives her to impersonate Susan to confront Savannah Holmes and, later, to take decisive and violent action to protect herself and her family’s secrets. Her physical limp, a result of a car accident years prior, is a key piece of characterization, symbolizing a past injustice that fuels her hidden resentments and ultimately motivates the novel’s central plot twist.


Greta’s character fundamentally challenges the narrative’s initial assumptions. The final revelation that she’s responsible for Savannah’s death, and that she meticulously orchestrated a cover-up, recasts her from a supportive sibling into the story’s most consequential actor. Her misdirection of Jon and the police demonstrates a masterful ability to manipulate events. Greta is the ultimate pragmatist, willing to commit manslaughter and conceal it to preserve her own freedom and shield her family from the fallout of a decade-old lie concerning her accident. Her foresight is most evident in the climax, where she uses her naltrexone tablets to survive the heroin injection, a testament to her resourcefulness and will to survive. More than any other character, Greta embodies the theme of The Pervasiveness of Deception and Hidden Lives, proving that the most seemingly transparent individuals can harbor the most profound secrets.

Jon Mullane

Jon, Susan’s husband, serves as a domestic antagonist whose actions destabilize the protagonist’s world from within. A round but largely static character, he’s introduced as an “easygoing charmer,” the placating and stable counterpart to Susan’s anxiety. This persona is a carefully constructed facade that hides a fundamentally selfish and deceitful nature. His obsession with running is revealed to be a practical cover for his affair with Savannah, a secret life complete with a burner phone and a false name. Jon’s character is a primary vessel for the theme of The Pervasiveness of Deception and Hidden Lives, as his infidelity directly links Susan’s domestic sphere to the novel’s central murder case.


Jon’s primary motivation is self-preservation. When his affair is at risk of exposure, he goes to extreme lengths to prevent the potential collapse of his comfortable married life, lying to Savannah and persuading Greta to impersonate Susan. Even after Savannah’s death, his actions are guided by a desire to conceal his involvement. Jon doesn’t experience significant moral growth, and the dissolution of his marriage is the inevitable consequence of his choices.

Venetia

Venetia is the novel’s primary antagonist; she’s a grieving sister who becomes a merciless figure driven by a distorted sense of justice. Her life is shattered by the murder of her sister, Aimee. Consumed by grief, she fixates on Susan’s WhatsApp message as the catalyst for the tragedy, misdirecting her rage over Rory’s violence onto Susan. Her motivation is encapsulated in her declaration, “An eye for an eye” (336), as she seeks to make Susan suffer a loss equivalent to her own. At the same time, Venetia overlooks her own role in The Unforeseeable Consequences of Small Transgressions as a plot twist reveals that she, not Aimee, had an affair with Warren Geary. Her history with drug addiction and her volatile emotional state make her unpredictable and dangerous, escalating the novel’s conflict from a social drama to a life-or-death thriller.


The revelation that Venetia murdered Rory in a fit of rage after discovering Aimee’s body adds a significant layer of complexity to her character. This act of retaliatory violence fuels her psychological unraveling. Her sham marriage to Felipe, undertaken for visa purposes, further illustrates the theme of The Pervasiveness of Deception and Hidden Lives, showing that her life was built on secrets even before Aimee’s death. Her campaign of terror against Susan, which includes threats, stalking, and the eventual kidnapping of baby Bella, is a methodical and cruel attempt to psychologically dismantle her target. The final confrontation, where she forces Susan into an impossible choice between her sister and her child, is the horrific culmination of her quest for vengeance, making her the physical embodiment of the story’s chain of devastating consequences.

Celeste Geary

Celeste is a key secondary antagonist who embodies the theme of The Pervasiveness of Deception and Hidden Lives. She’s a round and dynamic character who begins the story as the “mistress of pointy comments” (4), a woman obsessed with maintaining her family’s pristine public image. Celeste treats her children as extensions of her personal “brand.” Her focus on the reputational liabilities of her son Cody’s lost work experience placement and her daughter Nika’s manners in front of guests prioritizes appearances over her children’s emotional conflicts and needs. However, her carefully curated life, from her immaculate five-bedroom house to her successful career in banking, hides a crumbling marriage and troubled children. Susan’s viral message shatters this illusion, forcing Celeste to confront the messy reality she has worked so hard to conceal.


Initially, Celeste’s response to Susan’s misstep is cold and unforgiving. Her insistence on a “public apology” from Susan is an attempt to repair the damage inflicted on her family’s reputation. However, as the consequences of the message unfold, Celeste undergoes a significant transformation. Faced with her husband’s public infidelity, her son’s self-harm, and her daughter’s social ruin, she is stripped of her pretenses. The crisis compels her to engage with her family’s dysfunction in a more authentic way.


Celeste’s journey is one of disillusionment with the superficial values of her community. Her final scene in the hospital, where she offers a tearful, genuine apology to Susan, marks the completion of her arc. She evolves from a symbol of suburban hypocrisy into a more complex and sympathetic figure, fractured by tragedy but ultimately more human.

Nika Geary

Seventeen-year-old Nika’s actions reflect the cruel dynamics of teenage social hierarchies and the theme of Digital Communication and the Collapse of Privacy. She’s portrayed as an initially popular, polished, and duplicitous teenager who is a product of her mother’s focus on outward appearances. However, Susan’s message exposes Nika’s secret affair with her friend Ariana’s boyfriend, which results in her being ostracized by her peer group. Nika’s response is online retaliation, weaponizing Maeve Khoury’s diary entries on Snapchat to create new drama and deflect attention from herself. This act demonstrates the cyclical and destructive nature of bullying in the digital age. Nika’s impulsivity culminates in a shocking act of violence when she deliberately runs Maeve down with her car. This escalation makes her a key player in the novel’s exploration of transgressions and their consequences.

Felipe

Felipe is a tragic hero whose kindness and guilt make him an unwitting pawn in the novel’s central conflicts. He’s a round, though largely static, character defined by his gentle nature and his protective, codependent relationship with his wife, Venetia. Their “sham marriage” is a central secret that underscores the theme of hidden lives. Felipe illustrates The Unforeseeable Consequences of Small Transgressions. He’s wracked with guilt over his role in Aimee’s death, as his decision to forward the screenshot of Susan’s message directly triggers Rory’s murderous rage. His belief that “it’s [his] fault” motivates his subsequent actions (188). Felipe forms a brief but important emotional connection with Susan, acting as a confidant and offering a source of stability outside her chaotic family life. His character arc culminates in a selfless act of sacrifice when he shields baby Bella from Venetia’s attack and is killed in the process. This final action is his attempt at redemption, making him one of the story’s few truly moral figures.

Maeve Khoury

Seventeen-year-old Maeve is a supporting character who primarily functions as a victim and serves as a foil to the more aggressive Nika. As a quiet and sensitive teenager, she’s an “easy target” for the cyberbullying orchestrated by Nika and her friends. The central violation against her is the theft and public sharing of her diary, representing the collapse of privacy in the digital age. This event not only serves Nika’s vengeful purpose but also deepens the animosity between the two families. Maeve’s suffering escalates when Nika runs her over in a hit-and-run, transforming her from a target of social cruelty to the subject of physical violence. Her ordeal highlights the extreme and unforeseen consequences that ripple outward from Susan’s initial, seemingly minor, transgression.

Savannah Holmes

Savannah functions as a catalyst for the plot and a key figure in the motif of mistaken identity, doubles, and disguise. Although she dies early in the narrative, her character connects several plotlines. Initially, she’s presented as Susan’s double and foil. She has the same postal address, physically resembles Susan, and shares her love of online shopping. However, Susan notes that while she buys mostly “Babygros and bibs” (20), Savannah’s parcels are from high-end stores such as “ME+EM, Sézane, [and] Reiss” (20). Wealthy and single, with a glamorous lifestyle she showcases on social media, Savannah is initially a source of envy for Susan.


Savannah’s unexpected death fuels Susan’s developing theory that she was killed in a case of mistaken identity. The possibility underscores The Unforeseeable Consequences of Small Transgressions, as Susan is forced to confront her potential culpability in another woman’s death. The subsequent revelation of Savannah’s affair with Jon reframes her significance, making her the nexus between Susan’s public humiliation and her private marital crisis. The push that inadvertently causes Savannah’s death is eventually revealed to be the consequence of a drunk-driving incident years earlier, underscoring the novel’s suggestion that transgressions ultimately catch up with the transgressor.

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