41 pages • 1-hour read
Natalie BabbittA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Egan, the protagonist of Kneeknock Rise, is introduced as a skeptical young boy traveling to the village of Instep for the annual fair. As an outsider to Instep, Egan acts as a proxy for the reader, learning the legend of the Megrimum from his superstitious family. Although the journey is supposed to be a treat, Egan is reluctant to stay with relatives he knows have nervous tendencies. His Aunt Gertrude compares Egan unfavorably to his father by calling him noisy, only to later praise him as “bright and clever” (18). These mixed messages contribute to Egan’s desire to prove himself. When Ada calls him a “sissy” and dares him to climb Kneeknock Rise, Egan becomes determined to demonstrate his bravery. As he begins his ascent, he enters an almost trance-like state as he goes “up the final stony slope toward the top like a sleepwalker lost in dreams” (79). Babbitt imbues this quest with a mythic quality to suggest that his journey is both physical and philosophical—a hero’s journey.
Egan’s arc explores The Need for Mystery in Everyday Life and the desire to maintain a belief in a legend, even one unlikely to be true. After meeting Uncle Ott and discovering the truth, Egan’s pride propels him to tell the villagers the truth about the sulfur spring, but they reject his claims, holding firm to their folklore and making Egan a part of the very myth he’s tried to disprove. He becomes known as the boy who climbed the Rise and lost his dog to the creature. When Egan leaves, he takes with him a wishbone, symbolizing the fact that as he grows up, he will have to grapple with The Pain of Knowledge Versus the Comfort of Ignorance.
Ada, Egan’s cousin and a key secondary character in the story, is initially portrayed as antagonistic, judgmental, and unsympathetic. From the moment Egan arrives, she scowls at him, declares that she and her cat don’t like him, and enjoys seeing her cat scratch him. Her behavior is often mean-spirited, such as when she gleefully announces that the Megrimum ate their Uncle Ott. Ada relishes fear and superstition—when the storm arrives, her eyes are “saucers of excitement” as she announces it’s time to hear the Megrimum’s wail (28). Ada challenges Egan’s courage, daring him to climb Kneeknock Rise and prove he isn’t a “sissy.” Her teasing pushes Egan into action, leading to the story’s climax. Even after Egan returns from the mountain and tells the truth about the Megrimum, Ada refuses to believe him, instead doubling down on her superstition.
Aunt Gertrude is characterized by her deep-rooted superstition and anxious nature. From her first appearance, she vacillates between criticizing and complimenting Egan, reflecting her emotional inconsistency. She feels deeply fearful of the unknown and hates the possibility that Uncle Ott has climbed the mountain and been devoured by the Megrimum. Aunt Gertrude insists on various superstitious rituals, using wishbones and onions to ward off the Megrimum, underscoring the novel’s thematic engagement with How Folklore Shapes Communities. When someone appears at the window during the storm, Aunt Gertrude immediately blames it on supernatural causes, blaming Uncle Anson’s bird-clock for attracting evil.
As a craftsman, Uncle Anson makes wooden clocks, including one designed with a Kneeknock bird that underscores the superstition and belief in legends that govern the lives of the Instep villagers. The clock is instantly destroyed by the cat, who hates Kneeknock birds, causing Aunt Gertrude to declare the clock a bad omen. Babbitt characterizes Anson as practical, calm, and reserved during family discussions, but he demonstrates bravery when he takes action, volunteering to go up the mountain to find Egan. Uncle Anson acts as a voice of reason throughout the narrative. For example, when Egan returns from his journey and reveals the truth about the Megrimum, Uncle Anson initially silences him, pretending that the boy must be feverish, but in a private conversation, he admits to Egan that belief is often more important than fact, pointing out that once a person decides one way or the other, it can be almost impossible to change their mind. He suggests that mystery can serve a comforting, communal purpose, bringing people together and fulfilling a need.
Babbitt presents Uncle Ott as an elusive specter for much of the story, only appearing briefly at its climax, highlighting the central narrative tension between legend and truth. Initially believed to have been eaten by the Megrimum, he is later discovered by Egan alive and well at the top of Kneeknock Rise. A traveler and a poet, Uncle Ott is an eccentric figure with a deep appreciation for philosophy, language, and mystery. His unceremonious appearance on the mountain underscores Uncle Ott’s role as a revealer of the truth—though he reveals it only to Egan because he can see that Egan seeks truth in ways the other townspeople do not.
Uncle Ott’s poems push Egan to question whether the pain of knowledge is worth sacrificing the comfort of ignorance. Although he shows Egan that, in reality, the Megrimum is not a monster but a natural sound caused by a sulfur spring, Ott has no intention of returning to Instep or revealing the truth himself. He believes the myth serves a purpose and that spoiling it would rob the townspeople of something that brings their lives meaning. He notes that “There’s always the possibility that they’re happier believing,” challenging Egan’s perspective of truth above all else (88).



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