Life, and Death, and Giants

Ron Rindo

64 pages 2-hour read

Ron Rindo

Life, and Death, and Giants

Fiction | Novel | Adult | Published in 2025

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Part 4Chapter Summaries & Analyses

Content Warning: This section of the guide includes discussion of death.

Part 4, Chapter 35 Summary: “Hannah Fisher”

Each morning, Hannah raises the shades in Gabriel’s room at Thomas’s house, letting in sunlight and fresh air. At first, Gabriel rarely speaks and refuses visitors, but as Josiah predicts, this passes, and he eventually agrees to take short walks with Hannah with an ash staff Josiah made for him. Because spinal damage prevents him from bending, Hannah helps with his prosthetic leg and shoes.


During their walks, Gabriel identifies every bird by its song and asks Hannah to describe what she sees. Local sheep, a donkey, and alpacas eagerly approach him at fence lines. Hannah tells Gabriel about Absalom’s abuse and that he is their shared father. Though surprised, Gabriel shows more concern for how Absalom’s cruelty affected Hannah and his mother than for himself.


The revelation seems to free something in Gabriel, and he becomes more open, sharing stories of his world travels and the art he encountered, including medieval tapestries at the Cluny in Paris. As Gabriel weakens further, their walks end, and they spend afternoons on the patio instead. Hannah vows to treasure their remaining time together.

Part 4, Chapter 36 Summary: “Trey Beathard”

When Thomas calls to tell Trey about Gabriel’s brain tumor, Trey is devastated. Specialists in Madison confirm that the diagnosis is terminal and any treatment would be fatal. As Gabriel deteriorates, Trey finds visits too painful and stops going, but he returns when Thomas tells him Gabriel has been asking for him, taking weekly overnight shifts at his bedside.


During one vigil, Gabriel wakes in pain and tells Trey he was dreaming about his college girlfriend, Bella—a woman he loved but broke up with before leaving for London, wanting to focus on his career. He calls this a mistake. Trey urges him to call her; Gabriel refuses without explaining why. The next morning, Trey asks Thomas for Bella’s last name, which Thomas recalls is Alvarez. He tells Trey that she went home to California after she and Gabriel broke up. Despite Merryn’s skepticism, Trey searches online, finds Isabella Alvarez—an elementary education graduate from the University of Wisconsin—and contacts her. She responds that same afternoon.

Part 4, Chapter 37 Summary: “Billy Walton”

Billy is heartbroken and angry at the injustice of a good young man dying. Making matters worse, conspiracy theories fill the internet, and paparazzi crowd the road near Thomas’s house. During a Friday fish fry at Billy’s tavern, someone suggests creating a roadblock. The idea gains quick support, and Billy contacts the sheriff’s office, whose deputy reluctantly agrees to ignore traffic complaints while warning that any violence will result in arrests.


By the next morning, community members have blocked the road in both directions with vehicles and farm equipment. Most paparazzi leave, but two photographers drive around the blockade and set up across from Thomas’s driveway. When confronted, one reveals a holstered pistol. The standoff escalates—their Jeep is scratched, and one of their phones is destroyed—until the photographers back down and leave. The community maintains the blockade for three days and continues monitoring the area afterward.

Part 4, Chapter 38 Summary: “Hannah Fisher”

As summer heat arrives, Gabriel becomes completely bedridden, and his pain intensifies. A visiting nurse prescribes pain medication, and Josiah improvises practical solutions for Gabriel’s care, including a custom bedpan and wheels added to his bed. Friends continue visiting, though Gabriel is often too weak to interact. Overwhelmed, Hannah tearfully tells Josiah that she can no longer provide adequate care for Gabriel by herself.


The next day, coordinated by Abiah, dozens of Amish women from multiple districts begin arriving in shifts, washing, feeding, and comforting Gabriel, singing hymns and reading his favorite childhood animal stories. When his pain worsens, the nurse begins administering morphine through an IV drip.


On a bright late-July afternoon, a young woman with a toddler boy knocks on the door. She introduces herself as Bella Alvarez and says the boy, Raphael, is Gabriel’s son. Hannah is overwhelmed with emotion and embraces Bella warmly.

Part 4, Chapter 39 Summary: “Thomas Kennedy”

Raphael’s obvious resemblance to Gabriel dispels any doubt about his parentage. The arrival of Bella and Raphael briefly revitalizes Gabriel. He spends hours alone with Bella and frequently embraces his son. After a few days, his condition worsens again, and he sleeps most of the time. Bella joins the rotation of women caring for him.


Thomas observes the compassionate Amish care and feels ashamed for having sent his own mother to a nursing home. Josiah confides that he cannot bring himself to build Gabriel’s coffin. He has asked Abram Glick to do it instead. Josiah has also arranged for Gabriel to be buried in the English Cemetery of Peace alongside his mother, Rachel, and across from his brother, Jasper. Hannah, Josiah notes, has refused to discuss funeral details.

Part 4, Chapter 40 Summary: “Hannah Fisher”

On the morning of August 2, Gabriel lies close to death, attended by Hannah, Thomas, Abiah, and Josiah. Around three-thirty, Gabriel begins speaking in his sleep in an unknown but joyful-sounding language, then starts humming melodically. Suddenly, thousands of birds of all species arrive outside the window and begin singing together in a harmonious chorus. As the birdsong fades and the birds depart, farm and wild animals from the surrounding area begin calling out. Josiah suggests moving Gabriel’s bed outside.


They wheel him onto the patio, and Hannah describes the chorus to him. He smiles. Wild animals emerge from the woods without fear. Thousands of insects swarm, followed by tens of thousands of fireflies that rise, form a brilliant cloud, and descend to cover Gabriel and his bed, glowing so intensely the watchers must look away. The fireflies ascend together, and Hannah knows Gabriel’s soul has departed with them.


Thomas walks through the yard collecting feathers left by the birds, distributes some to the others, and lays the most beautiful ones on Gabriel’s chest. The four of them stand in silence around his body as dawn breaks.

Part 4, Chapter 41 Summary: “Billy Walton”

Word of Gabriel’s death spreads through the community, with urgent reminders to keep it off social media. The morning that he hears the news, Billy drives to Stella’s house and proposes marriage. She accepts.


Three days later, Gabriel’s funeral is held in a secluded field on the Fisher farm, advertised as a barn raising to mislead paparazzi. Hundreds of Amish and English mourners gather around Gabriel’s oversized open casket. The service opens with hymns led by an Amish minister, followed by a brief sermon and eulogies from English friends. Charlie Mayfield reads To an Athlete Dying Young; Trey and Thomas offer emotional tributes. Billy stands to speak but is overcome and tells a joke instead. Oliver Edwards concludes with a rendition of “Amazing Grace” as barn swallows circle overhead.


After a final viewing, Gabriel is carried by a hay wagon to the Cemetery of Peace and buried beside Rachel. His grave is marked only by an unadorned piece of limestone bearing a fossil that resembles a cross.

Part 4, Chapter 42 Summary: “Hannah Fisher”

Hannah reflects on her life of faith, acknowledging that while she often failed tests, those failures brought unexpected wisdom and empathy. In the days following the funeral, the family tends to Gabriel’s few possessions—his prosthetic leg donated, his clothes boxed, his shoes returned to Abram Glick, where the leather will be reused to make other shoes.


Hannah has a tearful goodbye with Thomas, embracing him and reflecting that in over 50 years of marriage, she has never held another man this way. She tells him she must stay with Josiah. She finally steps away, dons her kapp, and walks to where Josiah waits with the buggy.


During the moonlit ride home, Hannah holds Josiah’s hand and appreciates his silence as an undeserved gift of forgiveness. Arriving home, she finds Bella and Raphael waiting at the kitchen table. After Raphael finishes his bedtime snack, Hannah takes him outside to catch fireflies in a jar.

Part 4, Chapter 43 Summary: “Thomas Kennedy”

Thomas moves through late summer in mourning and distraction. He discovers that Hannah left him her comb and a book of Emily Dickinson’s poems; she marked a poem about love and separation. He fishes frequently on the Mecan River, often with Trey, who gave up coaching after Gabriel’s death. In late August, Thomas’s mother passes away; he collects her ashes and scatters them in Lake Michigan from a borrowed kayak.


Thomas visits Hannah one last time and learns that Gabriel left his money to Bella, who has accepted a teaching job and will be staying in the area with Raphael. He tells Hannah that he is leaving Lakota. When he asks for her interpretation of the events surrounding Gabriel’s death, she calls it a miracle; he offers a scientific explanation. He realizes that remaining near Hannah would be too painful, and the visit solidifies his decision to go.


Thomas puts his house on the market and, with Trey’s help, finds a cabin on the Missouri River in Montana. When his realtor brings a cash offer that is $10,000 below the asking price from a young elementary school teacher, Thomas realizes that it is Bella and instructs the agent to accept.


In early October, before dawn, he finishes loading a rental trailer and drives away from Lakota for the last time. At the age of 71, watching the sunrise in his rearview mirror as he begins a 1,200-mile journey across unfamiliar territory, he feels that his life is just beginning.

Part 4 Analysis

The final chapters resolve Gabriel’s trajectory by contrasting the intrusive nature of modern spectacle with the protective intimacy of his local community, bringing the theme of The Isolation and Exploitation of the Extraordinary Individual to its conclusion. As Gabriel’s terminal disease progresses, aggressive paparazzi and armed photographers besiege Thomas’s house, prompting Billy Walton and the townspeople to establish a vehicular blockade to protect the dying man. Furthermore, immediately following Gabriel’s death, a local alderman requests his oversized shoes to be displayed as a tourist attraction. The town’s defiant blockade illustrates a unified, communal effort to reclaim Gabriel from his commodified wrestling persona, shielding his physical vulnerability from a society intent on consuming his private suffering. Conversely, the alderman’s request demonstrates the public’s persistent instinct to monetize the extraordinary, even in the wake of tragedy. These conflicting forces emphasize that fame strips away a person’s humanity, reducing an individual’s unique physical reality to a consumable relic, while true community requires actively defending the boundary between the personal self and the public gaze.


Gabriel’s final moments emphasize his alienation from the human world and a renewed connection to the natural world. On the morning Gabriel dies, a massive chorus of birds, wild mammals, farm livestock, and insects converges outside Thomas’s yard to bear witness, creating a contrast to the gawking paparazzi on the road. Tens of thousands of fireflies land directly on Gabriel’s bed, covering his body and medical equipment, “until everything glowed and the light became so bright we had to close our eyes” (299), before ascending in unison as he dies. This supernatural gathering frames Gabriel as a figure bound to the natural world rather than the human society that exploited him for entertainment. The fireflies’ coordinated, brilliant ascent serves as a visual metaphor for his soul’s liberation from his failing physical form. The novel illustrates its contention, seeded in his early life, that his extraordinary existence always belonged more to a harmonious natural ecosystem than to human civilization, emphasizing the tragedy of his commodification.


The resolution of Hannah Fisher’s character arc reflects a mature reconstruction of her belief system, illustrating The Struggle for Faith in the Face of Suffering. After enduring profound grief during Gabriel’s illness, Hannah interprets his transcendent death as a divine miracle, explicitly rejecting Thomas’s scientific hypotheses regarding the animal gathering. Before returning to Josiah, she leaves Thomas her mother’s book of Dickinson poems, inscribed and marking a verse about despair, prayer, and separation. By voluntarily passing this private, matrilineal text to Thomas, Hannah signals that she no longer needs to hide her intellectual awakenings or spiritual doubts; she has integrated her questioning and her grief into a resilient faith. Her tearful farewell to Thomas and her subsequent moonlit buggy ride home represent an intentional choice to forgive Josiah’s long-standing silence and accept her prescribed communal role within the Amish district. Her journey moves from unquestioning piety through a fractured crisis, culminating in a complex faith that accommodates profound mystery and lasting scars.


The conclusion of Thomas’s narrative arc charts his progression from isolated grief to hopeful autonomy. Mourning his mother’s death, Gabriel’s passing, and his permanent separation from Hannah, Thomas decides to sell his Lakota property to Isabella Alvarez—readily accepting an offer $10,000 below asking price—and relocate to a solitary cabin on a remote Montana river. Selling the home to Isabella roots Gabriel’s lineage in the Lakota area, fulfilling structural continuity for Raphael that Thomas facilitates but ultimately chooses not to inhabit himself. His departure underscores the novel’s broader exploration of rural anonymity; Thomas secures his separation through physical displacement into entirely unfamiliar territory. Watching the sunrise in his rearview mirror, his renewed sense of beginnings highlights The Tension Between Communal Obligation and Personal Freedom as he realizes that personal freedom sometimes requires actively severing geographical and emotional ties.

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