Love, Mom

Iliana Xander

51 pages 1-hour read

Iliana Xander

Love, Mom

Fiction | Novel | Adult | Published in 2024

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Prologue-Part 1, Chapter 15Chapter Summaries & Analyses

Prologue Summary

Content Warning: This section of the guide includes discussion of illness, death, child death, child sexual abuse, and substance use.


An unnamed speaker reads a news report about the death of Elizabeth Casper, who publishes thriller novels under the name E. V. Renge. The speaker is infuriated by the lies included in the report. Although they’ve never hurt anyone before, the speaker believes that Renge deserved to die years prior.

Part 1, Chapter 1 Summary: “Mackenzie”

At her mother’s funeral, Mackenzie Casper struggles with complex feelings. She feels as if her mother never truly cared about her and resents the spectacle that her mother’s editors have made of her funeral. She sees her father argue with a strange man who calls him “Benny-Boy” and mentions her name. He claims not to know the man. After sneaking out, she finds a mysterious letter in her car signed by her mother’s number-one fan.

Part 1, Chapter 2 Summary

Mackenzie looks around the vacant parking lot for a clue as to who left the letter. Via phone, Mackenzie’s best friend, EJ, encourages her to open the letter. Mackenzie is reluctant, knowing that fans have sent her mother strange things in the past. Inside the envelope, she finds three handwritten pages. The first page asks if she wants to know a secret and is signed by her mother.

Part 1, Chapter 3 Summary

Mackenzie drives to her parents’ home and sneaks into her mother’s always-locked office using a secret key that her father made. She believes that the fact that her father had a secret key reflects the rough state of their relationship. Once inside, Mackenzie uses one of her mother’s manuscript pages to determine that the letter she received is, in fact, from her mother.

Part 1, Interlude 1 Summary: “Letter #1”

In the letter, Elizabeth describes how she first met Mackenzie’s father, Ben, while at college. From the beginning of their relationship, she knew that rich, popular Ben was only interested in her because she was a talented writer. However, she was so charmed by him that she ignored the warning signs. The letter alludes to sexual abuse in her childhood and urges the reader to ignore gossip about her personal life.

Part 1, Chapter 4 Summary

Mackenzie discusses the letter with EJ, who seems intrigued by the details of her parents’ first night together. Mackenzie is more interested in revelations about a strange woman whom the letter implies ruined her mother’s life. Although she is struggling to process her mother’s sudden absence, she is certain that what she is feeling is not grief. She fears that the letter means more bad things are coming.

Part 1, Chapter 5 Summary

A drunk couple interrupts Mackenzie and EJ, causing EJ to leave. Mackenzie is annoyed at the crowds of people filling her house for the post-funeral reception. She overhears her grandmother Evelyn and father, Ben, arguing in her mother’s office. Evelyn reveals that the police believe that Elizabeth’s death was not an accident. Ben suggests that Elizabeth’s death was a long time coming.

Part 1, Chapter 6 Summary

Mackenzie struggles to focus on her college classes as she scrolls through social media, reading updates about her mother’s fans’ celebrations of her life. She recalls being outed as E. V. Renge’s daughter after a professor named Robertson assigned her class an assignment on the virality of her mother’s work. Since the discovery of this family connection, Mackenzie’s classmates, especially a girl named Sarah, have treated her differently.

Part 1, Chapter 7 Summary

Professor Robertson asks Mackenzie how she is handling her mother’s death, and she doesn’t have the heart to tell him that she and her mother were not close. Robertson also questions her about her health. Three weeks earlier, Mackenzie had a seizure in his class; she has now been diagnosed with an unnamed hereditary disorder. Although she revealed her condition to Robertson, she has not told her parents. Later, Mackenzie arrives home to find another letter.

Part 1, Interlude 2 Summary: “Letter #2”

In the letter, Elizabeth reveals that she was assaulted by three boys in the group foster home that she lived in as a teenager. A month later, the boys died in a mysterious barn fire. Elizabeth used her trauma as inspiration in her first novel but devised a more violent and gory ending for the boys. While writing the novel in college, she was confronted by a mysterious woman from her past, Tonya Shaffer, who claimed to know how Elizabeth avenged her assailants.

Part 1, Chapter 8 Summary

Mackenzie brings the letter to EJ to examine. When she arrives, she finds his ex-girlfriend, Monica, leaving. Mackenzie feels jealous and then pushes the feelings aside. EJ notes that the story in the letter aligns closely with the events of the first E. V. Renge novel, Lies, Lies, and Revenge. He confirms via online research that a fatal barn fire occurred at the foster home where Elizabeth was raised.

Part 1, Chapter 9 Summary

EJ offers to find the police file related to the foster home barn fire so that they can determine if Elizabeth was a suspect. Mackenzie returns to her parents’ house, not wanting her father to be lonely. When she arrives, she finds him drunk in her mother’s office, using a screwdriver to open locked cabinets. She laughs at the thought that her mother was so protective of her secrets.

Part 1, Chapter 10 Summary

Ben claims to be looking for insurance papers, explaining that he, Elizabeth, and Mackenzie all have life insurance policies. Mackenzie wonders if her mother knew about her hereditary disease and established a policy because she expected Mackenzie to die. She also suspects that the life insurance paperwork would be with their lawyers and wonders what secret files her father is truly searching for.

Part 1, Chapter 11 Summary

Mackenzie asks Ben about her mother’s college years, hoping for more information about John, a friend mentioned in the second letter. Ben says that Elizabeth never had any friends but that she was kind and fun until an unnamed event occurred. As he gets increasingly drunk, Ben also reveals that Elizabeth had an affair behind his back for many years.

Part 1, Chapter 12 Summary

Mackenzie makes a copy of her father’s secret spare key to her mother’s office so that she can get in whenever she likes. She learns that her father has ordered their housekeeper, Minna, to throw out all the flowers that admirers sent. Mackenzie asks Minna to keep one large arrangement that was addressed to Elizabeth as the “finest woman” the sender has ever known. Minna gives Mackenzie an envelope with another letter from her mother.

Part 1, Interlude 3 Summary: “Letter #3”

Tonya began spending time with Ben, making Elizabeth jealous and insecure. On a night out with Ben and his friends, Elizabeth was horrified when Tonya recounted the story of the foster home fire, not revealing Elizabeth’s involvement. When Elizabeth tried to leave, Tonya followed her and claimed to have proof that Elizabeth was involved with the fire. Tonya threatened to go to the police with her evidence.

Part 1, Chapter 13 Summary

EJ arrives and reads the third letter, confirming that it seems like an admission that Elizabeth was involved in the murder of her three assailants. When he finds Mackenzie’s prescription bottles, he seems worried and tells her that he wants her to stay alive. Mackenzie teases him about his computer-science girlfriends, but he insists that he’s not interested in that type of girl anymore.

Part 1, Chapter 14 Summary

Minna’s nephew Nick helps her remove all the flower arrangements from the house. EJ and Mackenzie sneak into Elizabeth’s locked office using the copied key. Mackenzie notices that her father has moved his spare key from its usual hiding spot. All the gothic decorations and paraphernalia amaze EJ, and he and Mackenzie search through decades of fan mail and presents.

Part 1, Chapter 15 Summary

EJ finds a locked drawer in a cabinet and suspects that the contents inside are important. While he tries to find a key to unlock it, Mackenzie begins searching through her mother’s desk. Sitting at her mother’s desk makes her feel closer to her mother. She finds her grandmother Evelyn’s name on legal documents and evidence that her mother was being blackmailed. Then, EJ manages to unlock the drawer.

Prologue-Part 1, Chapter 15 Analysis

The opening chapters of Love, Mom introduce the novel’s thematic interest in The Complex Nature of Grief and Trauma through the protagonist Mackenzie Casper’s difficulty coping with the death of her mother, Elizabeth. Because of Mackenzie’s tumultuous relationship with her mother, she struggles to discern whether what she is feeling is grief. Although Mackenzie is “waiting for the grief to strike [her] suddenly” (16), she repeatedly states that she is “not grieving” and that grief is “not happening.” Mackenzie also attributes this lack of traditional grief to her extended family, suggesting that “none of [them are] grieving” (15). Despite these repeated rejections of grief, the novel indicates that Mackenzie is in deep emotional distress, emphasizing that grief is a more complex emotion than simple sadness. As the passages above indicate, Mackenzie “[wants] to be sad” (7), but she finds that she can shed “not a single tear” for her mother (16). Instead, she feels a complex combination of emotions ranging from anger to emptiness. She expresses “bitterness” over the fact that she and her mother “were never close” (27), establishing the theme of Nature and Nurture in Personal Development. Mackenzie explains that she doesn’t “know how to process the fact that [she] miss[es] her, or how to deal with the sudden void in [her] life” (28). This “surreal” combination of emotions causes Mackenzie to obsess over the letters she receives starting after her mother’s funeral. Her best friend, EJ, explicitly suggests that she is “substituting grief with some mystery [she is] trying to milk out of” the letters (26). Mackenzie’s struggles to identify her emotions and her determination to displace them reflect the complex nature of grief, something with which she must contend throughout the novel.


These chapters also introduce the theme of The Fickle Reality of Literary Fame through its depiction of the fans of Elizabeth, who published under the name E. V. Renge. The novel demonstrates that there is an active and fervent fan base for the works of Renge that extends from her peers in the writing world to a global readership and lasts after her death. Mackenzie notes that the “literary world” considers her mother to be a “brilliant genius” and that her books sit on the “New York Times Best Seller List for months” after publication (63). The references to the larger literary world and the prestige of The New York Times function to highlight that the literary world takes Renge seriously and that she has found significant success.


In addition to these prestigious accolades, the novel shows that Renge has a global fan base of avid readers. Her fans consider her to be the “queen” of thrillers, resulting in “all sorts of gatherings around the world” organized by fans “for days” after her death (34). When Mackenzie’s social studies professor once assigned her class a project on the works of Renge, “claps and excited cheers erupted from everyone” (36). While she was alive, Elizabeth received hundreds of pieces of fan mail a year, including “locks of hair in little plastic baggies with notes, weird toys, dolls made to look like [her] with needles pinned through them,” and “red soil from Namibia from one fan [and] rocks from a volcano in Iceland from another” (79). These passages underscore that Renge has a wide-ranging fan base, from college students to more extreme, alternative fans. The references to Namibia and Iceland in the description of the fan mail also demonstrate that this fan base is global. This depiction of Renge’s fans highlights the size and scope of her fan base.


However, the novel also emphasizes that Renge’s publicity team carefully manages her fan base. In the novel’s opening chapters, Mackenzie is disgusted by the manufactured nature of her mother’s funeral, calling it a “spectacle,” a “performance,” and an “event.” She laments the fact that her mother’s publisher’s “in-house PR” has hired a group of actors to turn what should be a solemn day of remembrance into a raucous scene. The actors are paid to “cause havoc and scream obscenities and desecrate one of [Elizabeth’s] portraits, proclaiming E.V. Renge a devil” (10). Mackenzie explicitly attributes this decision to a desire for “publicity,” underscoring that her mother’s literary fame is carefully constructed, rather than purely spontaneous, and thus contains a fickle reality.

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