51 pages • 1-hour read
Iliana XanderA modern alternative to SparkNotes and CliffsNotes, SuperSummary offers high-quality Study Guides with detailed chapter summaries and analysis of major themes, characters, and more.
Content Warning: This section of the guide includes discussion of illness, child death, child sexual abuse, emotional abuse, suicidal ideation, and substance use.
Mackenzie’s unnamed hereditary condition acts as a symbol of the secrecy surrounding her family. This secrecy begins with the fact that Mackenzie’s narration never names the condition, describing it only as “some inherited condition that [she] need[s] to take pills for” (7). Mackenzie does not share her diagnosis with the people she believes are her parents. Although Mackenzie cried after she got the diagnosis and tried to talk to her mother, the woman posing as Elizabeth ignored her, so Mackenzie chose not “to tell her out of spite, imagining how one day, [she] would just drop dead, and she and Dad would regret that they never paid more attention” (59). As she begins to distrust her parents, Mackenzie begins to wonder if, “considering that it’s a genetic condition, maybe Mom even knew about it all along and […] knew it could get out of hand untreated” and that “maybe that was the reason she got a life insurance policy for [Mackenzie]” (59).
In these early chapters, Mackenzie’s unnamed hereditary condition is shrouded in secrecy: First, she hides it from her mother, and then she wonders if her mother intentionally hid it from her. At the end of the novel, the hereditary condition is the key to uncovering the secret of her true parentage. While at the home of Professor John Robertson, Mackenzie discovers a prescription used to treat “[her] hereditary condition, passed on usually from a parent” (324). The realization that Mackenzie and John both have the same condition leads her to realize that John is her biological parent.
Much of Love, Mom takes place on a lake in rural Nebraska. The garfish living in the lake act as a symbol of hidden violence throughout the novel. The narrative describes garfish as “ugly-looking creatures that can grow up to 300 pounds” (227), an exaggeration of the real-life average of 100 pounds. The presence of the “monsters with sharp teeth” in the lake anticipates the secret violence that Tonya enacts on Elizabeth in the lakeside cabin (202). Just as the monstrous garfish are hidden in the seemingly peaceful lake, the isolated cabin hides Tonya’s vicious treatment of the captive Elizabeth.
When Ben becomes overwhelmed by the reality of Tonya’s plan to kidnap Elizabeth and steal her identity, the garfish sign on the road to the cabin begins to cause him anxiety. The sight of the sign makes his “insides turn” with dread, causing a “vicious thud of [his] heart against [his] chest” (231). In a moment of desperation, Ben drinks to excess and throws himself into the lake, hoping that “a vicious gar w[ill] come upon [him] and chew [him] up with its sharp teeth and put an end to it all” (228). For Ben, the garfish are both a symbol of Tonya’s violence and a solution to his problems.
The deadly bonfire that killed three boys at Keller Foster Care acts as a symbol of the impossibility of knowing the truth about traumatic events. Officially, the fire is unsolved. Although “authorities suspected foul play” (54), the investigation “was deemed inconclusive and soon closed due to the lack of evidence” (54). Elizabeth’s letters indicate that she believes she is solely responsible for the fire: After being sexually assaulted in the barn by three of her peers, she set the barn on fire while the three were inside. Elizabeth sees the fire as “punishment” for their crimes against her.
Although Elizabeth believes that she “was the only one who knew what really happened the night of the barn fire” (45), the Tonya chapters in Part 2 reveal new perspectives on the event. Despite knowing the truth of Elizabeth’s assault, Tonya tells Ben that Elizabeth started the fire “because she was jealous of one boy and [Tonya]” (178). It is later revealed that, unbeknownst to Elizabeth, Dianne was also partially responsible for the boys’ death, as she “took the pole propped on the side, and shoved it into the door handles so that the door could never be opened from the inside” (199-200). Like Elizabeth, Tonya sees the fire as “revenge” against her boyfriend. The discrepancy between Elizabeth’s and Tonya’s perspectives on the fire reflects its use as a symbol for the impossibility of knowing the truth about traumatic events, which can look different for all parties involved.



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